Book Fair in Geneva – Salon du Livre

On Thursday this week I had the pleasure of attending the Geneva Book Fair. This is a large annual event (by Swiss standards), but it attracts little attention internationally because it is geared towards French speakers (lots of foreign books, but they are all translated into French; I couldn’t find even Swiss German writers in the original) and has few big name invitations. Although I did get to see Linwood Barclay there last year.

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It is not a trade fair and many of the standholders and publishers say they don’t even sell that many books. (Hmmm, book prices in Switzerland may have a little to do with that – 25-30 CHF for a paperback is very common, about £20 or $30). Instead, it’s very much about raising awareness, the general public and education. Small wonder it was teeming with schools, children running around doing treasure hunts or learning how to draw BD characters, or toddlers reading with their parents.

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And it’s not just about books – there were many stands dedicated to associations (book clubs and writing groups), universities, arts and crafts, health and well-being, cookery workshops and wine-tasting. There are plenty of outlets for your own creativity.

Artworks made out of old books.
Artworks made out of old books.
The Factory: each container had a different theme for visitors' own contributions: a 6 word story, your favourite books, print your selfie, write your bio etc.
The Factory: each container had a different theme for visitors’ own contributions: a 6 word story, your favourite books, print your selfie, write your bio etc.

I minded the Geneva Writers Group stand for a few hours. We improvised a bit with the decorations, but next year we will create something truly magical! I had no books to display myself, of course (maybe next year or the year after?), but I was surrounded by talented members of the group who did: Katie Hayoz (I’ve reviewed one of her YA books here), science-fiction writer Massimo Marino and YA/NA author Olivia Wildenstein. And I’m not just saying that because they are nice people…

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In the afternoon I wandered around, bumping into Max Cabanes again and telling him I should pay him royalties for using his drawing as my avatar. The BD illustrators are a wonderful bunch, and I also enjoyed talking to storywriter De Groot (creator of Leonard, about a mad inventor, one of my boys’ favourites) and Batem (illustrator of the magical Marsupilami).

How to draw a Marsupilami...
How to draw a Marsupilami…

When I said it was aimed towards French speakers, I did not mean to imply it is not international. On the contrary, there are many special interest country and regional sections, ranging from the youngest canton of Switzerland (Jura) to Arabic nations of North Africa, Brazil to Armenia. Each one organises panel discussions or author interviews on small stages. But there are so many events competing for your attention that not all get the audience they deserve. I got to see Dominique Sylvain making some very witty and wise observations about writing crime fiction in front of just 5-6 people: in Lyon, she’d have been mobbed!

Russia was the guest of honour this year. Here's a selection of cookery books in Russian.
Russia was the guest of honour this year. Here’s a selection of cookery books in Russian.
The African Salon.
The African Salon.
And, of course, you can't forget Switzerland itself...
And, of course, you can’t forget Switzerland itself…
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The Philosophy Section. Unfortunately, the session I was looking forward to here, ‘What Use Is Poetry?’, was cancelled or moved.

I was restrained in my book purchases, because most of the French authors I wanted I can get cheaper across the border in France. I did find a book by Alex Capus in German Mein Nachbar Urs (My Neighbour Urs) – which I couldn’t resist, since I have a very good friend with that name. Besides, I’ve been meaning to read Capus for ages. There was also an English-language bookshop that was selling off their remaindered books at very low prices, so I bought a one-volume selection of prose by Seamus Heaney, published by Faber & Faber, and the deliciously gossipy looking Writers Between the Covers. The Scandalous Romantic Lives of Legendary Literary Casanovas, Coquettes and Cads by McKenna Schmidt and Rendon.

Apologies for the shaky photographs: I hate taking pictures with my mobile phone!

 

 

 

 

 

 

 

Geneva Book Fair and Linwood Barclay

P1020280The Geneva Book and Press Fair took place from 30th April to 4th of May at the Palexpo… and to my great delight it was nearly as crowded as the Geneva Motor Show, which also takes place there every year. There was something for everyone at this very family friendly event: from comic books, to a focus on Japan (including learning to draw manga and a demonstration of the tea ceremony), to travel, education, Arab and African literature, to name just a few of the exhibition areas. Needless to say, the ‘stage’ I was most interested in was the Crime Scene, which featured an early morning relaxed Q&A session with bestselling author Linwood Barclay. Here are some words of insight from this hardworking and humorous journalist turned thriller writer:

My recipe for success? It’s when hard work meets luck. There are lots of fabulous authors who go unnoticed, so luck has to play a part as well.

Linwood Barclay
Linwood Barclay

When you write thrillers, both the publishers and the readers have an expectation of one book per year. Luckily, I find it easy to write at this pace. I start a book in January, get the first draft down by end of March, then I spend another 2-3 months to fix it. But there’s also the challenge that you always want your next book to be your best one, and there is more pressure, more scrutiny, so I spend far more time rewriting now than I used to.

I started off writing comic thrillers about a rather anxious and reluctant investigator, Zac Walker, who is really not equipped to deal with bad people. They got nice reviews, but were never big sellers. Comic crime fiction has a small but devoted following. So if I wanted to reach a wider audience, I had to make my stories darker.

P1020266Lots of writers say they don’t want their editors or agents to suggest any changes, that they want to write what they want to write. But I’m not like that. Editors have always made my work better – just like my 2nd or 3rd draft is always better than my first one –  it’s a mistake not to listen to them. Perhaps it’s because I also worked as a newspaper editor and so I understand that, even if the author does a great job, there is a bigger picture, more of an overview which an editor can have.

I’d love to say that I don’t care about negative reviews, but of course I do. I may get 20 fabulous reviews but the one negative one will be the one I focus on and the one that will spoil my day. At some point, I had the idea of writing a novel about an author who goes round the country killing all those reviewers who give him 1 star on Amazon.

 

For much more balanced reviews of Linwood Barclay’s novels, see here and here on the CFL website. I look forward to cracking open my signed copy of Trust Your Eyes now, a story of brotherly love, schizophrenic obsessions and witnessing a murder via Google Earth.

Chi by Konami Kanata
Chi by Konami Kanata

On a complete tangent, at the Japanese stand I discovered the adorable series Chi’s Sweet Home by Konami Kanata, about a curious little tabby kitten. Since our household is currently rather cat-obsessed, I couldn’t resist this manga, nor the assorted cat figurines or key rings.

 

 

 

 

 

The Japan Stand
The Japan Stand