I’d never heard of Joanna Cannan until I saw her in the Persephone catalogue, but she was the mother of the Pullein-Thompson sisters and almost single-handedly invented the pony books genre which I devoured as a youngster. She is also a typical example of what has been called the ‘furrowed middle-brow’ type of literature which was so popular (and so well written) back in the 1920s and 30s.
My librarian thought I meant Joanna Cannon, whose books were readily available, but we finally managed to find one of her books in the deepest recesses of the cellar. The book is High Table, which is predictably about the Warden of a fictional Oxford college. Joanna Cannan herself was the daughter of an Oxford warden, so she knows her stuff.
Theodore Fletcher is the (anti?)hero of this book. A wimpy, self-conscious, anxious little boy of the late Victorian age – clever but not exactly brilliant at school, not any trouble either.
…his accuracy, his copperplate memory and lack of intellectual imagination were admirably suited to the precise demands of schoolwork. He was popular with his masters, for he gave them no trouble and looked like doing them credit, and the worship of the athlete had not then reached the later disproportionate stage.
He is of course the perfect target for bullies – not so much at school, but with the landed gentry in the village where his father is the rector. He is constantly reminded that of his inferiority in social status, social and physical skills, even looks. Luckily, he has the world of books as his refuge and I’m sure many of us earnest and bookish children labelled as ‘swots’ in our youth can relate to that:
All around the room in the shelves stood the books, waiting for you, not criticising you, you needn’t wonder or worry over what they were thinking, they didn’t care if you lost races or cheated at games, they didn’t whisper that you were short for your age or snigger at your spectacles; quiet and brown and learned… they waited for you, and you only had to open them and they’d each a world to give you, not a hot, hurrying, jeering world full of races you couldn’t win and balls you couldn’t catch and trees you couldn’t bear to climb, but the cool, slow, smooth world of the mind…
He goes to study at Oxford, but a holiday fling with a girl socially his inferior (but whose mind he would like to improve) results in a pregnancy. Horrified by what he has done, he shirks responsibility. The girl gets married to a farmer and moves away from the home village, while Theodore continues his academic pursuits in Oxford. On the eve of the First World War, he becomes the Warden of his college. The great pride he feels in his appointment is considerably diminished when he realises that he was in fact the compromise candidate, despised by his fellows but designed to keep other, more controversial although brilliant candidates out:
And now there’s nothing to come, nothing to hope for. I’ve got years and years before me… of being Warden and keeping Haughton out, and all of it to be spent with these men who’ve used me, who put me in this place when they had to find someone for it, because they thought, we’ll be able to manage Fletcher; he’s as weak as water’ he’ll be wax in our hands.
Bitterly disappointed, he then faces another challenge: seeing his beloved college and Oxford itself decimated by the war – or rather its young men disappearing. Gradually, he starts questioning the superiority of intellectual life, which has become meaningless in a world at war:
We’re not waiting. We’re left behind. Oxford’s no use in this, any more than scholarship or literature; a heap of earth out there that a man can take cover behind is of more use than the loveliest of our buildings… this ghastly feeling that your world had been nothing all along but an illusion, that everything you had lived for had been useless, impotent all this time?
Just about at this stage in his disillusionment, fate brings Lennie into his life, the eldest son of his former love, the result of his only amorous adventure. Suddenly, he feels he has been given a second chance to reconnect with life, real life.
I won’t spoil the rest of the story for you, but it is charmingly written, with many astute observations which keep it just this side of sentimentality. And, for all its Oxford setting, it is not strictly speaking a campus novel, although it shows quite clearly the disconnect between Oxbridge and real life. You cannot help but feel sorry for poor Theodore, infuriating though he undoubtedly is – the very illustration of ‘old fogey’. Overall, an enjoyable read but one which also raises questions about ivory towers and just how much we can bear to engage with the mess of the real world.