It’s been a while since I last had the pleasure of interviewing some of my favourite book bloggers about their criminally good reading habits. So it’s doubly delightful to welcome the very well-read and thoughtful Mrs. Peabody to my blog today. Mrs. Peabody is the pseudonym of British academic Katharina Hall, Associate Professor of German at Swansea University and fellow international crime fiction lover. Her blog is a constant source of information and delight. She has also been featured on the Radio 4 series on European fictional detectives ‘Foreign Bodies’ (a series I keep referring to all the time).
Like many fans of the genre, I discovered crime fiction as a teenager through family copies of Agatha Christie novels. I remember loving the clever solutions to The Murder of Dr. Ackroyd, Murder on the Nile and Murder on the Orient Express, and still have a soft spot for her work. Those were followed by an encounter with John D. MacDonald’s macho ‘Travis McGee’ novels, whose more worldly content was an eye-opener, although their gender stereotyping annoyed me even then.
After that, there was a bit of a gap. I studied English and German at university, and spent the first decade of my academic career focusing on ‘high’ literature – although I can see with hindsight that I was often drawn to authors who played with crime conventions, such as Thomas Pynchon and Günter Grass. My friend and former colleague Barbara takes the credit for my full conversion to crime. A few years ago she found a German crime novel at the back of a store cupboard at work, and passed it on to me. It was Self’s Punishment by Bernhard Schlink, author of the international best-seller The Reader, and featured a detective who was a former Nazi. That’s when I started thinking about representations of National Socialism and its post-war legacies in crime fiction, and became properly hooked. I’ve been reading and researching international crime fiction ever since, and set up the ‘Mrs. Peabody Investigates’ blog in 2011.
Are there any particular types of crime fiction or subgenres that you prefer to read and why?
What is the most memorable book you have read recently?
Hannah Kent’s Burial Rites, the impressive debut novel of a young Australian author who spent time in Iceland as an exchange student: she describes it as her ‘dark love letter’ to the country. Set in northern Iceland in 1829, it explores the case of Agnes Magnúsdóttir, the last woman to be executed there for murder. The figure of ‘the murderess’ tells us a lot about the gender, class and power relations of the time, and the picture the author paints of every-day, rural Icelandic life is fascinating. The story, setting and their links to the Icelandic sagas have stayed with me since I finished it a few days ago.
If you had to choose only one series or only one author to take with you to a deserted island, whom would you choose?
Such a difficult choice! At the moment, I think it would be Leif G.W. Persson’s ‘Decline of the Welfare State’ trilogy: Between Summer’s Longing and Winter’s End (2002), Another Time, Another Life (2003) and Free Falling, as in a Dream (2007; about to be published in the UK). Collectively, these explore Sweden’s big, unsolved crime – the 1986 assassination of prime minister Olof Palme – against the backdrop of twentieth-century Swedish, European and Cold War history, with a cast of beautifully complex characters and highly compelling narratives. They have a wonderful streak of black humour too, which I suspect I’ll need on a deserted island… When I start talking to myself, I can adopt Johansson’s ironic catch-phrase ‘I’m listening…’. Crucially, they’re extremely long and are the kind of novel you could read repeatedly without tiring of them.
What are you looking forward to reading in the near future?
Here’s a small selection of the books I’m keen to read: D.A. Mishani’s Possibility of Violence (the second in the Israeli Avraham series), Natsuo Kirino’s Out (and more Japanese crime fiction by women in general), Jaume Cabré’s Confessions (a Catalan bestseller with elements of crime), Eleanor Catton’s The Luminaries (New Zealand Booker winner drawing on crime conventions), and Patrick Modiano’s Missing Person (a 1970s crime novel by the French 2014 Nobel Prize for Literature winner). I’ve made peace with the fact that there are too many crime novels out there for me to possibly get through. I’ll simply plod on as best I can and enjoy the one I have in front of me in the here and now.
Outside your criminal reading pursuits, what author/series/book/genre do you find yourself regularly recommending to your friends?
For previous participants in the series, just follow this link. If you would like to take part, please let me know via the comments or on Twitter – we always love to hear about other people’s criminal passions!