Cultural Events Summary 20 May 2018

I hope you have all been enjoying the nice weather this week. I’ve been mostly stuck inside, as we’ve been busy at work with two conferences, a workshop, becoming GDPR compliant and budget forecasts. However, sunshine is always good for the soul, and especially at the weekend. And I’ve managed to sneak in a couple of cultural events too…

On Thursday I watched the film 120 BPM (beats per minute), runner-up at the Cannes Festival last year. Filmed as a sort of faux-documentary of life as an activist member of ACTUP Paris in the early 1990s, it captures that frenetic spirit of being young (but not only), fighting for your life as well as for justice, fighting Big Pharma, public ignorance and apathy, government failure to debate, inform or provide any coherent policies. It is also a love story and, inevitably, as with any story about AIDS, there is grieving. But this is no Philadelphia or Longtime Companion, unashamed tear-jerkers, with (usually not gay) actors fading away eloquently and elegantly. This is about anger and survival, doing anything you can to feel alive, about strategy and protest and disagreements within the group, but also about coming together, solidarity and changing the world. ‘Paris were frankly a bunch of complete maniacs’, a former ACTUP London member said, and I had to laugh as I tried to imagine those protest or virulent discussions transposed in a British environment. The two male leads are extremely charismatic: Arnaud Valois from Lyon and Nahuel Pérez Biscayart from Argentina (who, as far as I can tell, are both gay, which makes it all the more realistic) make that very serious struggle look like fun.

The real ACTUP Paris in 1995.

The film transported me back to 1989-1992 when I too was young and politically engaged, although in our case it was regime change and democracy that we were fighting for. In spite of the disillusionment or flaws or failures (and the pain of watching friends die), it was an exhilarating movement to be part of (both mine and ACTUP) – and this is perfectly captured in this film. It’s all too easy to say that the world has moved on since then regarding attitudes towards AIDS and the LGBTQ+ community, but sadly, it hasn’t really progressed that much. The film is forbidden in several countries (where homosexuality is illegal) and in my own home country, alas, there was a church-organised protest when it was first screened.

A very different atmosphere on Friday when I attended an early morning viewing of the Rodin Exhibition at the British Museum. This beautifully curated, reasonably small show demonstrates that you don’t need to overwhelm museum-goers with information or exhibits if you stick to a narrow topic and present it well. Rodin was obsessed with ancient sculptures, and collected many of them himself, so it was refreshing to see to what extent they inspired his own work.  There were plenty of original plaster, bronze and marble examples of many of Rodin’s sculptures on loan from the Musée Rodin in Paris, as well as the Parthenon marbles that are already (controversially) in the British Museum.

Icarus’ sister.

I also got to hear that Lord Elgin originally wanted sculptor Antonio Canova to ‘renovate’ the Ancient Greek fragments and complete them. Luckily, Canova was wise enough to not meddle with the beauty of the original. Rodin himself was so taken by the incomplete statues, that he deliberately sculpted many of his own like that.

The Walking Man.

The links with literature were never far away. Not only was Rainer Maria Rilke briefly Rodin’s secretary, but I was not aware that Rodin had illustrated Baudelaire’s Fleurs du Mal (one of my favourite volumes of poetry, especially back when I was in my teens). And that he intended to reproduce it in sculpture as well.

Je suis belle, ô mortels! comme un rêve de pierre…

A wonderful, calming way to start the day with art, not forgetting the quotes from Rodin about the sculptor’s ability to capture motion.

For next week, I have a very special recommendation for you: experience a piece of literature in an all-immersive annual event at Senate House on 23rd May. To celebrate 200 years since the first creation of Mary Shelley’s Frankenstein, the School of Advanced Studies will present a Living Frankenstein evening, with pop-up activities, talks, films, performances and ghost stories. The full programme is here.

Finally, no weekly summary would be complete without a few books begged, borrowed, stolen or bought.

From the library I borrowed Susan Jacoby’s The Age of American Unreason, the May read for the David Bowie Book Club. Written in 2007-8, it is sadly more timely than ever. I was also looking for some Richard Yates novels which I haven’t read yet, but found instead a very bulky biography by Blake Bailey A Tragic Honesty. Nicely cheery, then…

I also got Ali Smith’s Autumn, the so-called Brexit novel, and Louise Penny’s A Great Reckoning. I’ve already finished the latter: this author is one of my favourite comfort reads, and Three Pines is where I would love to retire if only it existed. I also came across a strange little volume called Alberta Alone by Cora Sandel, an early Norwegian feminist compared to Colette and Jean Rhys.

Last but not least, Europa Editions are producing new editions of Jean-Claude Izzo’s Marseille trilogy and have sent me the first volume, Total Chaos. Little do they know that it is one of my favourite French novels (or trilogies) ever and that I bribed a second-hand bookshop in Lyon to find me all three volumes in French. You can expect a close read of the book in French and in translation coming up soon. (Although my personal favourite is Chourmo, the second in the trilogy, coming out in August 2018.)

 

Advertisements

Summary of Cultural Events 18 March

The tango show that I had to rebook because of the snow took place thankfully on Thursday, rather than this weekend (which is once again snowy). So I could enjoy watching Tango After Dark at the Peacock Theatre, with five tanguero couples and a live band on stage. Two hours of continuous tango music and dancing may not be everyone’s cup of tea: it does perhaps lack the variety that a ballet performance might have, but for me (a very dilettante tango fan) it was sheer pleasure. With the mournful sound of the violin and the accordeon (or a smaller version thereof, the bandoneon), the change of rhythm between languorous leans and lifts and the staccato whipping of the legs between the partner’s legs – it was so polished, accurate and captivating. I really have to restart my tango classes! And the women’s endless legs seemed to be endlessly flexible…

I also discovered a place that serves genuine Viennese desserts nearby: Delaunay on Aldwych, which claims to be inspired by the grand grand cafés of Mittel-Europe. I had my first ever Kaiserschmarr’n outside Vienna and I might go there again soon to explore the coffee menu, see if they have my beloved Melange or Fiaker, and eat a Topfenstrudel while reading Horvath’s Tales from the Vienna Woods. What a find! It will spell disaster for my waist line.

On Friday I celebrated St Patrick’s Day with a small-scale whisky tasting at my house (well, I didn’t visit the Jameson distillery for nothing, did I?) with two friends, while watching Call Me By Your Name. While I didn’t care much for the character portrayed by Armie Hammer (who is not physically my type anyway, but my friends were drooling over him), I was utterly beguiled and captivated by the very vulnerable and tender portrayal of Elio by Timothée Chalamet (with his gawky, immature teenage body and a face with emotions passing like clouds on it all the time). I was very glad though that my older son decided he didn’t want to watch the film with us…

Although I joked about wanting to adopt Timothée, his multilingual, multicultural sensibilities struck a chord and I could see a lot of my older son in him in a few years’ time.

Movie still from Variety.

No new book acquisitions this week, you (or my shelves) will be relieved to hear.

Other cultural events happening over the next week or two that I have heard are well worth your time: the RSC’s West African production of Hamlet at the Hackney Empire runs until end of March, while the Philarmonia will be performing works from Bolshevik Russia (surprisingly timely that, right?) on the 22nd of March at the Southbank.

Summary of Cultural Events 11th March 2018

Quite easy to summarise the last fortnight of cultural events: there were none! The snow spoiled plans to go and watch tango at Sadler’s Wells (but I managed to change the booking for this coming week). The International Women’s Day event organised by the University of London got postponed because of the UCU strikes. I’ve felt pretty run down and tired this week (also fed up with those everlasting financial disagreements with the ex), so I caught the bug that had been doing the rounds at the office, so I’ve cancelled plans for this weekend.

However, I did go to watch Lady Bird at the cinema just before the Oscars. While it was not the greatest film of all time (but then, how many of them are?), it was a rather delightful coming of age story from a girl’s perspective (we’ve watched so many from a young man’s perspective), with a lot of relatable humour, nuanced observation and characters we all remember from high school (the spoilt popular girl, the elusive poseur, the just-a-shade-too-encouraging married teacher etc.) and a fraught mother/daughter relationship which reminded me a little too much of mine.  I even wrote a thread about that on Twitter (and I normally never do threads – or at least not more than 2-3 tweets at a time). Maybe I was overthinking it because of the lack of other cultural events.

I did get quite a batch of books to add to my March reading plans though. While searching for something else at the library, I found Ödön von Horváth’s Tales of the Vienna Woods in both German and English and thought I would do one of my ‘closely observed translation study’ of it. Horváth was a true child of the Austro-Hungarian empire and learnt German only in his teens.

If you ask me what is my native country, I answer: I was born in Fiume, grew up in Belgrade, Budapest, Bratislava, Vienna and Munich, and I have a Hungarian passport, but I have no fatherland. I am a very typical mix of old Austria–Hungary: at once Magyar, Croatian, German and Czech; my country is Hungary; my mother tongue is German.

Perhaps I can relate to him just a little… For the rest of his brief life, he would write in German – mainly plays, but also essays and novels. He was a keen observer of the absurdities of life and the rise of totalitarianism through indifference and the subjugation of popular culture, especially in the 1930s Germany and Austria. He fled to Paris after the Anschluss of Austria in 1938 and died that same year in a freak accident on the Champs-Elysées. Tales of the Vienna Woods was not only required reading at school, but I also happened to live on the outskirts of town, just about where those woods began, so it felt like he was writing for me. His work is full of quotable moments of flawed humanity:

Actually I’m quite different. But I so rarely have time to show it.

Based on Ann Morgan’s recommendation (it is she who read her way around the world in 2012), I also ordered Tiphaine Rivière’s Tiphaine Carnet de These, a humorous but realistic look at the life of a Ph.D. student. It is now available in English as well (translation by Francesca Barrie) and is a BD, which I really miss. There are comic books and manga available here in England, but it’s not quite the same.

Another local library find was Keigo Higashino’s Journey under the Midnight Sun, which looks seriously chunky, so I will probably have to renew it indefinitely. But you know I can never resist Japanese fiction!

Last but not least, I was sent an interesting crime novel from South Africa (another of my weaknesses), translated from Afrikaans. It is Karin Brynard’s Weeping Waters, translated by Maya Fowler and Isobel Dixon, and to be published by Europa Editions in April.

Weekly Summary of Cultural Events 25 Feb 2018

It hasn’t felt like a quiet week, with so much to catch up on after our short Irish holiday. However, there are only a few things to report on the cultural front.

I forgot to mention that we saw Black Panther while we were in Ireland and were wowed by the beautiful landscapes, costumes and actors and actresses. As an anti-monarchist, I found the macho posturing associated with becoming a king a bit silly, but was delighted that T’Challa was truly great because of all the women surrounding him. There is a ‘Which Black Panther character are you’ quiz doing the rounds at the moment and it didn’t surprise me that I came out as Nakia (although I was secretly hoping for Shuri). As an anthropologist, it was also fascinating to see how they tried to incorporate many different African traditions and cultures in the film, and show the rich diversity of the continent.

I saw another, very different film on Thursday at the Austrian Cultural Forum: Life Guidance by relatively young director Ruth Mader. It is a Black Mirror meets Wim Wenders kind of world, where capitalist consumption has reached its peak. The elite live in immaculate houses decorated mainly in white and beige, the men all wear impeccable suits, the women pastel or white, and everyone is in pursuit of excellence and self-improvement. It is the Communist utopia really (especially when the schoolchildren start singing about ‘fulfilling your full potential’), except it’s capitalist. But when the leading man, Alexander Dworsky, is quite content with his life and doesn’t want to strive to be even better, the private company (outsourced by the government) Life Guidance comes to call to ‘motivate’ him to fit in. This film has just the right level of sinister foreshadowing and is great in concept, but somewhat jerky in execution, with abrupt transitions from one scene to the next, which makes it hard for us to fully sympathise or understand.

In one of the funniest scenes from the film, the businessmen referred to the Life Guidance agency are all learning arts and crafts to develop more holistic skills. As a corporate trainer, this had me in giggling fits.

If you are keen on German language films and other events, the Austrian Cultural Forum offers an excellent selection of free events – and has a little library in its chic Knightsbridge mansion.

A few book acquisitions this week too: Our friends at Alma Press were having a sale on, so I couldn’t resist and bought some much-‘needed’ volumes of Bulgakov: The Diaboliad and Other Stories and Diaries and Selected Letters. Then, since I seemed to be on a Russian binge, I also bought two by Turgenev: A Nest of the Gentry and Fathers and Sons. I was also sent an ARC of Our House by Louise Candlish, which I’ve already read, as it makes a psychologically tense and murderous mockery of divorce and our British obsession with property prices.

Coming up next month, there will be a Women of the World festival at London’s South Bank from March 7th to 11th, including debates, theatre, activism, speed mentoring, workshops and much more.  Meanwhile, the British Film Institute is continuing its in-depth Ingmar Bergman season throughout March. From the 21st of March to the 1st of April BFI Flare will show the best new and classic LGBTQ+ films from around the world. I’ve got my eye on God’s Own Country, a love story between an English farmer and a Romanian migrant worker, starring Josh O’Connor and Alec Secareanu.

Love and Being Content in a Mad, Bad World

tooclosePascal Garnier: Too Close to the Edge (transl. Emily Boyce)

I always get something out of a Pascal Garnier book, but there are some which truly stand out. This is one of the stand-out ones. As usual with this author, it is a slim volume which leaves you ever-so-slightly moody and breathless.

It’s a simple-enough story of Éliette, a grandmother who is ‘not old enough or fat enough to be a Mémé’, who is facing life on her own after her husband’s death two months before he was due to retire. The house they had bought and renovated in preparation for their retirement is in an isolated location in the Ardèche and the life ‘which was supposed to be a never-ending holiday’. After a few months, she finds herself getting restless with this placid existence and overly helpful neighbours. She buys herself a tiny bubble car and zips around the countryside with it. Then, two kilometres away from home, just as the rain is starting, she gets a puncture. A man in his forties called Étienne stops to help and she offers to give him a lift. When he tells her he has broken down himself and is looking for a phone, she invites him into her house. Gradually, some kind of relationship develops between these two strangers, although Éliette is not the sweet, trusting old dear that people can easily take advantage of.

‘I’ll warn you now: if you’re a murderer, I have very little to lose, and there’s nothing here worth stealing unless you count the walls.’

Of course, readers familiar with Garnier’s dark stories will recognise the warning signs, but the danger only becomes apparent once Étienne’s daughter appears on the scene and Éliette finds out about the death of her neighbours’ son. I won’t tell you a word more, because these stories always veer off into unexpected, off-the-wall directions. I will just say that the similarity of the two names is probably not coincidental, as the two characters have more in common than might be apparent at first glance.

She was innocent, just like him, like the worst criminal, like the dog who kills the cat, the cat who kills the mouse, the mouse who… must kill something too. All around, in the bushes and the grass, prey and predators mingled in the same macabre dance. You could be one or the other, depending on the circumstances, all of which were extenuating. It was what they called life, the strongest of all excuses.

I rather loved this wistful but completely unsentimental look at aging, loneliness and hoping to find love or at least comfort in a world which seems to have gone crazy. This book will be released on 11th April and comes heartily recommended.

feveratdawnPéter Gárdos: Fever at Dawn (transl. Elizabeth Szász)

This is a fictionalised account of how the writer’s (and film maker’s) parents met and fell in love after the end of WW2.  After his father’s death, Gárdos was given the letters his parents had preserved with such care for so many years by his mother.

The backdrop is anything but promising: Miklos and Lili have just emerged from Belsen and are recovering in different refugee camps in Sweden. Miklos is 25 years old, emaciated and toothless, weighs barely 29 kilos. On his way to Sweden he starts coughing up bloody foam. He has tuberculosis and is told that he has only six months left to live, but that doesn’t stop him looking for a wife. He finds a list of all 117 young Hungarian women from his region ‘whom nurses and doctors were trying to bring back to life in various temporary hospitals across Sweden’ and writes to each one of them in his beautiful handwriting. A few of them write back, but it is the letter of eighteen-year-old Lili which captures his attention. He is instantly convinced that she is the one, but over the next six months they will have to make do with writing each other increasingly passionate letters and seeing each other only three times very briefly and with great difficulty.

When they do meet face-to-face for the first time, they almost run away from each other, but instead they recognise each other in choked emotion. They are kindred souls, although they have had different upbringings and disagree about a number of things. Lili wants to convert to Catholicism, Miklos is a committed Marxist. Miklos is a dreamer with poetic licence, Lili is more timid and realistic. And, although they try to tell each other everything, they never speak about certain important things, neither then, nor later.

My father never told Lili that for three months he burned bodies in Belsen concentration camp… Lili did not tell Miklos about the day of her liberation from Belsen. It took her nine hours to drag herself from the barracks to the clothes depot, a distance of about a hundred metres… Miklos could never bring himself to tell her of his time, before he burned corpses, as an orderly in the typhoid barrack… the most ghastly block in the camp… And Lili never said a word about her twelve-day journey to Germany in a freight wagon.

This is not a book about the Holocaust, but a book about survival, about finding hope and love against all odds, when all the world around you seems ghastly and hopeless. It is anything but sickly sweet – charming, poignant and with little shots of sarcasm and humour which keep it from descending into sentimentality.

The film director originally wrote this story as a film script, then later turned it into a novel. The film came out in December 2015 (in Hungarian). Here is the official trailer on Vimeo.

https://vimeo.com/138878104