Book Haul April 2017: Making Up for Lost Time

For the first three months of the year, I was on a book-buying ban, loosely participating in the TBR Double Dog Dare challenge on James Reads Books blog. I didn’t quite get to read that many from my TBR pile because a lot of ARCs came in for review, but by and large I managed to resist book buying temptations, with the exception of Lyon. However, since that was right on the last day of March, I consider that a success!

From griffith.edu.au

Since then, I may have succumbed *a little* to book splurges. I blame FictionFan for not bestowing her Queen of Willpower Medal on me! I blame Tony for sharing a picture on Twitter of his lovely Japanese novellas from Strangers Press, based at Norwich University. You too can get them here: Keshiki – New Voices from Japan. I also blame the other Tony for his rant about the Best Translated Book Award shortlist for ordering Chronicle of the Murdered House by Lúcio Cardoso, translated from the Portuguese by Margaret Jull Costa and Robin Patterson (Brazil, Open Letter Books). Neither of these two orders have arrived yet, so I can fool myself that there will still be room on the shelves for them.

However, when I tell you that the 25 vintage Penguin classics which I ordered from World of Rare Books are still patiently lined up by the desk, awaiting shelving, you will realise that I may have overdosed on books recently.

But how could I resist a special offer on the Penguins – a surprise bundle of 25 titles? It was mostly the orange fiction series (John Wyndham, Somerset Maugham, Nancy Mitford, Charlotte Bronte), but there were also a few greens (crime fiction by Christianna Brand, Holly Roth and Erle Stanley Gardner) and some unusual finds, such as Passages from Arabia Deserta, a sort of travelogue/anthropological study by Victorian travelling gentleman Charles M. Doughty; a biography of G. K. Chesterton by Maisie Ward;a strange little genre-straddling memoir by Richard Jefferies The Story of My Heart, which looks like a prose poem with wood engravings by Gertrude Hermes; two novels about the British Empire in India by now-forgotten novelist (and former colonel) John Masters; and a book by Peter Wildeblood Against the Law, ‘a first-hand account of what it means to be a homosexual and to be tried in a controversial case and imprisoned’, published in 1955.

The final two books I felt obliged to buy attracted me for different reasons. The first, Rumba Under Fire, edited by Irina Dumitrescu (Punctum Books), was because of its content. It is a collection of essays, poems, prose, interviews about what it means to do ‘art’ in times of crisis. Can art and intellectual work really function as a resistance to power? How do works created during times of extremes of human endurance fit into our theories of knowledge and creativity – can we even attempt to understand them from our privileged and comfy positions? There is quite broad geographical representations here: Bosnia, Romania, Congo, Turkey, Afghanistan, World War 2 concentration camps, India and Pakistan.

The collaboration between poet Derek Walcott and painter Peter Doig Morning, Paramin (Faber & Faber) is pure indulgence. Each double page spread features a poem and a painting, calling out to each other, answering and completing each other. The one to blame here is Melissa Beck, who reviewed this so magnificently on her blog.

While commenting on the review, we connected with Anthony Anaxagorou on Twitter, who asked if we would be interested in reviewing two books of poetry from Outspoken Press, which he promptly sent along. The first is To Sweeten Bitter by Raymond Antrobus, the second Dogtooth by Fran Lock. You can expect to read reviews of both of these very soon.

November Reads; Crime Fiction Pick of the Month

What a wonderful month of reads it has been: a promising mix of both quality and quantity, despite lots of business travel and a drop in reviewing capacity. Plus a good representation of women writers, which is not always the case every month!

I have had the pleasure of discovering some debut or nearly-debut authors. By ‘nearly-debut’, I mean authors who are perhaps on their third or fourth book but have yet to be picked up by a publisher or who have only just been translated into English. I have mentioned the first four of these in my feature on 5 Women to Watch Out For in 2014 on Crime Fiction Lover

cover12Helen Cadbury: To Catch a Rabbit   Gritty Northern crime, with a focus on immigrants and community policing – a really promising start. I can’t wait to read more from this author!

Celina Grace: Requiem   Self-published author with a solid police procedural and engaging characters.

Jonelle Patrick: Idolmaker   Celebrity cult and tsunami in Japan – just love the setting of this series.

Cover2Ioanna Bourazopoulou: What Lot’s Wife Saw   Most inventive, genre-bending work I’ve read in a long time. Left me aglow.

Helen Smith: Beyond Belief   Fun escapism (despite the body count), excellent use of humour and irony, gently mocking spiritualism, credulity and conferences everywhere.

Cover5Alex Marwood: The Killer Next Door   So well known by now, that she barely qualifies as a nearly-debut author! This is Alex Marwood’s second book, a psychological thriller with a sad twist about the unmissed and unwanted people of a large city . I’ll be reviewing it shortly in more detail for CFL, but it’s an intriguing story set in a seedy London boarding house (I’ve known a few of those during my student days). I will never feel the same again about blocked drains!

Other Crime Fiction

Georges Simenon: Pietr the Latvian    Going right back to the first Maigret novel in this wonderful initiative of reissuing one novel a month by Penguin Classics. Big, burly, solid and eminently reliable, Maigret is his wonderful laconic self, springing fully-formed from his creator’s mind.

Cover 3Helen Fitzgerald: The Cry    Thank you, Rebecca Bradley and the other Book Club members for inciting me to read this gripping and very emotional read about a couple losing their young baby, and the aftermath in the media, the courts and within the family home.

Marne Davis Kellogg: The Real Thing    Elegant crime caper set in Cary Grant/Grace Kelly territory on the French Riviera.

Non-Crime Reads

Cover9Hanna Krall: Chasing the King of Hearts    Achingly haunting, low-key emotions in a pared-down, but never simplistic language. Almost unbearably sad ending – yet so realistic. A beautiful book. just when you thought nothing more could be written about the Jewish experience during the Second World War.

Sam Riviere: 81 Austerities     A debut collection by a young poet, which I picked up on impulse at Foyle’s in London. By turns prosaic, witty, funny and sad, this is an eclectic collection of glass-clear observations and surprising combinations of words and insights. The pyrotechnics of youth, certainly, but also lots of substance and depth.

Cover1Fouad Laroui: Une année chez les Français   Witty and brave take on cultural differences, as a young Moroccan boy embarks upon a year of study at a French boarding-school in Casablanca. Perfect description of the innocence and cluelessness of the boy from a country village, absolutely charming yet with sharp (sometimes sad) observations about assumptions of cultural superiority. An anthropologist’s dream.

And my Crime Fiction pick of the month, a meme hosted by Kerrie over at Mysteries in Paradise? Very, very tough choice, as there were at least 4-5 of the above I could have picked. In the end, I opted for ‘The Cry’ by Helen Fitzgerald.