#6Degrees of Separation: From Wolfe Island…

Spring is in the air and another opportunity to take part in Six Degrees of Separation, a monthly link-up hosted by Kate at Books Are My Favourite and Best. Each month a book is chosen as a starting point and linked to six other books to form a chain. Of course, it does help if you know the starting book, but once again this month I do not! The book is Wolfe Island by Lucy Treloar and the blurb states: For years Kitty Hawke has lived alone on Wolfe Island, witness to the island’s erosion and clinging to the ghosts of her past. Her work as a sculptor and her wolfdog Girl are enough. News of mainland turmoil is as distant as myth until refugees from that world arrive: her granddaughter Cat, and Luis and Alejandra, a brother and sister escaping persecution. When threats from the mainland draw closer, they are forced to flee for their lives. They travel north through winter, a journey during which Kitty must decide what she will do to protect the people she loves.

I want to move away from end-of-the-world narratives, as they feel a bit too topical at the moment. So instead I will focus on the fact that Lucy Treloar is an Australian writer. I have to admit I only very seldom get to read writers from Australia, especially women writers. One Australian author I particularly admire (although she travelled so much, she must surely have considered herself a global nomad author) is Shirley Hazzard. One book of hers I always, always recommend is the collection of linked short stories People in Glass Houses, which is a brilliant satire of the United Nations in particular (but really of all international organisations).

There are far too few good novels about office life, especially considering we spend so much of our time there. Perhaps publishers assume we all seek escapism rather than to be reminded of our deadly everyday? Another book about office life which I greatly enjoyed is Jonas Karlsson’s The Room, translated by Neil Smith. A narrator who evades all description and manages to find that secret escape room that I’m sure we’ve all longed for at the office at times. When I read it five years ago, I said: Very sharp, painfully funny but also ouch-harsh observations of office politics and recognisable office characters. Plus the lovely corporate jargon we all love to espouse at times. A short, unusual book which tests our own capacity for tolerance and imagination.

Turns out, there are a lot of novels with ‘room’ in their title, so I will opt for quite a well-known one next, one that I would like to re-read, as I was in my late teens or early 20s when I read it. Giovanni’s Room by James Baldwin is a classic of gay literature, a story evoking all the giddiness of falling in love, but ultimately all the sadness and suffering of a failed love.

The book is set in Paris, so of course I couldn’t resist picking another novel set in Paris for my next link. I saw it recently on the library shelves at university and was very tempted to pick it up for a re-read. Zola’s The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist who has come from the provinces to conquer Paris but is conquered instead by the flaws of his own genius. Another young man seduced but ultimately undone by the bright lights of Paris!

One book about art and artists that I was obsessed with in my childhood, so much so that I took it with me on a family trip to Florence and insisted that we walk through the streets as described in its pages, was Irving Stone’s The Agony and the Ecstasy, a fictional biography of Michelangelo. I don’t know if it’s well regarded nowadays, or if it’s perceived as somewhat dated, but at the time I loved the descriptions of Florence and Rome, but above all, how the author managed to enter Michelangelo’s mind (via his notebooks, if I am not mistaken) and described the creative process.

My final link is via the word ‘ecstasy’ to a book that was part of my anthropological training. Mircea Eliade’s Shamanism: Archaic Techniques of Ecstasy was written in the 1950s but remains one of the key texts in the anthropology of religion. Needless to say, I’ve always been fascinated by this strange phenomenon of the Shaman, both healer and threat, revered and feared, the madman and the poet who does not subscribe to society’s rules.

So this month we have travelled from Australia to the United States to Sweden and Paris, to Florence and, in the last book, from Siberia to South America to Tibet and China and pretty much everywhere in-between. I’ve also noticed that I’ve mentioned mainly male authors this month, so will endeavour to change the proportion next month. Where will your six links take you?

Favourite Reads of the Year

So we’ve finally reached the last couple of days of a busy, tiring, troubled year. May 2019 be merciful and kind and offer plenty of good reading at least, to distract us from the state of the world!

I’ve tried to hold off until now before making my ‘best of’ list, just in case some really good books that I read in December outweigh and outdazzle all of the others. In actual fact, only two of the December titles were contenders: two books about the war in Yugoslavia.

This is not a Top Ten or Top Twenty or any other systematic way of making a list. It’s simply a listing of all the books that really stood out and a brief quote or explanation to show why.

Library designed for Andrew Solomon, from Architectural Digest. I think that’s roughly the amount of shelf space I need.

Most Pleasant New Author Discovery

Cesar Aira: The Lime Tree

How could we have changed so much, if everything was still the same? It all seemed too much the same, in fact. I felt nostalgic for time itself… I was no longer the small child who had gone with his father to collect lime blossom, and yet I still was. Something seemed to be within my grasp, and with the right kind of effort, I felt that I might be able to reach out and take hold of it, like a ripe fruit…


Book I Was Most Obsessive About for a While

Lin Manuel Miranda & Jeremy McCarter: Hamilton The Revolution

Between Christmas 2017 and the time we went to see the Hamilton musical in April 2018, I had the soundtrack playing on repeat every single day, and these witty footnotes to the libretto and additional background on how the show came about was just what I needed. (Although I ostensibly bought the book for my son.)

Best Rediscovered Classic

J. L. Carr: A Month in the Country

I believe I can call this one a classic, although it was only written in the 1980s. Set in the 1920s, it has a very restrained, interwar novel feel about it, with a great deal of respect but no mawkish sentimentality for those who’d experienced the Great War. Also, a story of yearning rather than satisfaction, which reminded me of Brief Encounter.

Best Suspense Novel

Hanne Ørstavik: Love

To my complete surprise, it was not a crime novel which had me almost covering my eyes with fear and reading breathlessly, as if by putting this book down, I could endanger the characters in it, but this small, short story of a frustrated mother and a neglected boy on his birthday.

Best Biography

Ruth Franklin: Shirley Jackson. A Rather Haunted Life

Not that I read an awful lot of biographies this year, but this one would stand out any year.

Best Political Rallying Call

James Baldwin: The Fire Next Time

I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain

In short, we, the black and the white, deeply need each other here if we are really to become a nation – if we are really, that is, to achieve out identity, our maturity, as men and women. To create one nation has proved to be a hideously difficult task; there is certainly no need now to create two, one black and one white.

Best Regional Curiosity

Ödön von Horváth: Tales from the Vienna Woods

Social and class differences, urban vs. countryside contrasts, and the whole atmosphere of Vienna in the 1920s form the backdrop for this not necessarily terribly original story of love, envy, greed, betrayal, disappointment, but which rises to the universality of human experience like Greek drama.

Most Recognisable Situation

Sarah Moss: Night Waking

Scratch a little deeper beneath the amusing surface of modern family life with lively children and not-quite-there husbands, and you get something much deeper: the tension between academia (or any work involving thought and creativity) and motherhood, tensions within a couple, gender inequalities, class and culture differences.

Most Inspiring

Marina Tsvetaeva: Earthly Signs: Moscow Diaries, 1917-1922

Because she continued writing even in the direst of circumstances. [I chose the pseudonym Marina partly as an ‘homage’ to her.]

Best Escapism

Antti Tuomainen: Palm Beach Finland

Because it’s snort-out-loud funny, in the whole Fargo back comedy school of writing which I love. Speaking of which, Antti also features in the list below.

Best Crime Fiction

I had to choose my Top 5 Crime Fiction picks of the year for Crime Fiction Lover. Spoiler alert: one of them wasn’t fiction and one of them wasn’t a novel.

Best Book About the Yugoslav War

A topic that I will always, always find fascinating and emotional, so I saw a play and read two books about it this year. My favourite of those is probably Ivana Bodrožić: The Hotel Tito, because it is both a coming of age novel, as well as the story of displaced children.

Best Reread

Two compete for this category and they both still felt chillingly relevant today:

Tana French: Broken Harbour

George Orwell: Down and Out in Paris and London

Most Heartbreaking

Veronique Olmi: La Nuit en vérité

Olmi had already destroyed me with her piercing understanding of mother/child relationships, with all of its tender but also dysfunctional potential, in her masterpiece Beside the Sea. In this novel she returns to this theme, with a mother who is a housekeeper in a posh Parisian apartment with largely absent owners, and her lonely son who is being bullied at school.

Penelope Mortimer: The Pumpkin Eater

This story of an unravelling marriage and mother is just the right combination of funny, ironic, detached, cruel and devastating. A tour de force, hard to believe it was published in 1962, it still feels so modern. You might also want to read this poignant article about Mortimer’s marriage and life. “The outside world identified me as ‘ex-wife of John Mortimer, mother of six, author of The Pumpkin Eater’ [in that order]—accurate as far as it went, but to me unrecognisable.”

#6Degrees of Separation: March 2018

It’s time for #6degrees over on Kate’s blog. Start at the same place as other wonderful readers, add six books, and see where you end up! This month’s starting point is Naomi Wolf’s The Beauty Myth, which I read a few years after it came out (while doing my anthropology course). I remember it made me furious at the time – because I saw so much that I knew to be true in it, and it seems to continue to hold true, even after all the balooney about airbrushing and expensive creams have been exposed.

Another book which makes me angry, because I realise how little has changed since it was written is James Baldwin’s Notes of a Native SonI was also fascinated by the differences he notices in the treatment of black people (and how they perceive themselves) in America and in France. There is also a rather sinister chapter set in a remote Swiss mountain village – which I suspect might play out almost identically today. Unless you are rich and throw money around as you go to the spa in Leukerbad, in which case they don’t notice your colour!

The book that spells Switzerland for pretty much all of us who grew up in Europe or saw the animated TV series back in the 1980s(?) is of course Heidi by Johanna Spyri. Full of nostalgia for childhood and for the healthy mountain air and simple life – despite the fact that back then goat herds were probably very poor indeed. It seems to have the opposite thesis to Baldwin’s account: that villagers and simple Alpine folk are much more generous and kind. But Switzerland is full of such contradictions: very rich people who try to appear casual and understated; welcoming to refugees yet very reluctant to integrate them.

My next link is somewhat tenuous – the author’s name is Heidi Julavits: The Folded Clock. It is a fascinating sweep through a woman’s mind, her past and future, her attempts at creativity – it is a strange sort of diary, quite hypnotic. I am fascinated by these recent non-fiction, dream-like, almost poetic sequences, although I don’t quite know what to call them. The cover is just beautiful, and I kept underlining passages of it, even though it didn’t quite hang together for me. A book for dipping into.

A very different diary is featured in the hilarious series by Sue Townsend which began with The Secret Diary of Adrian Mole Aged 13 3/4. Fun though The Diary of a Wimpy Kid is, I believe this English series to be the original and the best. I read them later, when I was quite a bit older than Adrian himself, but I adored his rage against Thatcher and his adolescent pretentiousness (so similar to mine at that age). I haven’t read the last two, but am tempted to look them all up again in the library.

The book was adapted for TV in 1985 and more recently so has the Outlander series based on the books by Diana Gabaldon. Described as historical fiction meets sci-fi meets fantasy meets romance, it is not necessarily my type of book at all, but I have a vague recollection of reading a couple of them in the 1990s and being unable to put them down. I only remember something about the Scottish Highlands and clan wars now.

Books which are definitely my kind of thing and which I cannot put down are crime novels and the most recent one of this type which I’ve read (and which also contains some fantasy elements) is The Seven Deaths of Evelyn Hardcastle by Stuart Turton. I’ll be reviewing it shortly on Crime Fiction Lover, but it’s interesting to note that in the US Evelyn will be granted an additional half-death, as the title there will be The 7 1/2 Deaths of Evelyn Hardcastle. Bizarre!

There you go, I’ve tried to include other genres and something for all tastes in my links this month! Look forward to seeing what you’ve come up with.

 

 

 

Reading Summary February 2018

Although February is such a short month, I thought I’d been doing a reasonably good job with my reading, but it’s not quite what I expected. I did read 11 books, but two of those were novellas and four of them were for reviewing purposes. 4 of them are translations, 7 of them are by women writers (one was co-written by a man and a woman) and I have only reviewed two of them on my blog. I think I might have to introduce the pithy weekly reading diary that Elle Thinks has started, otherwise too much is left undigested and unmarked, despite my best intentions.

Crime Fiction

6 of the books I read this month fell into this category and 4 of them have been reviewed or will be reviewed on Crime Fiction Lover.

  1. Michelle McNamara: I’ll Be Gone in the Dark – compassionate rather than voyeuristic true crime; compassion for the victims, I mean, and an excellent recreation of time and place – 1970s/80s California. My favourite of the crimey reads this month, even though I am not usually a true crime fan.
  2. Hari Nykänen: Holy Ceremony, transl. Kristian London. Part of a series about the wonderfully named Finnish-Jewish detective Ariel Kafka.
  3.  Noel Balen & Vanessa Barrot: Minced, Marinated and Murdered, transl. Anne Trager. Enjoyable culinary cosy crime set in one of my favourite cities, Lyon. The mystery is somewhat secondary to the atmosphere and characters.
  4. Johana Gustawsson: Keeper, transl. Maxim Jakubowski. A rather gory and grim follow-up to the hardcore first book in the Anglo-French pair Roy & Castells series. I’ve met Johana in real life and don’t know how such an absolutely lovely lady can invent such terrifying details.
  5. Tammy Cohen: Clean Break – a novella about a couple on the brink of divorce, which takes a stalkerish and sinister turn.
  6. Louise Candlish: Our House – by strange coincidence, I got sent this book just as I was reading Tammy Cohen’s book. It is also about a couple on the brink of divorce and fighting over their house (or at least I thought this was what it was going to be about, but that would have been too boring and common-place – the truth is much more complicated). I read it at once, but it offered me no tips on how to handle negotiations (or even how to murder a spouse).

Reading Recommendations and Challenges

For the David Bowie Book Club: James Baldwin’s The Fire Next Time

For the Asymptote Book Club: Aranyak by Bibhutibhushan Bandyopadhyay

For the Muriel Spark Centenary: Symposium – a book almost entirely in dialogue form

Modern Classic recommended by many of my favourite book bloggers: J.L. Carr – A Month in the Country – and how right they were!

In fact, all four of these were very worthwhile reads, so perhaps I should stick more to personal recommendations in future.

Following the Herd

Chloe Caldwell: Women – I’d read about this ill-fated lesbian love story and requested it on Netgalley, but I found it rather disappointing. A sort of memoir about a moment of curiosity and madness, or a coming of age story without real maturity at the end. It felt like yet another MFA project designed to be mildly shocking or titillating. Will I never learn not to fall for blurbs or buzz?

 

 

 

 

David Bowie Book Club #2: James Baldwin

Baldwin and his nephew.

The February read for the David Bowie Book Club was James Baldwin’s The Fire Next Time, an essay about America’s racial divide which is sadly still all too relevant today. I’d read Giovanni’s Room and Go Tell It on the Mountain, but only fragments of his great body of essays, both personal and political, which are incontrovertibly fused in his work:

One writes out of one thing only – one’s own experience. Everything depends on how relentlessly one forces from his experience the last drop, sweet or bitter, it can possibly give.

The Fire Next Time is a slim volume comprising an essay Down at the Cross and a letter to Baldwin’s nephew on the 100th anniversary of emancipation from slavery which is only a few pages long and acts as a sort of prelude to the other essay.

It’s an amazing and unforgettable polemical read. I was instantly captivated by the blazing passion and fury of the language and the argument. It is heart-breakingly honest and would inspire anyone with ‘fire in the belly’ at the injustice of race relations. In the letter to the nephew, things are spelled out directly and still feel applicable to so many discriminated and vulnerable people within present-day society (the often unconscious white middle class privilege we hear in the media):

You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence; you were expected to make peace with mediocrity… I know your countrymen do not agree with me about this, and I hear them saying, ‘You exaggerate.’

The essay proper is a memoir of the summer when Baldwin turned fourteen and experienced a kind of religious fervour. Why religion? Baldwin is remarkably clear-eyed about using religion as a tool  (or as he calls it ‘a gimmick’) to help him move beyond his background:

I was icily determined … never to make my peace with the ghetto but to die and go to Hell before I would let any white man spit on me… I did not intend to allow the white people of this country to tell me who I was and limit me that way… Every Negro boy… realizes that he … must find, with speed, a “thing”, a gimmick to lift him out, to start him on his way… And it was my career in the church that turned out, precisely, to be my gimmick.

However, it is not all plain sailing. The young boy is clearly caught up in the excitement of church, the music and drama of it, but at the same time he is puzzled at the apparent indifference of a white God to the plight of black people. He sees examples of anything but Faith, Hope and Charity, the principles he believed the Christian world was based on. He finds it absurd that people claim to love God only because they are afraid of going to Hell. He sees the paradox of church ministers becoming rich while their parishioners continue to scrub floors and put their hard-earned dimes into the collection plate. He decides there is no genuine love in the Christian church.

The boy grows up and encounters the Nation of Islam movement and Malcolm X, with their doctrine of a black God. Although he feels the anger of the black movement is justified, he finds himself equally alienated by their hatred of all things white. ‘I love a few people and they love me and some of them are white, and isn’t love more important than colour?’ This leads to a very powerful examination of what equality really means.

People are not terribly anxious to be equal… but they love the idea of being superior…. I am far from convinced that being released from the African witch doctor was worthwhile if I am now – in order to support the moral contradictions and the spiritual aridity of my life – expected to become dependent on the American psychiatrist. It is a bargain I refuse. The only thing white people have that black people need, or should want, is power – and no one holds power forever.

Baldwin sets out the arguments so eloquently that it feels wrong to try and paraphrase them. It is such a brief and powerful piece that I would urge you to read it yourselves. It was previously not that easy to find, though, except in volumes of collected essays by Baldwin, but in 2017 a beautiful new edition was launched and won an award (see cover above). I will just close with a beautiful call to something one might call reconciliation:

In short, we, the black and the white, deeply need each other here if we are really to become a nation – if we are really, that is, to achieve out identity, our maturity, as men and women. To create one nation has proved to be a hideously difficult task; there is certainly no need now to create two, one black and one white.

Baldwin’s house in St Paul de Vence, France. For more information about the state of the house now and attempts to save it, see this article.

1963 – we are now in 2018, 55 years later. Why is it still so difficult to accept that allowing someone to develop to their full capacity does not take away from any of your own potential? Why do we still have the hunter/gatherers’ mentality of scarce food resources, that if we give away some of our food we will starve? Even when what is often asked of us is not as basic as sharing food, but something like sharing the limelight? Call me naive, but I still think we should unite to save the planet and its weakest souls (animals, children, whatever) rather than fight amongst ourselves.