Synopsis Alive, Alive-Oh!

Why did no one warn me that writing a synopsis is so difficult? I’ve written book reviews of other people’s books (and one of an imaginary book when I was in Primary 3 and hadn’t bothered to read anything suitable during the Easter holidays). I’ve written blurb-like teasers under the misguided impression that this was what an editor or agent would expect from a synopsis. But, even after reading excellent advice on how to write synopsis here or here , my own efforts seem exceedingly bland. And anything but alive! Here’s the first paragraph that I slaved over for hours yesterday:

Melinda is a 40-year-old trailing spouse to a banker husband, Graham, and is finding it difficult to adapt to the expat community in Geneva. A dreamy mathematician of Romanian origin who turned accountant to accommodate the family, she does not have the right background or social skills to blend in well with the snobbish environment she encounters.

Yawn! See what I mean? Too much back story and it sounds vaguely like an autobiography (except I’m neither mathematician nor accountant, nor is my husband a banker). Besides, the book doesn’t really start there. It starts with a death. Of course it does, it’s crime fiction after all. So my question is: when you start at a certain crisis point in the novel, then move backwards to show how they got to that point, should your synopsis follow the chronological story or the way you’re revealing things gradually on the page?

I spent all day yesterday producing about 300 words of synopsis, which I then deleted in its entirety. [Or at least the part of the day that I wasn’t spending on phoning doctors and researching hospitals for my husband’s stiff shoulder, which he assured me was a serious emergency, until he actually went to see the nurse at his workplace and was told it could wait until the appointment I had already made for him for next week.]

So back to the drawing board today, in-between bouts of picking up a sick child from school and nursing him. Let me try with the ‘following the storyline’ approach. I found a step-by-step guide to writing a synopsis which I think might work for me. The author suggests the following stages:

  1. List your scenes (so you are following the order that you lay them out in the book)
  2. Condense them into a summary (this is where you can lose a lot of the back story)
  3. Enrich it to give a flavour of your style (this is a part which I found missing in most synopsis advice, which is why most examples I read sounded terribly dull)
  4. Check for sense (is it an accurate and honest representation of your novel?)
  5. Reflection (this is where you can test for plotholes or clichés, unrealistic motivation or other flaws)

I can see this is going to take much longer than I’d expected, so I’m glad I’m allowing myself time to do this properly (at least until the end of next week). Here is a first intuitive stab at that opening paragraph again:

Melinda and Rob, two bored expats in Geneva, are attempting a drug-fuelled tryst with a charismatic young gigolo, Max. To their horror, Max has a seizure and dies. Desperate to conceal their affair from their respective partners and afraid that the police will accuse them of manslaughter, they decide to hide the body in nearby woodland. What they don’t know is that Max was also the protegé of Adnan, the king of cocaine in the area, and Rob’s drug supplier.

That’s still not quite right, but a bit more likely to capture my interest. What do you think? For comparison purposes, here is an example of a synopsis of the original Star Wars.

Long ago, in a galaxy far away, a controlling government called the Empire takes control of planets, systems, and people. Anyone who resists is obliterated. Luke Skywalker, a naïve farm boy with a knack for robotics, dreams of one day escaping his desert homeland. When he buys two robots, he finds one has a message on it—a message from a princess begging for help.

By the way, if you are looking for a step-by-step critique of synopsis examples, there is a no-nonsense blog called Miss Snark who does just that. Anyone else willing to share their synopsis frustrations or examples?