I am not always sure that recording a video is quicker than writing a review, but this was more like improvisation based on bullet points. So, if you can bear me looking just about everywhere except for the camera, this is a good way to talk about four books which were very enjoyable, but about which I don’t have enough to say for a really comprehensive review. Or, to be honest, am also too busy to sit down and think about more comprehensively and coherently.
The books are (in order):
Catherine Fox: Angels and Men, set in Durham in the 1990s
Abir Mukherjee: A Necessary Evil, set in India in 1920
E.C.R. Lorac: These Names Make Clues, set in 1936 London
Bella Ellis: The Vanished Bride, set in Haworth in 1845.
I think you all know by now that I am very weak-willed when it comes to books. I have periods of almost feverish book acquisition, followed by periods of… more moderate consumption. Abstention is rarely, if ever, possible. So I thought it would be interesting (at least for myself, if for no one else) to see what are the reasons for recent acquisitions. What are the drivers for my book choices? Alas, in many cases, I read a review and then rush so quickly over to buy the said book that, by the time the book arrives in the post, I have forgotten just where I first saw it mentioned, but I suspect most of the initial impulse came from Twitter.
Barbara Demick: Her latest book, Eat the Buddha, about life in Tibet under Chinese rule, has been out since summer of 2020, but I only recently came across a review of it in Asia Nikkei. When I heard about her previous books (about North Korea and Sarajevo), I thought she sounded exactly like the kind of anthropologist I wanted to become, delving deeper beneath the headlines but investigating people’s current problems and lives. Perhaps investigative journalists are the anthropologists of today, if they have the luxury of spending time in those communities. So I went on a bit of a spending spree and got all three of her books: Besieged (about Sarajevo), Nothing to Envy (about North Korea) and Eat the Buddha.
Yulia Yaklova: Punishment of a Hunter – I saw Poppy Stimpson, the publicist from Pushkin Press, talk about this one on Twitter (or maybe I saw it on the translator Ruth Ahmedzai Kemp’s feed) and was intrigued by the 1930 Stalinist Russia setting in Leningrad (written however by a contemporary Russian writer). So I immediately asked Poppy for an ARC, and she kindly sent me one. I love the Pushkin Vertigo series, as well as a lot of their other publications.
Catherine Fox: Angels and Men – This one comes a little more out of the left field. I was jubilating on Twitter about my older son going off to study at Durham, and one of my friends, Con Martin, who blogs as Staircase Wit, mentioned this book, which is set in a northern cathedral town (obviously Durham). I have only passed through the town twice, once as a tourist, once for university open day, so want to get more of a feel for the place, and what better way to do it than through fiction.
Joy Williams: Breaking and Entering – The American writer Joy Williams has a new book out Harrow, which is all post-apocalyptic and dark. I read some contradictory reviews about it, but I also read that most people thought some of her earlier work was well worth reading, and quite a few raved about this particular one: ‘Two young married drifters break into vacation homes in Florida. Ferocious and perfect.’
Francine Prose: Reading Like a Writer – This is quite a funny story. I had read many enthusiastic reviews and recommendations about this from fellow writers, so much so that I was convinced that I had bought it. I went to search for it on my bookshelves recently and discovered that no, I did not own it. Mad scramble to get hold of a copy, as it has that wonderful approach to ‘writing craft’ that Lucy Caldwell also advises: ‘When you cannot figure out how to do something in writing, read examples from writers who do it well and try and figure out how they make it work. Then develop your own solution.’
H.P. Lovecraft: The Dunwich Horror– To my utter surprise, this was a request from my younger son. He hasn’t been much of a reader in recent years (perhaps GCSE English didn’t help), but he read Orwell’s 1984 over the holidays and then tried The Call of the Cthulhu by Lovecraft and was eager to read more. I found this edition in Waterstones Gower Street, which is snugly and fortuitously placed halfway between my place of work and the Tube station.
Maryla Szymiczkowa: Karolina or The Torn Curtain – I have mentioned this before: as part of Noirwich, I attended the interview with the two (male) Polish authors and their translator Antonia Lloyd-Jones, and was so intrigued by the concept and the charisma of the authors, that I had to get my own copy.
Ann Quin: Berg – I first heard Quin mentioned on Backlisted podcast, made a note of the name and planned to search for her in the Senate House library. Then I saw several people whom I follow on Twitter also mention her: Charlus Kinbote aka TotheHappyNone recently bought several of her books, David Hering has been doing a Quin readathon in September, and there was a review of about her books being reissued in the Sydney Review of Books.
Not visible on the pile above are the books I downloaded on my Kindle recently. Quite a few of them are because I know the authors in real life and want to follow their latest releases. That is the case for the following:
Rebecca J. Bradley: Seconds to Die(Rebecca is the organiser of our Virtual Crime Book Club and I’ve been following her blog and her work for 7-8 years now)
Nikki Dudley: Volta – I attended a writing for Mums workshop with Nikki, and she was a wonderfully encouraging tutor for experimental fiction, but this is a bit of a departure for her, as it’s a psychological thriller.
Claire Dyer: The Significant Others of Odie May. I met Claire virtually during lockdown, as she is one of the organisers of the Poets’ Cafe in Reading (which went online for a while). I have always appreciated her poetry, but this book is crime fiction.
Matt Wesolowski: Deity. I’ve met Matt at several Orenda events or crime festivals, and have read all the books in the Six Stories series, with the exception of this one.
Last but not least, I do try to get books from the library as well. I am currently reading (and very much enjoying) Tokyo Reduxby David Peace. I have also requested (and am on the waiting list) for Magpie by Elizabeth Day and hope to read the most recent Louise Penny soon. After spending September binge-reading the Cazalet Chronicles, I wanted to find out more about their author, Elizabeth Jane Howard, so I just borrowed a biography written by Artemis Cooper. The best thing about libraries, however, is the haphazard finds while browsing the shelves, and I came across a book by Freeman Wills Crofts: The Groote Park Murder. A Golden Age crime author who appears in the British Library Crime Classics series (especially in anthologies), he has also been favourably reviewed by trustworthy blogger friends such as Fiction Fan (with one exception), Booker Talk and Classic Mystery Blog.
Clearly, most if not all of my impulsive physical book purchases are a result of recommendations by people whose opinion I trust, i.e. bookish Twitter and blogger friends. Articles in literary journals only serve to reaffirm (and justify) my decision.
I also want to support writer friends and acquaintances, and although I don’t much like Amazon and don’t want to order physical products from them, I know that buying e-books at least helps their Amazon ranking. (I should also make more of a habit of leaving reviews on Amazon, rather than just Goodreads or my blog)
Finally, when it comes to libraries, I can afford to be more adventurous and rely on serendipity, knowing that if I hate a certain book, I can just return it without any fuss or expenditure. Sadly, the local libraries are getting less and less adventurous, with a tendency to spend their limited budget only the sure-fire bestsellers or literary prize winners. Still, I suppose that saves me from having to buy any of those… More money left for the smaller, quieter, quirkier books, authors and publishers.
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