Only a few more days to go before the Quais du Polar (Crime Festival) kicks off in Lyon and I am trying to create an events schedule. Really tough choices, as so many events I’m interested in are taking place at the same time in entirely different locations. So, let me ask you, what would you choose between:
- An Hour with Jo Nesbo vs. Women in Crime Fiction (with Sara Gran, Jax Miller, Dolores Redondo, LS Hilton, Philippe Jaenada)
- Urban Locations in Crime Fiction (with Donato Carrisi, Walter Lucius, Carlos Zanon, Richard Price and Michele Rowe) vs. New Wave Brits (JJ Connolly, Jessica Cornwell, SJ Watson, James Oswald, LS Hilton)
- An Hour with David Peace vs. Crime Fiction from Quebec
- An Hour with Arnaldur Indridason vs. New World/Old Continents (with Parker Bilal, Colin Niel, Caryl Ferey, Olivier Truc, Nairi Nahapetian)
The other topic which has preoccupied me this Easter weekend was alternative endings to much-loved classics. My younger son had to write a new ending to A Midsummer Night’s Dream (which his class are going to be performing next week). He had Puck taking mercy on Titania and being punished for that by Oberon. Then Titania has a sword fight with Oberon and kills him for his cruelty, but the mortals rush away just in time for the Duke’s wedding. So he’s made a tragedy out of a comedy and left Titania to rule single-handedly over the fairy realm. Which shows he’s either a budding feminist or future crime writer, I suppose!
That had me wondering what endings I would like to see in some other favourites. An alternative Great Gatsby ending is too easy: just look at Tender Is the Night for what would have happened if Gatsby had married Daisy…
Most of the time, I have to admit that the writers of great classics did judge the endings perfectly and the books would have lost of some of their power if they had any different resolutions. However, there are a few exceptions (some of which will raise your hackles, no doubt):
- Jane Eyre: I’d have run away from Mr. Rochester no matter what. Not realistic, perhaps, in those days.
- Rebecca: A civilised separation and a settlement to enable the second Mrs. de Winter to live somewhere quietly in a place of her choosing, with equally beautiful rhododendrons and a view of the sea.
- Anna Karenina: I’m not for a minute suggesting a happy ending here, but I do think that poor Anna suffers the punishment for adultery, while the men get off scot-free for the most part. I’d like both her husband and Vronsky to suffer, and for her son to grow up in a more loving environment, perhaps with Kitty and Levin.