Many of the authors I discovered this year are not really new authors at all, simply new to me. You all have been raving about some of them for years!
Olga Grushin: Dream Life of Sukhanov – freedom and the artist, censorship and compromise, all in a satirical and surrealist tale of midlife crisis
Cora Sandel: Alberta Alone, transl. Elizabeth Rokkan – so daring and modern, very relatable and touching
Fernanda Torres: The End, transl. Alison Entrekin – my favourite combination of humour, satire and sadness – what the Germans call ‘zartbitter’ (tender bitter)
Kent Haruf: Plainsong – all those bloggers who recommended him: you were right! I’m not normally a fan of small-town America, but there is something deliciously plaintive but also muscular and lean about his style, reminded me of Sam Shephard’s Cruising Paradise
Livia Braniste: Interior zero – the Romanian millenial Bridget Jones is by turns funny, cynical and much more subtle than her British counterpart
David Vann: Aquarium – hard-done-by children and their stories always grip me, and this one is beautifully written and heartbreaking
Gerhard Jäger: All die Nacht über uns – this clever blend of personal and social history is just my cup of tea – it will probably go straight onto my best of the decade list.
Anything goes here really – writers I’m already familiar with, poetry (which I read a lot but very seldom review), things that defy all categorisation etc.
Julia Franck: Die Mittagsfrau – started slowly and then just grew and grew on me
Ilya Kaminsky: Deaf Republic – political narrative poetry at its most lyrical, metaphorical and troubling
Shirley Jackson: Raising Demons – sweetness wrapped in bitter chocolate – or should that be bitterness wrapped in milk chocolate?
Isaac Babel: Odessa Stories, transl. Boris Dralyuk – virtuoso storytelling, comedy and tragedy in equal measure