I’m on holiday for the next two weeks and not sure how much time or internet access I will have for posting anything new (other than Friday Fun posts, which I’ve scheduled already). So here is a quick summary of the month of March and see you in mid-April!
Not a massive quantity of books this month (eleven rather than the twelve shown in the picture, because I read the Doina Rusti in both Romanian and English). I decided somewhat upon a whim to dedicate this month primarily to the small number of contemporary Italian books I have on my shelf (I’ve read hardly anything published after Lampedusa’s The Leopard, and most of the translations were in Romanian rather than English, because I believed the cultural and linguistic similarities would be helpful). I read a total of six Italian books, which I divided up into two blog posts of mini-reviews:
Non-fiction: Alberto Prunetti’s Down and Out in England and Italy (trans. and Natalia Ginzburg: The Little Virtues
Fiction: all very moving in different ways – Andrea Bajani’s If You Kept a Record of Sins (trans. Elizabeth Harris), Concita de Gregorio’s The Missing Word (trans. Clarissa Botsford – which I think is more fictional than non-fictional, although it is based on a real case and real people), Italo Svevo’s A Perfect Hoax (trans. J. G. Nichols) and Claudia Durastanti’s Cleopatra Goes to Prison (trans. Christine Donougher).
Not sure I can generalise about modern Italian literature on the basis of just a few books, but all of the ones I seem to have picked have been remarkable in their acute observation and restrained style. Quite, quite different from the exuberant, virtuoso storytelling style of The Book of Perilous Dishes, which makes 18th century Bucharest really leap off the pages.
To finish off my Italian sojourn (and because finally my library reservation arrived, after several months), I loved reading about Alan Taylor’s account of his friendship with Muriel Spark when he met her at her house in Arezzo. I love Spark’s writing, but was always doubtful I’d have enjoyed meeting her in person – but this is a loving (not gushing) memoir which slightly changed my mind about her.
Gwendoline Riley’s My Phantoms was very well written and subtle – but oh boy, if you English consider that a difficult mother-daughter relationship (when they only see each other once a year in London for their birthdays), you have no idea how difficult the parent-child relationship can be in other cultures!
I had seen the film adaptation of Dorothy B. Hughes’ In a Lonely Place, but of course with Humphrey Bogart in the main role, it was never going to be as dark and mean as the book. Remarkable depiction of psychological self-justification and unravelling – perhaps the book that American Psycho wanted to be but didn’t quite manage.
Although I wished Down and Out in England and Italy could have had more wit and depth, the only book that disappointed me this month was The Twyford Code (I loved the unusual storytelling style in the first book The Appeal, but the audio transcripts here got annoying and repetitive rather quickly, and it was trying a bit too hard to be clever).
The eight films I’ve watched this month can be divided into :
heartwarming (Studio Ghibli to the rescue once again, with a rewatch of Howl’s Moving Castle and wistful new entrants From Up on Poppy Hill and The Tale of Princess Kaguya)
sinister (featuring strong-minded and cruel female leads: Lady Macbeth and Black Medusa or dodgy, damaged male leads in The Master)
‘talkie’ comedies (where the script and dialogue are the most important components, Manhattan Murder Mystery and Eternal Sunshine of the Spotless Mind)
This month I got a chance to remember how rewarding but also energy-consuming it is to work with primary-school children. I ran an assembly and a couple of translation workshops for six and seven-year-olds, introducing them to my favourite little penguin, Apolodor, an intrepid but not very bright traveller from a well-loved Romanian children’s book in verse by Gellu Naum. As students during Communist times, we adapted the story for the stage… and promptly got censored for daring to talk about travelling abroad. But this time, the story had a happy ending and the children enjoyed it a lot (although not necessarily the ‘having to translate it’ bit).
After a brief hiatus while we were all busy translating and working on other projects, Corylus is now back on track with editing and finalising our next two titles, which should be out before the summer. I sent out our very first newsletter, and there was so much I wanted to say that I had to be really, really selective, so as not to make it an overlong reading experience. In future months, I hope to talk about international crime fiction more widely, have guest contributors, cover reveals and exclusive additional material (such as short stories). If you think you’d like to be part of the Corylus family, you can sign up for the newsletter on our homepage.
With all of the bad news coming out of Ukraine (with whom Romania shares a considerable land border), plus the usual workplace stresses and household breakages, I have been in a bit of an anxious state this month, so I am simply plodding along, taking it one day at a time. As usual, books have provided me with much-needed distraction, beauty, connection and escapism.
It’s more than just reading, it’s also attending various literary events or writing or film watching – all the things that make my life worthwhile (it has all been virtual this month – and, to be honest, if all Covid protections are completely removed, I’m not sure I’ll venture out much in the future, except for unavoidable things like work and my much-postponed but hopefully still viable trip to Romania).
I read eleven books, including two chunksters (Frank Moorhouse and Christina Stead). Two were re-reads (Mihail Sebastian for my London Reads the World Book Club on 7th of March, and Maus because of all the uproar about it being banned in certain US schools). Seven were by women authors, one non-binary and only three male authors. One non-fiction (Josie George), one collection of short stories or vignettes (Wilder Winds), one graphic novel, two crime novels (just about) and the rest novels.
I declared this an Oz Feb month, to make up for my embarrassing ignorance regarding Australian literature, but relied on books that I already had on my bookshelves. I managed to read and review five of these. Naturally, this means that my proportion of works in other languages or in translation was lower: only three books.
In retrospect, there were perhaps some better choices I could have made for the Australian authors (I also had Elizabeth Harrower and Gerald Murnane on my shelves), but if I could draw any conclusions based on the diverse writers I did read, it’s that Australian authors seem to be much more frank and direct than their English cousins, they don’t shy away from difficult subjects, their opinions can be quite unvarnished, and there is far less squeamishness about physicality: sex or the body and its biological functions.
Shirley Hazzard: The Evening of the Holiday – elegant and understated, she is the most similar to an English author, but with a far more international outlook
Frank Moorhouse:Grand Days– great combination of the personal and historical
Romy Ash:Floundering – a less unique but quite visceral account of deprived childhood and bad parenting, and also my only full contribution to #ReadIndies
Although I love Louise Penny and her Armand Gamache series, this particular one was not one of her best. It was almost too topical (and slightly optimistic about the end of the pandemic), especially in regards to the ‘who should die’ debate. I also felt somewhat manipulated by the author, trying to stretch out the drip-feeding of the information very, very slowly to increase the tension.
Bel Olid’s Wilder Winds from the fantastic Fum D’Estampa Press is one of my contributions to #ReadIndies (although I don’t have time for a full review). This translation from the Catalan proves that a slim volume of very brief, almost lightning flash stories can be more powerful than many a lengthy tome. Every word, every image is packed with meaning, and there are a great variety of voices: a young girl in a refugee camp, women of all ages, coming of age, migrants, revolutionaries, workers, mothers, voyeurs, women being catcalled on the street and more. I particularly enjoyed hearing the author and translator Laura McGloughlin talk about their collaboration at the Borderless Book Club, saying these are dark tales but with a tiny glimmer of hope. Extremely poetic and thought-provoking.
Another very brief review for my final #ReadIndie contender: The Old Woman with the Knife by Gu Byeong-Mo, transl. Chi-Young Kim, published by Edinburgh-based Canongate. Ostensibly the story of Hornclaw, an ageing female assassin (or ‘disease control specialist’, as she calls herself) stalked by a colleague who is out for revenge, it is in fact an unexpectedly moving story of loneliness, tenderness and regrets about past life choices. With a descent into a bloodbath at one point that I am beginning to expect after watching Korean films and TV series, the story is nevertheless more subtle than it might appear at first, and the characterisation of the contrary, stubborn, occasionally baffled Hornclaw, who can fool everyone, including herself, is spot on.
Aside from the Borderless Book Club event, I also attended a panel discussion organised by the German House in New York around the anthology Eure Heimat ist unser Albtraum / Your Homeland Is Our Nightmare, with authors representing various ‘minorities’ and marginalised groups in present-day Germany, as a response to the creation of a Ministry of ‘Heimat’. Let’s face it, vast swathes of Germany are very traditionalist, and one quote that really made me laugh was: ‘But how can we Germans be homophobic? We’ve got Berlin!’ The translators of the anthology explain things far better than me:
Eure Heimat ist unser Albtraum [Your Homeland is our Nightmare] is the title of our collective work: essays by fourteen German-language authors, framed at the beginning of 2019 as a sort of answer to these developments. Because as one can imagine, this concept of homeland is a nightmare for marginalized groups in our society. But not just for them. That’s the reason why two words on the original cover of the book (Eure Heimat ist unser Albtraum) are colored the same shade of purple as the book cover itself. Because it is not the editors and authors of this book who decide where “we” ends and “you” begins. Every reader decides this for themselves: Do I want to live in a society oriented around völkisch, racist, antisemitic, sexist, heteronormative, and trans-antagonistic structures? Or would I rather be a part of a society in which every individual—whether black and/or Jewish and/or Muslim and/or woman and/or queer and/or non-binary and/or poor and/or differently abled—is treated equally?
I also attended a couple of translation events organised by the Society of Authors, including the 2021 Translation Prizes and social, all of which finally gave me the push to join the society. Having translated 271, 340 words over the past two years, more than half of which have been published, it would be nice to think that at some point I might actually get paid for translating, even if not for the writing!
I also watched the NT Live showing of Leopoldstadtby Tom Stoppard at the local arts centre, not only because one of the performers was the son of a friend, but also because it shows both the charm and rot of Vienna and its persistent anti-semitism over the first half of the 20th century through the story of one extended family. Brilliantly acted throughout, it manages to be both tragic and humorous, surprising despite its predictable, all too well-known story, and posing uncomfortable questions for present-day audiences.
I tend to watch more films either when Younger Son is with his father (he prefers to watch either The Apprentice or anime with me) or when Older Son the film fanatic is around. Well, this month both of these conditions were met: YS stayed for longer than expected with his father, who tested positive for Covid while he was there for the weekend (it was a mild form and YS did not catch it), while OS came back home from university for just over a week, while his lecturers were on strike. So I had a very good month of films, not a lemon among all of these. The one thing I would NOT recommend is the TV series Kitz on Netflix, which I idly watched for two episodes in the hope that it would feature mountains, snow and skiing for some restful escapism after long working days. It was all about partying, drug-taking, sexual exploits and spoilt rich kids, with clunky dialogue, exaggerated and implausible scenario, I just couldn’t bear it.
It was funny how the films seemed to come in contrasting pairs. Olivier Assayas was the director for both the light-hearted satire of Non-Fiction and the pain of grief and inability to let go of the past in Personal Shopper. The Grand Budapest Hotel by Wes Anderson was at the ornate, highly stylised end of the cinematography and storytelling spectrum, while Petite Maman by Celine Sciamma was simple, almost simplistic, pared down to the bone. Both A Cat in Paris and The House were unconventional and beautiful examples of animation art, as far removed from Disney as one might imagine, but the former was an adventure story with a heart-warming ending, while the latter was a descent into the horror of house building, maintenance and ownership in Britain. The third animated film was The Wind Rises, Miyazaki’s final film for Ghibli (allegedly), and I felt more ambiguous about that: although the artwork is beautiful as always, there is perhaps a bit too much whitewashing of the life of aviation engineer Horikoshi Jiro, creator of the Mitsubishi A6M “Zero” fighter planes used by the Kamikaze pilots in the final part of WW2. He must have known what his military planes were going to be used for, yet he seems to have suffered no remorse after the war and retired as a highly-awarded professor at Tokyo University, justifying himself by saying: ‘All I wanted to do was to make something beautiful’. The final two films were both melancholy depictions of migration, loss and identity: the Quebecois Monsieur Lazhar directed by Philippe Falardeau is about an Algerian refugee teaching a class of ten-year-olds whose teacher committed suicide; while Preparations to be Together… directed by Lili Horvát is about an eminent female neurosurgeon returning to her native Hungary for the love of another doctor she met briefly at a congress in the States. A haunting story of self-delusion and hope, becoming a victim of your own dreams vs. the power of yearnings.
Writing and Translating
I have nearly finished the first draft of translation of a very long Romanian crime novel, and continued pitching another novel (by Lavinia Braniște) to publishers. You can catch me reading a small fragment from it on the Translators Aloud YouTube channel. I also entered an extract of my translation of the play The Holiday Game by Mihail Sebastian for a competition, so fingers crossed. And I have submitted my own writing as well several times this month.
I am also working hard behind the scenes of Corylus Books: launching a monthly newsletter, editing current translations in progress and considering possible future acquisitions, applying for funding, trying to find someone who can teach us how to use Amazon Ads wisely (apparently they are becoming more and more cut-throat, leading to bidding wars). I am probably neglecting my own son and health, and certainly my house, in the process – and occasionally that springs up to bite me! I sometimes wonder whether there is any point in continuing to write, translate, publish, when the world seems intent on destroying itself.
Still, I can’t help but remind myself how lucky I am, every morning when I wake up to a cold but safe house, when I switch the heating on (even if I can’t afford to heat it as much or as often as I’d like), when I sit down free to explore the internet at leisure, have access to any source of information. As the Romanian expression goes: ‘Let’s not anger God by taking this for granted!’
I’d like to conclude with a quote from Ukrainian author Andrei Kurkov. The whole lecture that he gave in 2018 in Hong Kong is worth reading (and available for free now), but this particularly stuck with me.
Even if you were born in a civilised European or other state to take your rights for granted is dangerous. We do not pay attention to the air that we breath until it becomes unsuitable for breathing due to pollution. We do not pay attention to our body while it is healthy, but we are frightened as soon as we face the first serious problems with our heart or lungs. Our rights are not violated only if we understand them and make sure that they are not violated. Forget about them, and the consequences can be most deplorable.
This has felt like an endless month, although I only went back to work on the 10th of January. It is still too dark, too cold, too Omicron to do anything other than hibernate. And read, as you can tell by the good number of books I’ve devoured. As always, reading Japanese literature marks a good start to my year. It remains a passion of mine, even though I can no longer read anything but basic, short texts in the original. Luckily, there are many talented translators springing up, particularly female ones. I managed to read and review six of them (one is not in the picture below, because I read it in December). It was a pleasure to reread Yosano Akiko in a different translation, great to expand my knowledge of Endō Shūsaku, Murakami Haruki and Tanizaki Junichiro with lesser-known books by them, and great to discover a new to me authorNakagami Kenji, who shows an aspect of Japanese life that is seldom present in literature. I was somewhat less impressed by the style of contemporary writer Hirano Keiichiro, although I felt the themes he addressed were quite interesting. In retrospect, I realise that should have read more women authors – a spread of five men to one woman was not a good choice!
Many of the remaining books of the month provided some light relief or entertainment. They had me turning the pages late into the night, but have not particularly stuck with me. I would include the following in this category:
Nicci French: The Lying Room – have loved previous standalone pyschological thrillers by this author duo, but this one felt a bit implausible and dull
Janice Hallett: The Appeal – the format of the story (emails and other correspondance) was far more interesting than the substance
Samantha Downing: For Your Own Good– for Virtual Crime Club – the story of a manipulative teacher, but I read it a week or so ago and can remember next to nothing
Bella Ellis: The Red Monarch – I know there is only so much crime that the Brontë siblings can detect in Haworth and its surroundings, but the London location was less successful to my mind
Jill Dawson: The Crime Writer – quite a charming yet unsettling riff on the unsettling writer Patricia Highsmith, slippery like an eel, hard to tell what is real and what is imagination or paranoia
Two of the books were truly noir and therefore quite difficult to read at times. Swiss writer Joseph Incardona’s Derrière les panneaux il y a des hommesis about a serial killer targeting young girls at service stations on the French autoroutes, but also offers a cross-cut of society through the multitude of individuals who congregate in such liminal spaces. Willy Vlautin’s The Night Always Comes was an excellent description of the American dream of house ownership turning into a nightmare, with characters trapped in poverty and endless disappointment, although those lengthy expositions via dialogue were a strange stylistic choice (a bit like a Greek chorus).
I tried to get one book to fit in with Annabel’s Nordic FINDS project, and I did get around to reading (but not reviewing) Jacob Sundberg’s We’ll Call You, a collection of short stories about job interviews. A sharp, funny little book, translated from Swedish by Duncan Lewis, full of the absurdities of the corporate world and our own apparently endless capacity for self-deception.
My favourite books of the month were the two I was reading on New Year’s Eve and New Year’s Day, so as to start the year right: Deborah Levy’s Things I Don’t Want to KnowandReal Estate, the first and last volume of her ‘sort of memoir trilogy’. I have marked almost every third sentence in those slim volumes, they all speak to me so much (although it was the second one that I read a couple of years ago which addressed my own situation most closely).
I have also watched some Japanese films in honour of January in Japan month (to add to the constant roll of Japanese anime in our household). I put up with the overly sentimental but beautifully drawn Violet Evergarden movie for the sake of my younger son (although he too agreed that the series was better). We loved the adorable Ponyo (although I think I still prefer Tottoro) and thought A Whisker Away was a bit strange but charming, especially if you like cats.
Of the more grown-up films, I watched two by the same director, Kurosawa Kiyoshi, who is mostly known for his horror films. However, Tokyo Sonata is a smaller-scale domestic drama, with the fine yet understated psychological insight of his predecessor Ozu, while Wife of a Spy was a stylish mystery thriller set in war-time Japan, with echoes of Vertigo or The Third Man.
February will be dedicated to Australian writers, and I will attempt to read more women this time, to redress the balance. Sadly, my choices are limited by the books I can find over here in the UK, which is not much (and most of it second-hand).
I should in theory wait until tomorrow or the 1st of December to write my monthly summary, but I have other plans for this week, so will wrap up a little earlier. It has felt like a very long month, with the exception of my 4-5 days in Yorkshire, which simply flew by. With the exception of those few days of real holiday, my first in two years, I have been mostly ill (in fact, I had a headache for two of my days in Yorkshire too). I don’t know if my tussle with Covid in October left my body drained and my immune system struggling, but I seem to have caught every single one of the bugs from school and university, with at most a day or two of feeling fine in-between.
So, for anyone wondering where I got all my energy from – wonder no more, for my batteries have well and truly gone this month! I have just about managed to keep the day job going, spent most of my weekends in bed, and have resigned myself that I will be missing out on various projects I wanted to be involved in that have a 30th November deadline.
The only event I was able to attend (on one of the few days when I felt fine) was the Corylus event at the Romanian Cultural Institute in London on the 16th of November, where I got to speak together with the two Bogdans that I’ve been translating: Bogdan Teodorescu and Bogdan Hrib in a debate about BalkanNoir: Is Romania the Wild Wild East of Crime Fiction. The discussion was recorded and I hope we can share the link with you very soon.
Enforced bed rest and a wet mush of a brain might not be conducive to writing or translating, but it worked fine for reading, although admittedly some books were chosed for ease of reading – rather like porridge with honey to soothe a sore throat. I read no less than 18 books, helped by the fact that many of them were novellas. I have even reviewed quite a few of them.
My German Literature Month reads were all novellas, with one exception, so I managed to participate in #NovNov as well.
Alan Johnson: The Late Train to Gipsy Hill – imagine a fun spy novel, more goofy than seriously chilling, despite the rather serious subject matter
Christine Mangan: Palace of the Drowned – which did not live up to the blurb and premise – Venice in winter, an author suffering from writers’ block and waning popularity, a creepy old palazzo, an over-eager young fan. Let’s just say that it was verbose rather than truly atmospheric, neither Death in Venice nor The Talented Mr Ripley.
Margaret Kennedy: The Feast – review to come, hopefully
Surprisingly, only a third of the books I read this month were foreign language books – all of them German. Ten of the eighteen were by women writers and five were in the crime genre (a very low percentage by my standards).
Reading plans for December will be all about snow and frozen climes: Russians and Scandinavians will have pride of place, so that I can snuggle indoors under many blankets while the blizzard rages outside.
15 books read, of which seven are crime fiction or true crime or, in one case, a literary curiosity labelled as crime fiction. This escapism into my favourite genre was counterpointed by some very good literary reads. Of the crime fiction genre, I enjoyed Rebecca Bradley’s start to a new series in Sheffield Blood Stained, Allie Reynold’s addictive Shiver, set in the world of snowboarding competitions, and Margie Orford’s haunting recreation of Cape Town’s older and more recent history Gallows Hill. For the Virtual Crime Book Club, I finally managed to get A Good Girl’s Guide to Murder by Holly Jackson from the library: I don’t usually read YA, but his one just zips along in a charming voice (think a slightly older Flavia de Luce set in a very contemporary world, where CDs are sooo last century).
The month was dominated by the reading I did for #1936Club and most of it was written by or about Romanian authors. While I did review Horvath’s plays for the #1936Club, I actually read them in March. However, I did read Max Blecher, Karel Capek, Mihail Sebastian and Liviu Rebreanu in April, all more or less fitting the requirements for the year 1936 or thereabouts.
There were three disappointments in this month’s pile though. The true crime book by John Leake The Vienna Woods Killer was written with too much of an American audience in mind, not particularly evocative of the Viennese atmosphere nor showing enough respect for the victims, but instead overly focusing on the investigation and court case. The novel entitled Sebastian by Gelu Diaconu was too much about other people, not enough about Sebastian (or else, did not add anything new to the Sebastian story). Sad to say, The Chateau by Catherine Cooper did not live up to the expectation raised by her first novel The Chalet, which I read last year. In spite of the fact that French chateaux are amongst my favourite things ever, as you well know.
But let’s not focus on the disappointments, because (aside from the books I read for the 1936 mission, which were all excellent) I also read two wonderful books this month. I reread To the Lighthouse by Virginia Woolf (which I liked, but had never been my favourite novel of hers – that would be The Waves – but which certainly has gone up vertiginously in my esteem now). I still hope to review it at some point, although what can you say about a novel that everybody and their dog has opined about? The other novel I picked up because of my passion for Mozart: The Snow Ball by Brigid Brophy: delightful, frothy, yet very intelligent, with the sort of precise, taut writing I hugely admire. (Very much like Mozart – perfectly controlled, it just seems easy like breathing.) I then listened to the Backlisted Podcast episode about it and appreciated it even more. Two perfect little gems for a rather tiring month (aren’t they all – tiring, I mean, not gems obviously).
My patience for box sets has gone out the window. I started the second season of Succession and it was just more of the same: backstabbing amongst rich people behaving badly, so I abandoned it. Fortitude was beautiful for its landscape, but that stifling small community where everyone seems to sleep with everyone and the rather far-fetched storyline palled after 5-6 episodes (plus there were some unnecessarily graphic gory scenes). Even The Sopranos felt a bit ‘take it or leave it, I won’t suffer either way’ after two seasons, so I decided to cancel my NowTV subscription.
After a very ‘film-less’ March, I caught up with my love for films a little more in April. It was perhaps not quite as diverse as previously, quite international nevertheless:
Japan: A Silent Voice – anime about bullying in high school, much harder-hitting than I expected
Spain: Pan’s Labyrinth – fantasy, history, once again – much more powerful (nightmarish almost) than I expected
Romania: Collective – documentary about the nightclub fire in Bucharest in 2015 and its aftermath, revealing government corruption and the power of investigative journalism
France: A Prophet – prison drama, watching Tahar Rahim transform under your very eyes from a naive young man to a criminal wheeler-and-dealer
US: The King of Comedy – a satire that manages to be both fierce and very funny, and deeply disturbing, with a brilliant performance by De Niro.
UK: The Third Man – still one of my favourite films for the black-and-white atmospheric shots of post-war Vienna and a world that has lost in faith in humanity – but yes, my sons are right that the dialogues between Holly Martins and Anna are stilted and old-fasioned
Italy: The Ties – didn’t realise it was based on the Domenico Starnone book, which I had avoided reading because I was still raw about my divorce – so the film turned me inside out a bit, especially the reaction of the children. Felt cynical and glum, at times hammering home the message a little too much.
US: In the Soup – another black comedy mocking both wannabe talents and the criminal world, while also being the story of the relationship between a charismatic older man who teaches a clueless young man how to live. Although I did chuckle, it felt like I’d seen this type of story before – and done better – in Zorba the Greek.
Last minute update: In my last post about Rebreanu, I mention the dance Ciuleandra and I included a film clip. I should also have added (thank you to Calmgrove for reminding me) that there is a fairly good Romanian film adaptation of it dating from 1985. Here is the trailer, which includes the moment when the couple meet at the village dance, with French subtitles.
In fact, I should be grateful, because for me it hasn’t been too bad. I am not one of the brave and dedicated frontline key workers that I so much admire and whom we all depend on for what semblance of a normal life we still have: medical staff, pharmacists, supermarket workers, delivery drivers, public transport, utilities providers and of course teachers.
All I had to worry about, for the three weeks until the actual lockdown was my children still going to school (one of them on the train), and me bringing the disease back into the house, with my commute to London and having my office in a very public building which only closed down on the 20th of March. Of course, I also worry about my parents right at the other end of Europe, stuck in the capital city rather than in their house in the countryside (on the other hand, the hospitals are closer and better equipped in Bucharest), both with underlying health conditions and both approaching 80 very soon. Like any recently divorced parent with a very acrimonious financial settlement that is still hugely resented by the ex, I do worry about the possible practical consequences of me falling seriously ill. I may need to get in touch with a solicitor friend of mine and make a will.
Other than that: I’m used to food shortages, to curtailment of liberties, to being essentially under house arrest… it brings back memories of my childhood. Not fond ones, no: I have no ‘stiff upper lip and carry on’ nostalgia. But I know that we survived those times (some less gloriously than others), so I’m hopeful we can survive this. My boys are fortunately old enough to keep themselves occupied whether the school assigns a lot of work or not. We have adopted a new feline member of the family, sweet, elderly Barney, and we are busy trying to get our ‘only child’ Zoe to accept him.
However, my reading and writing have both dwindled considerably. Not only because I am extremely busy with work during the week and feel exhausted all the time. Not only because of the bouts of insomnia which continue to plague me (and probably everybody else at the moment). Almost certainly because I am scrolling helplessly and fruitlessly on my phone for far too long, but also because I find it difficult to concentrate on anything for longer than half an hour. Add to that the fact that WordPress has decided now is the right time to make changes to their writing and formatting of blog posts and a general sense of feeling ‘what’s the point’, and you can understand why I’ve not even updated my blog regularly.
If I look back at March, however, there have been some lovely moments which seem to be as far away now as if we were seeing them through the wrong end of a telescope. On the 1st of March, I was fortunate enough to see the kimono exhibition at the V&A and on the 11th of March the exhibition on the portrayal of pregnancy in art at the Foundling Museum. I also attended an immersive adaptation of The Time Machine on the beautiful premises of the London Library and reviewed the show just a week or so before it shut down. I’d probably have delayed going to see all of these if I hadn’t been jolted by others. Moral of the story: never put off things you enjoy doing because you ‘don’t have time right now’.
The London Book Fair was cancelled, but I had a meeting on the 11th with my fellow Corylus Books founders and we discussed plans for publishing and promoting books this year and the next. It is possibly the worst time to launch a new publishing house and bring out books in translation by authors that nobody has heard of (yet). We also have problems with the actual printing and distribution of physical copies. So, much as I hate having to link to Amazon, this is the only way to find the two books we already have out now. Perhaps later in the year we will be able to attend all those crime festivals and organise all those book launches that we had planned.
Last but not least, I did read eleven books, and most of them have been of the lighter, more escapist variety, with quite a bit of armchair travelling.
Will Dean: Black RiverTuva Moodyson is back in forlorn Gavrik in the north of Sweden at the height of Midsommar madness to try and find her missing friend. With a full cast of dodgy characters, including snakes, the author proves that the Swedish forests can be creepy regardless of the season.
Graeme Macrae Burnet: The Disappearance of Adèle Bedeau Set in a sleepy provincial town on the Franco-Swiss border, not far from Strasbourg, this too is a creepy tale of loners, outsiders and personal obsessions.
David Young: Stasi 77 A series that I’ve really enjoyed, but somehow missed reading this particular book. The links to the end of the Second World War and hidden Nazis operating within the East German state were particularly harrowing (and historically accurate, although I wasn’t previously aware of it). Perhaps my favourite of the series thus far.
Murder in Midsummer A collection of stories set in holiday locations (not always in summer, despite the title). Mostly famous authors, with lesser known stories. As always with such a collection, some of the stories are better than others, but overall a fun book to dip into.
Rebecca Bradley: A Deeper Song DI Hannah Roberts is back with a bang and a sharp squeal of the brakes. Preoccupied by family problems, she nearly runs over a young man who darts out in front of her car. He is covered in someone else’s blood but cannot tell them anything, as the accident has provoked a temporary (?) amnesia. Soon Hannah herself is in danger and her team need to gather all of their wits and collaborative skills to find her.
Margot Kinberg: A Matter of Motive A start of a new series by American author Margot Kinberg, featuring rookie murder investigator Patricia Stanley. A man is slumped over the steering wheel of his car, apparently the victim of a heart attack. Or was it? Both family and co-workers seem to have plenty of things to hide, although they keep emphasising what a nice guy Ron Clemons was.
Debbie Harry: Face It She does not mince her words, does she? The beautiful, rebellious, cool as anything singer reveals as much as she damn well pleases in this memoir, including her vulnerabilities. Still an icon.
Malorie Blackman: Knife Edge Second book in the Noughts and Crosses series, which I read to coincide with the TV adaptation. Such an interesting concept, although I did find the writing aimed at a younger audience than me.
Philip Pullman: The Book of Dust I was smitten with the original trilogy but only got a chance to read this prequel now. An exciting story, even if we know the final outcome (that baby Lyra did end up safely at Jordan College). Above all, I like the rich descriptive, yet never dull style, which offers something for both adults and younger readers.
Tiffany Tsao: The MajestiesThe story of a rich Indonesian family of Chinese descent, with a mass murder from the outset and a smidgen of science-fiction added into the mix. A wonderful book – about families, the lies we tell each other and tell ourselves, the differences between perceptions of the Chinese in the east and in the west… and about insects.
David Foenkinos: The Mystery of Henri Pick An unexpectedly light and humorous offering by Foenkinos, satirizing the pretentiousness of the Parisian literary society. Could a pizza maker who never was seen reading a book truly have written an almost perfect novel? Erudite, charming, delightful.
Meanwhile, if you find my reading concentration anywhere, do let me know, won’t you? As you can see, I have a whole pile of books planned for April!
I know February has got 29 days this year, but I’m ready to end this month early. It’s been soggy and dark and with far too few signs of spring. All the more reason to indulge in escapist reading, not just Mary Stewart but also things such as:
Seishi Yokomizu: The Inugami Curse (aka The Inugami Clan, which would be closer to the original in Japanese) – a sort of And Then There Were None but all in the family, thanks to a rather strange and spiteful will. Much more about psychology than closed room puzzles and therefore more enjoyable to me than last month’s Japanese mystery.
Elizabeth George: A Banquet of Consequences – I used to pounce on each new novel by E. George as soon as it came out, but I somehow lost the plot a little after Careless in Red and have struggled – not very hard – to get back in. I’d previously put up with the suspension of disbelief that class still matters in the Metropolitan Police and the sometimes slightly touristy view of Britain (like Martha Grimes), also with the great length of the novels (because they made for interesting character development). But lately I’d been feeling they were getting too baggy and ever so slightly repetitive. While this one is not perfect (the Havers finding her groove sub-plot seems a little tagged on, for instance), the description of one of the most manipulative mothers in fiction and a truly dysfunctional family meant that I just couldn’t put this down and read it straight in two days.
Louise Penny: The Nature of the Beast – Purists might be shocked that I’ve read Louise Penny all out of order. I just read whichever book I can get my hands on and always enjoy a trip to Three Pines and becoming reacquainted with Gamache and his family and friends. This one came out in 2015/16 and I have a suspicion I had too many other things going on in my life at the time to be fully on the ball. It strikes me that there is a deep, deep sadness at the heart of Penny’s work, which contrasts with the cosy village atmosphere.
Brian Bilston: Diary of a Somebody – Many of you will have enjoyed Brian’s irreverent Twitter poetry. This is his first novel, about a hapless, bumbling middle-aged poet trying to navigate work, divorce and sharing custody of his son, book club and poetry club, and his arch-nemesis, the pretentious rival poet with the completely opaque poetry. It was trying a bit too hard to go for the laughs, so it gets a bit repetitive after all, but in small doses, it is very amusing.
Nicola Upson: London Rain – The mystery series featuring Josephine Tey has always been one of my (not so secret) pleasures, another one that I’ve read out of order. This one is set at the time of the coronation of George VI and features the BBC at the start of its glory period. Not my favourite of the series to date, but the recreation of the period feels very authentic.
Nick Bradley: The Cat and the City – a quirky, strange book with a series of interconnected characters and stories, all showing a rapidly changing Tokyo on the eve of the 2020 Olympic Games. On the whole, it manages to avoid most of the cliches about Japan that foreign authors are prone to fall into and does a good job of conveying the loneliness of the huge, anonymous city. It left me thoughtful and dreamy for a few days after finishing it. But be warned: there is a distressing scene involving a cat getting hurt!
In a way, I’ve continued the Japanese reading challenge theme – although sadly I won’t have time to reread The Makioka sisters with Meredith. If you do get a chance to read it, I’d really, really recommend it: imagine Chekhov’s Three Sisters blended with an unforgettable portrait of a rapidly modernising Japan in the early 20th century.
Helen Phillips: The Need – not strictly speaking the most comforting read, especially when you are a single mother with two children alone in a creaky house (luckily, my children are a bit older than the ones in this book). Less of a ghost or horror story than a sort of postmodern feminist tale, which will probably up your anxiety levels… about almost anything really!
To summarise: I read 16 books this month, of which 7 fall roughly into the memoir theme I had envisaged (if we count Woodcutters by Thomas Bernhard and Kate Brigg’s This Little Art as quasi-memoirs too). I took part in #Fitzcarraldo Fortnight with just one book – the beautiful essay on translation as the ‘little art’ – and in the Paul Auster reading week with his early memoir The Invention of Solitude. 9 of the books I read this month were pure escapism, comfort reads, reflecting a much needed break for my poor brain after lots of translation and editing work. 11 of the books were by women authors, and only 2 were in translation (a deliberate choice, so that my head would be full of native English speakers and writers while I was trying to render a Romanian text into colloquial English).
Plans for next month? I’ll have finished editing the translation so can continue with my geographically themed reading. I’m thinking possibly Spain…
There I was thinking I hadn’t done all that much reading in August, because my #WITMonth contributions have been a miserly five. However, when I counted them all up, I realised I’ve read 16 books, 7 of them in translation (5 of them Brazilian, to fit in with my August in Brazil reading). 10 books were by women, and I even read two non-fiction books (Sylvia Plath’s diaries and The Secret Barrister’s rather terrifying descriptions of the shortcomings of the English legal system).
I have reviewed The Head of the Saint, Middle England, The End, Lost World, The Tortoise and the Hare, The Pine Islands and Clarice, so only about half of what I read. I still intend to review some of the above, but don’t hold your breath, as out of sight tends to be out of mind! I will not be reviewing Plan B or Guilty Not Guilty, which were quick fun reads but nothing to get worked up about, while Platform Seven is the kind of novel that started out very eerily and got my hopes up, but became a bit too much of a bog-standard thriller about a psychologically abusive relationship. Fatechanger is a YA novel about a Dickensian Boston of thieves and newspaper boys during the First World War and a time-travelling girl who has to pretend to be a boy in order to survive.
Next month I will be focusing on China – and I have a good haul of women writers, including Eileen Chang, Wei Hui, Xiaolu Guo and Yan Ge, so my #WITMonth is set to continue!
It’s been a good month of events as well: a powerful play about immigrants, a writing retreat at my house, a Russian film about life after the collapse of the Soviet Union, an exibition on writing at the British Library, a triumphant GCSE results day, a day trip to Oxford and, last but by no means least, an extremely inspiring conversation between Ali Smith and Nicola Barker, two of the most innovative and daring and poetic writers at work today.
With all of the back to school preparations, we’ve been going shopping and therefore ‘accidentally’ ending up in bookshops (my older son is nearly as addicted to them as I am – hurrah for him, but boo-hoo for my wallet). So this month has been the scene of another massacre of my book-buying ban (it hasn’t really been in place since April).
These two are actually for the boys: one is required for the GCSE (for younger son), the other was older son’s choice as he pursues his plans for world domination. They liked the tactile covers and wordcloud/ quotations on the front.
Speaking of beautiful editions, I just had to get these two favourite Murdochs in the new Vintage editions. Yes, I like stories about cult-like communities and dodgy patriarchal leaders.
Some politically prescient novels and another edition of To the Lighthouse. When I first came to the UK, I only had two medium-sized suitcases but I brought my battered editions of Virginia Woolf’s diaries (5 volumes), A Room of One’s Own and 5 of her novels. I left this particular one at my parents’ house and haven’t been able to find it since, so it was high time I got myself a new copy.
Last night’s haul from the London Review of Books bookshop. The Ali Smith and Nicola Barker ones are now signed, of course, while the very slim Korean novella was devoured in the train on the way home. I so hope I will get to see George Szirtes again to have him sign this book for me – a moving account of his mother and her journey into exile. Last but not least, Deborah Levy’s story of starting over as a middle-aged divorcee, mother and writer.
June was the first month that I experimented with my new geographical reading initiative, which means reading mostly (but not exclusively) authors from a particular country – or potentially books set in a specific country. I started off with the United States, because it is a country I often ignore in my reading. And it worked so well that I am certainly planning to continue doing this geographically themed reading at least until the end of year.
I read 8 novels by American authors, plus a biographical study of American women by an American woman – so a total of 9 books. Six women authors, including big names of the past such as Patricia Highsmith and Jane Bowles, popular contemporary authors such as Laura Lippman and Meg Wolitzer, and less well-known authors such as Laura Kasischke and Diana Souhami. The last of these, Wild Girls (review to come), is a book about the relationship and love life of Natalie Barney and Romaine Brooks, two wealthy American expats and artists living in Paris in the early 20th century. I first came across the chromatically restrained art of Romaine Brooks at the Barbican exhibition about artistic couples and wanted to know more about her.
The three male authors I read were Kent Haruf, Sam Shepard and David Vann, who all proved to be a very welcome respite from the rather self-absorbed American authors I have read previously (who may have put me off reading American books). Surprisingly, they all write about marginalised, impoverished or rural communities that we tend to think of as ‘typically’ American landscapes, filled with macho behaviour. Yet each of these authors demonstrate great sensitivity and empathy for human frailty.
So, all in all, quite a diverse and happy American reading experience, although I was perhaps less impressed with those particular books by Meg Wolitzer and Laura Lippman (compared with some of their others).
In addition to my focus on the US, I also had a bit of a Bristol CrimeFest hangover and read some more of the books I bought there. All three were enjoyable and very quick reads: Kate Rhodes’ atmospheric, closed island community in Ruin Beach, Charlie Gallagher’s almost viscerally painful He Will Kill You about domestic violence and Cara Black’s latest instalment in the Aimee Leduc series, Murder in Bel Air, which tackles France’s colonial past and present.
Last but not least, two books about betrayed women from very different decades: Dorothy Whipple’s Someone at a Distanceset in the 1950s, while Candice Carty-Williams’ Queenie is very much of the present moment and set in London. While the former remains stoic and resourceful, the latter is prone to self-destructive or self-belittling behaviour. Both books can be quite painful to read, although Queenie is also very funny in parts.
So, 14 books in total, 10 by women authors, zero in translation, which is quite unusual for me (reflects the geographical emphasis, I suppose).
I’ve only just done a quick summary of recently read books, so this time my round-up for February will involve not only books, but also films and theatre.
Another month of reading aimlessly (and freely). 11 books, of which 2 books about poets and poetry (Charles Simic and Louise Glück), 3 that qualify for #EU27Project (Menasse for Austria – and Belgium?, Sebastian for Romania and Georgi Tenev for Bulgaria). Then there were some easy reads (perhaps slightly too many): Emil, John Boyne, Penelope Lively and Horowitz. There was one disappointment: The Farm had such an interesting premise (surrogate mothers being ‘farmed’ for rich clients) but took far too long to get started and ended rather too abruptly. And there was one that really stood out: Milkman.
Two quite political plays this month. The first was The War of the Worlds performed by the Rhum and Clay company at the New Diorama Theatre – a retelling of the H.G. Wells’ novel and the infamous Orson Welles’ radio adaptiation set in the present-day, when a podcaster decides to explore just why people believe all sorts of fake news. Funny, thoughtful and with a bewildering array of accents and characters from a very talented cast.
The second was a National Theatre Live showing at my local arts centre of the new David Hare play I’m Not Running – about political infighting, spin doctors, male sense of entitlement and single-issue campaigning. Sian Brooke as the main character Pauline was vulnerable and touching but a bit shrill at times, while Alex Hassell as her former lover and now political rival Jack was very well cast, appearing at times to be plausible and handsome, and at other times downright ugly and evil.
In preparation for the Oscars night, I caught up on some films, not all of them nominated, and made the most of my Mubi subscription. I saw Roma, which was moving, but a bit too long and self-indulgent (or do I mean self-exculpatory, sentimental?). I reminded myself of the greatness of Spike Lee and his film Do the Right Thing. I was bemused by the arty-fartiness of Livia Ungur’s Hotel Dallas (great concept, poor execution). I was irritated by Vincent Cassel in Black Tide and amused by Hong Sang-Soo’s send-up of the Cannes world in Claire’s Camera. I had a happy reunion with Wim Wenders’ Alice in the Cities and a troubled encounter with Beautiful Boy, which makes me worry about parenting with just the right amount of support, love and kick in the back. A film that seems to focus more on the beautiful surroundings and house, oddly enough (perhaps in order to show nobody is immune to addiction?), than on the heartbreak, although Timothee Chalamet is absolutely riveting.
So a busy month of cultural events, which somewhat reduced the pain of migraines and ex-spousal bullying. With spring now in the air, perhaps March will prove kinder in all regards.