I’m sorry I did not take the advice of my fellow bloggers AT ONCE and dive into this charming, funny novel by Winifred Watson. It is sweet without being too sickly, an escapist fairytale with a good dose of humour and wisecracks to keep it grounded. It has the feel and style of those 1930s Fred Astaire/Ginger Rogers comedies which I used to watch after coming home from school in the afternoon, before I sat down to do my homework. It was – for once – not relegated to the underground storage room of the library, but up proud and yellow on the ‘mood boosting books’ shelf. And never a truer word was spoken!
It is a fairy-tale, a Cinderella story of a middle-aged, downtrodden governess who is sent by mistake to the apartment of a glamorous nightclub singer, Delysia LaFosse, rather than a household full of unruly children. Before she has a chance to clear up the misunderstanding, she becomes involved in Delysia’s complicated love life and, with her level-headed, prim attitude and warm-hearted if slightly bossy style of questioning, she soon gains Delysia’s trust and gratitude. She gets swept up in the hedonistic lifestyle of her employer and over the next 24 hours experiences the most intoxicating period of her life. But once those giddy hours are over, she is very much afraid she will have to go back to her drab, near-unbearable life.
There is just enough backbone to Guinevere Pettigrew (that first name says it all), and just enough careless charm and genuine warmth to Delysia and her friends to make this story seem almost feasible, while the witty, self-deprecating observations keep us one step removed from fantasy land. One could dismiss this as ‘romantic tosh’, but it is far more subversive than that. The lifestyle described is a little too decadent and Miss Pettigrew’s conclusion almost too forward for the time period she was living in:
I find it much pleasanter not to be a lady. I have been one all my life. And what have I to show for it? Nothing. I have ceased to be one.
The original illustrations by Mary Thomson are equally humorous and reminded me very much of the illustrations for Ballet Shoes (although those were drawn by Ruth Gervis). Just one note of caution: there are one or two offensive remarks about Jews and ‘dagos’ in there, reflecting the attitudes of the time, but not excessively so, it doesn’t sour the rest of the story.
As I said above, this book has been reviewed extensively by book bloggers I admire, such as Jacqui, Kate Vane, Simon Savidge , Emma, Max and Resh Susan. I haven’t seen the film but Frances McDormand as Miss Pettigrew strikes me as an inspired choice.