Once again, I am jumping the gun a little with my September reading summary, as I don’t think I’ll have time to squeeze anything more in that isn’t intended for next month.
My reading got a little aimless and desultory during September, after a few really good months with very high-quality books. I struggled to really immerse myself in these books, which might explain why I’ve judged them more harshly than usual. There were two that really stood out for me, however, and for very different reasons. Daniel Defoe’s A Journal of the Plague Yearwas stark, gripping and revelatory, while Alison Anderson’s The Summer Guestwas wistful, dreamy and transported me to a better time and place.
On paper, I have read ten books, but two of those were very short indeed: a children’s book (Little Old Mrs Pepperpot, which I’m reading for the #1956Club) and a book of cartoons about the challenges of wearing a hijab in a Western country Yes, I’m Hot in This by Huda Fahmy. So, in reality, I have read eight books, of which two in translation. The Englightenment of the Greengage Tree by Shokoofeh Azar was interesting in its ‘stories within stories’ structure and truly beautifully written in parts, but rather hard reading in terms of subject matter. Also, I’ve never been a huge fan of magical realism, but I can certainly see the point of it to describe – and make bearable – the atrocities perpetuated here. Book burning, rape, torture, death and ghosts everywhere you look.
I was searching for comfort reads this month above all, but in truth found even the tried and tested categories of crime/suspense fiction a bit hard to click with. Stina Jackson’s The Silver Road seemed to howl with dreary loneliness and isolation. The Little Stranger by Sarah Waters had far too many pages about that boring English class system to make up for the few genuine moments of ghostly frisson. Even Doug Johnstone, who’s proved a reliable writer for me in the past, did not quite win me over with A Dark Matter – probably because I was expecting it to be black comedy in the style of Antti Tuomainen. While I enjoyed Amanda Craig’s The Lie of the Land probably far more than Jonathan Coe’s Middle Englandas a depiction of current English society (it was stuffed to the gills with sharp, witty observations of gender relations and family tensions), it did all go unnecessarily bonkers towards the end with the murder mystery part of it.
So that leaves Leonard and Hungry Paul by Ronan Hession, which so many assured me was the perfect sweet, gentle book for these troubled times. I have to admit I was reading it the weekend Barney died, and it was probably the only book I could possibly have read during that time. It was indeed a placid, even-tempered book with decent characters and touching interactions, people being kind and helpful, or at the very least apologising when they get things wrong. A little too sweet for my taste, perhaps, as I was constantly expecting someone to go amok, commit fraud or murder someone, but I liked its humour and the non-judgemental relationship between the two friends. It almost makes you believe in a nicer world – and don’t we all need a hope like that?
So I apologise for my general grumpiness this month. It’s been a very busy one at work, an emotionally gruelling one, an anxious one with the boys going back to school and no seeming respite from grim news worldwide. Next month, with Penelope Fitzgerald and Romain Gary to steady my ship, I hope to have a more pleasant tale to tell.
Posting this a little early, because I haven’t got the mental capacity to write reviews today (and I owe at least three).
I’ve read 10 books this month, despite being very busy at work once again. I’m alternating my #SpanishLitMonth (and anticipating #WomeninTranslation Month as well) with comfort (i.e. holiday) reading. My reading took me all over the world, and most of the books (80%) were written by women, half of the women writers were in translation. I’ve also read quite a few books from my #20BooksofSummer list – 18, but only reviewed 15 of them.
I discovered a new to me author that people on Twitter seem to be raving about: Sarah Waters (I slung down Fingersmith within 24 hours and have already reserved some other books by her from the library). I also discovered the Abir Mukherjee crime series set in 1920s India, which I want to read more of. I was very happy to be reunited with Eva Dolan, whose crime fiction I adore. I finally got to read Olga Tokarczuk again and she did not disappoint, she is rapidly becoming a firm favourite. I was moved and surprised by The Home-Maker, which still feels remarkably contemporary. I reread Barbellion with less of a giggle and more sympathy for his predicament than I did in my brash teens. I was fascinated by the passionate, experimental fiction of the South American women writers, but disappointed by the ‘society pages/lifestyle magazine’ style of Fleishman Is in Trouble, although it contained some clever observations about marriage and divorce.
Plans for the month of August – what else but Women in Translation? I am continuing with my Latin Americans – Ariana Harwicz awaits, plus Teffi, Tove Jansson’s Letters, Marlen Haushofer, Svetlana Alexievich and more. I’ve also ordered a few more books from the library for easy reading, so that should keep me out of mischief. Only two more books and I am free of any #20BooksofSummer constraints! Plus, I plan to dedicate a lot more time to writing.
June has always been my favourite month – lots of hours of daylight, my birthday, my younger son’s birthday, my older son’s nameday, and in my childhood it used to mark the end of school (no longer the case nowadays). So we had a lot of cake, and even a few drinks with online friends and even with real, grown-up friends in actual flesh, in my garden, in strategically placed chairs. What more could you want?
I really do believe I might have finally found my reading mojo which had been missing in action for months. I read 13 books this month (well, 12 to be precise, because one of them was a DNF, as mentioned below). Unusually for me, only four of the 13 books were translations, while ten were by women writers. Two were poetry collections, which require more attentive reading and rereading, but are shorter. Of course, I still have to catch up with reviews. But here is what I have reviewed thus far, in case you missed it:
I was very pleased with myself that 11 of those were from my #20Books of Summer list! In fact, the only two exceptions were my Virtual Crime Book Club read (Three Hours by Rosamund Lupton) and a sort of in-memoriam read upon hearing of the death of Carlos Ruiz Zafon. The Shadow of the Wind has been enthusiastically recommended by so many people, and the theme of books and mystery and historical connections made me think I would love it. Sadly, this was the book I did not finish. I did give it a good thorough try: 246 pages, after which I realised I was finding it a bit of a slog, was never keen to get back to to it and I was in danger of losing my reading va-va-voom once more. The first few chapters were fun, but it all became a bit too sentimental, too repetitive, too clicheed and I lost interest in the characters and the big mystery.
Toni Erdmann – In addition to the often very funny cringeworthy moments and the painful father/daughter relationship, I thought this was an astute look at capitalism and corporate culture taking over both individual and national cultures. It felt like Maren Ade did an excellent job in understanding the endless patience, hospitality and desire to please the foreigners (no matter how crazy they might seem) of the Romanian people with which the main German characters interact.
The Past – Having previously been mesmerised (and saddened) by Asghar Farhadi’s A Separation, I thought it would be nice to follow it up with another of his films currently available on Mubi. A moving portrayal of relationship breakdown and family dynamics with only a light touch of cross-cultural misunderstandings, I was especially impressed by the child/teen actors.
The Shining – a rewatch with the boys, who don’t like horror films but quite like Stanley Kubrick. I haven’t read the book, but I understand why Kubrick made some changes in the script – and made it more psychological rather than supernatural.
Animal Crackers – struggle with this one, it just wasn’t to my taste. I never quite ‘got’ the humour of the Marx brothers as a child – always preferred Buster Keaton, Charlie Chaplin, Laurel and Hardy or Bourvil. And I clearly still don’t get on with it as a grown-up. There were a handful of witty repartees which I enjoyed, but not quite enough to make the film worthwhile.
Given my new incarnation as a literary translator who is going to be doing more than just the occasional one-off project, it’s not surprising that I’ve been keen to keep up with the very welcoming and utterly fascinating, cosmopolitan translation community. In addition to attending the Borderless Book Club and hearing translators and publishers talk about their choices, I have also attended some events aimed at translator audiences.
Translation Theory Lab – discussion with Kate Briggs, author of This Little Art.
Daniel Hahn, Katy Derbyshire, Arunava Sinha talking about their current projects and changes to their routines during the Covid crisis, hosted by the Society of Authors
The W.G. Sebald Lecture given by David Bellos – in which he dispelled what he called the ‘myths of translation’, which are a combination of wishful thinking and confirmation bias, and ultimately not that helpful to translators.
Plans for July:
I am planning to read a lot of Women in Translation for August, and thought I might start a bit early, to combine with Stu Jallen’s Spanish Literature Month (which includes Latin American literature). I’ve got Ariana Harwicz (Argentina), Lina Meruane (Chile), Liliana Colanzi (Bolivia) and Margarita Garcia Robayo (Colombia) on the TBR pile.
Attention span bandwith continues to be quite limited, so, although I’ve been on my own this past week (until last night) and therefore had less of a responsibility for cooking, checking schoolwork and entertaining, I’ve not done an awful lot of reading or writing. Instead, I’ve been hopping and skipping between books and films, abandoning anything that doesn’t fully grab me or that feels wrong at this moment in time.
Films and TV
Sun in the Last Days of the Shogunate (dir. Kawashima Yūzō) is quite a broad farce, very commedia dell’arte or slapstick in its physicality. Set in a three-storey brothel which is a microcosm of Japanese society in the dying days of the Tokugawa period, it’s ostensibly the story of a lazy good-for-nothing who incurs a huge debt at the said brothel and therefore has to remain there to work it off. In fact, it is a great satire about virtually all of the ‘proud Japanese traditions’ (samurai, geishas, honour, filial piety) that tends to put forward as truly representative of Japan. The film was made in the early 1950s and was no doubt a comment on the ‘proud Japanese traditions’ which had led to the Second World War, as well as the hypocrisy about prostitution, corruption and financial greed. Wonderfully funny, a great palate cleanser in these worrying times.
Bacurau (dir. Mendonca Filho and Dornelles) is a very recent film about Brazil and its corruption at both local and national government levels. This is satire with a very sardonic bite. It has a Hunger Games or Get Out type of premise: foreigners being shipped in to a remote area of Pernambuco, paying for the fun of hunting real people. But they haven’t reckoned with the indomitable fighting spirit of the inhabitants of the village of Bacurau. The gradual reveal of the exhibition housed in the village museum is one of the highlights of the film for me personally, but I felt that more could have been made of the socio-political situation and the repulsive local mayor clamouring for re-election.
Le Cercle Rouge (dir. JP Melville) I’m not a huge fan of heist movies, but there is a bit of a Jean-Pierre Melville retrospective on Mubi and this has been hailed as probably the best French heist movie, although I for one would argue that Rififi deserves to be on at least level pegging. It has been particularly celebrated for its nearly 30 uninterrupted minutes of silent heist sequence, but I personally preferred the build-up at the start of the film.
Autumn Sonata (dir. Ingmar Bergman) – prepare to have your hearts broken, if you’ve ever been a daughter or a mother or both. Flawless performance by the two leads, although I did think that Swedish families are much less likely (perhaps unrealistically so?) to interrupt each other’s introspective speeches. And this quote just killed me:
A mother and a daughter – what a terrible combination of feelings and confusion and destruction. Everything is possible and everything is done in the name of love and solicitude.
Abandoned: Devs; Twins – the high-concept, intriguing premise of the first and the beautiful backdrop of the second were not enough to keep me fully engaged with the rather far-fetched plots.
Still struggling to focus on my reading rather than on Twitter, so I used several different ‘tricks’ to get me to fall in love with books again: I turned to the classics and tried a novel by Henry James which was much easier and frothier than I had expected, I co-read Serena with several other book reviewers to compare reactions and notes and I turned to lighter (not cosy, but more puzzle-type) murder mysteries such as The Iron Chariot by Stein Riverton (hailed as the first Norwegian crime fiction novel) and Peter Swanson’s Rules for Perfect Murders, which is the first novel we will be discussing for our virtual crime book club that is rising up again from the ashes. For more information about the book club organised by crime author Rebecca Bradley and to express your interest in participating, go here.
Abandoned: the rereading of The Ambassadors (one Henry James per month is enough); Maureen Freely: Mother’s Helper (quite fun social observation but it didn’t seem to be going anywhere); Paul Auster’s Timbuktu (maybe some other time, just wasn’t in the mood to read about a pet fretting about his master dying right now); Gerald Murnane’s Tamarisk Row – I’ve heard so many good things about this, but it was a little too depressing for my mood right now.
In fact, I should be grateful, because for me it hasn’t been too bad. I am not one of the brave and dedicated frontline key workers that I so much admire and whom we all depend on for what semblance of a normal life we still have: medical staff, pharmacists, supermarket workers, delivery drivers, public transport, utilities providers and of course teachers.
All I had to worry about, for the three weeks until the actual lockdown was my children still going to school (one of them on the train), and me bringing the disease back into the house, with my commute to London and having my office in a very public building which only closed down on the 20th of March. Of course, I also worry about my parents right at the other end of Europe, stuck in the capital city rather than in their house in the countryside (on the other hand, the hospitals are closer and better equipped in Bucharest), both with underlying health conditions and both approaching 80 very soon. Like any recently divorced parent with a very acrimonious financial settlement that is still hugely resented by the ex, I do worry about the possible practical consequences of me falling seriously ill. I may need to get in touch with a solicitor friend of mine and make a will.
Other than that: I’m used to food shortages, to curtailment of liberties, to being essentially under house arrest… it brings back memories of my childhood. Not fond ones, no: I have no ‘stiff upper lip and carry on’ nostalgia. But I know that we survived those times (some less gloriously than others), so I’m hopeful we can survive this. My boys are fortunately old enough to keep themselves occupied whether the school assigns a lot of work or not. We have adopted a new feline member of the family, sweet, elderly Barney, and we are busy trying to get our ‘only child’ Zoe to accept him.
However, my reading and writing have both dwindled considerably. Not only because I am extremely busy with work during the week and feel exhausted all the time. Not only because of the bouts of insomnia which continue to plague me (and probably everybody else at the moment). Almost certainly because I am scrolling helplessly and fruitlessly on my phone for far too long, but also because I find it difficult to concentrate on anything for longer than half an hour. Add to that the fact that WordPress has decided now is the right time to make changes to their writing and formatting of blog posts and a general sense of feeling ‘what’s the point’, and you can understand why I’ve not even updated my blog regularly.
If I look back at March, however, there have been some lovely moments which seem to be as far away now as if we were seeing them through the wrong end of a telescope. On the 1st of March, I was fortunate enough to see the kimono exhibition at the V&A and on the 11th of March the exhibition on the portrayal of pregnancy in art at the Foundling Museum. I also attended an immersive adaptation of The Time Machine on the beautiful premises of the London Library and reviewed the show just a week or so before it shut down. I’d probably have delayed going to see all of these if I hadn’t been jolted by others. Moral of the story: never put off things you enjoy doing because you ‘don’t have time right now’.
The London Book Fair was cancelled, but I had a meeting on the 11th with my fellow Corylus Books founders and we discussed plans for publishing and promoting books this year and the next. It is possibly the worst time to launch a new publishing house and bring out books in translation by authors that nobody has heard of (yet). We also have problems with the actual printing and distribution of physical copies. So, much as I hate having to link to Amazon, this is the only way to find the two books we already have out now. Perhaps later in the year we will be able to attend all those crime festivals and organise all those book launches that we had planned.
Last but not least, I did read eleven books, and most of them have been of the lighter, more escapist variety, with quite a bit of armchair travelling.
Will Dean: Black RiverTuva Moodyson is back in forlorn Gavrik in the north of Sweden at the height of Midsommar madness to try and find her missing friend. With a full cast of dodgy characters, including snakes, the author proves that the Swedish forests can be creepy regardless of the season.
Graeme Macrae Burnet: The Disappearance of Adèle Bedeau Set in a sleepy provincial town on the Franco-Swiss border, not far from Strasbourg, this too is a creepy tale of loners, outsiders and personal obsessions.
David Young: Stasi 77 A series that I’ve really enjoyed, but somehow missed reading this particular book. The links to the end of the Second World War and hidden Nazis operating within the East German state were particularly harrowing (and historically accurate, although I wasn’t previously aware of it). Perhaps my favourite of the series thus far.
Murder in Midsummer A collection of stories set in holiday locations (not always in summer, despite the title). Mostly famous authors, with lesser known stories. As always with such a collection, some of the stories are better than others, but overall a fun book to dip into.
Rebecca Bradley: A Deeper Song DI Hannah Roberts is back with a bang and a sharp squeal of the brakes. Preoccupied by family problems, she nearly runs over a young man who darts out in front of her car. He is covered in someone else’s blood but cannot tell them anything, as the accident has provoked a temporary (?) amnesia. Soon Hannah herself is in danger and her team need to gather all of their wits and collaborative skills to find her.
Margot Kinberg: A Matter of Motive A start of a new series by American author Margot Kinberg, featuring rookie murder investigator Patricia Stanley. A man is slumped over the steering wheel of his car, apparently the victim of a heart attack. Or was it? Both family and co-workers seem to have plenty of things to hide, although they keep emphasising what a nice guy Ron Clemons was.
Debbie Harry: Face It She does not mince her words, does she? The beautiful, rebellious, cool as anything singer reveals as much as she damn well pleases in this memoir, including her vulnerabilities. Still an icon.
Malorie Blackman: Knife Edge Second book in the Noughts and Crosses series, which I read to coincide with the TV adaptation. Such an interesting concept, although I did find the writing aimed at a younger audience than me.
Philip Pullman: The Book of Dust I was smitten with the original trilogy but only got a chance to read this prequel now. An exciting story, even if we know the final outcome (that baby Lyra did end up safely at Jordan College). Above all, I like the rich descriptive, yet never dull style, which offers something for both adults and younger readers.
Tiffany Tsao: The MajestiesThe story of a rich Indonesian family of Chinese descent, with a mass murder from the outset and a smidgen of science-fiction added into the mix. A wonderful book – about families, the lies we tell each other and tell ourselves, the differences between perceptions of the Chinese in the east and in the west… and about insects.
David Foenkinos: The Mystery of Henri Pick An unexpectedly light and humorous offering by Foenkinos, satirizing the pretentiousness of the Parisian literary society. Could a pizza maker who never was seen reading a book truly have written an almost perfect novel? Erudite, charming, delightful.
Meanwhile, if you find my reading concentration anywhere, do let me know, won’t you? As you can see, I have a whole pile of books planned for April!
I know February has got 29 days this year, but I’m ready to end this month early. It’s been soggy and dark and with far too few signs of spring. All the more reason to indulge in escapist reading, not just Mary Stewart but also things such as:
Seishi Yokomizu: The Inugami Curse (aka The Inugami Clan, which would be closer to the original in Japanese) – a sort of And Then There Were None but all in the family, thanks to a rather strange and spiteful will. Much more about psychology than closed room puzzles and therefore more enjoyable to me than last month’s Japanese mystery.
Elizabeth George: A Banquet of Consequences – I used to pounce on each new novel by E. George as soon as it came out, but I somehow lost the plot a little after Careless in Red and have struggled – not very hard – to get back in. I’d previously put up with the suspension of disbelief that class still matters in the Metropolitan Police and the sometimes slightly touristy view of Britain (like Martha Grimes), also with the great length of the novels (because they made for interesting character development). But lately I’d been feeling they were getting too baggy and ever so slightly repetitive. While this one is not perfect (the Havers finding her groove sub-plot seems a little tagged on, for instance), the description of one of the most manipulative mothers in fiction and a truly dysfunctional family meant that I just couldn’t put this down and read it straight in two days.
Louise Penny: The Nature of the Beast – Purists might be shocked that I’ve read Louise Penny all out of order. I just read whichever book I can get my hands on and always enjoy a trip to Three Pines and becoming reacquainted with Gamache and his family and friends. This one came out in 2015/16 and I have a suspicion I had too many other things going on in my life at the time to be fully on the ball. It strikes me that there is a deep, deep sadness at the heart of Penny’s work, which contrasts with the cosy village atmosphere.
Brian Bilston: Diary of a Somebody – Many of you will have enjoyed Brian’s irreverent Twitter poetry. This is his first novel, about a hapless, bumbling middle-aged poet trying to navigate work, divorce and sharing custody of his son, book club and poetry club, and his arch-nemesis, the pretentious rival poet with the completely opaque poetry. It was trying a bit too hard to go for the laughs, so it gets a bit repetitive after all, but in small doses, it is very amusing.
Nicola Upson: London Rain – The mystery series featuring Josephine Tey has always been one of my (not so secret) pleasures, another one that I’ve read out of order. This one is set at the time of the coronation of George VI and features the BBC at the start of its glory period. Not my favourite of the series to date, but the recreation of the period feels very authentic.
Nick Bradley: The Cat and the City – a quirky, strange book with a series of interconnected characters and stories, all showing a rapidly changing Tokyo on the eve of the 2020 Olympic Games. On the whole, it manages to avoid most of the cliches about Japan that foreign authors are prone to fall into and does a good job of conveying the loneliness of the huge, anonymous city. It left me thoughtful and dreamy for a few days after finishing it. But be warned: there is a distressing scene involving a cat getting hurt!
In a way, I’ve continued the Japanese reading challenge theme – although sadly I won’t have time to reread The Makioka sisters with Meredith. If you do get a chance to read it, I’d really, really recommend it: imagine Chekhov’s Three Sisters blended with an unforgettable portrait of a rapidly modernising Japan in the early 20th century.
Helen Phillips: The Need – not strictly speaking the most comforting read, especially when you are a single mother with two children alone in a creaky house (luckily, my children are a bit older than the ones in this book). Less of a ghost or horror story than a sort of postmodern feminist tale, which will probably up your anxiety levels… about almost anything really!
To summarise: I read 16 books this month, of which 7 fall roughly into the memoir theme I had envisaged (if we count Woodcutters by Thomas Bernhard and Kate Brigg’s This Little Art as quasi-memoirs too). I took part in #Fitzcarraldo Fortnight with just one book – the beautiful essay on translation as the ‘little art’ – and in the Paul Auster reading week with his early memoir The Invention of Solitude. 9 of the books I read this month were pure escapism, comfort reads, reflecting a much needed break for my poor brain after lots of translation and editing work. 11 of the books were by women authors, and only 2 were in translation (a deliberate choice, so that my head would be full of native English speakers and writers while I was trying to render a Romanian text into colloquial English).
Plans for next month? I’ll have finished editing the translation so can continue with my geographically themed reading. I’m thinking possibly Spain…
In addition to my Japanese reading extravaganza past and present, I had a very enjoyable month of reading, which almost made up for the fact that this month must have been at least seven weeks long, filled with school evenings, financial and other administrative matters, anxiety on our close about an attempted burglary and other dreary stuff. I read a total of 12 books, 4 for the January in Japan challenge (of which I only reviewed three), 5 which might be labelled crime fiction (or psychological thrillers, although I am starting to dislike the latter label, which has been overused recently), 5 in translation and 5 off my Netgalley list (I am sooo behind with my reviews there).
Other than books, I also had some more pleasant encounters this month than the ones with my mortgage advisor or bank manager. Here’s a quick summary:
Stranger Things Secret Cinema – It’s become a tradition that for my older son’s birthday on the 1st of January my present is an experience rather than an object. It may or may not be precisely on his birthday but it will fall in his birthday month, to make it slightly more bearable. We really liked watching Stranger Things on Netflix together, especially the first series, so this year we went to an immersive Stranger Things experience with some of his friends, dressed up as a rocker (him) and a New Romantic (me), enjoying 80s music, following a trail of clues and scenes from the series with actor look-alikes, all finishing with a sort of summary of the three series on giant screens.
The Irishman and Little Women – My older son has also become quite a film buff and is forever sharing his list of Top 50 films with me (subject to constant revision, of course, because there are so many of the classics he hasn’t seen yet). He liked both of the films above, but we agreed that Goodfellas is better than The Irishman (and shorter). Personally, although I loved the interpretation of Jo, and the beautiful, painterly backdrops and colours of Little Women, I didn’t fall quite as much in love with it as I was expecting.
Uncle Vanya at the Harold Pinter Theatre was a marvellous mix of frustration, seething resentments, luxuriously decaying scenery and excellent actors. Toby Jones was surprisingly good as Vanya (not because he is not a wonderful actor, but because I had a more louche, younger-looking Vanya in mind), while Aimee Lou Wood as Sonya broke my heart a little with her wide-eyed, coltish naivety. Above all, I liked the way the humour and bad behaviour was brought to the forefront, which is not always the case. Most adaptations of Chekhov are unbearably gloomy. Another thing which felt fresh was the prominence given to the doctor’s discourse about the loss of the forest, not just the demise of an old way of life but an actual environmental disaster.
Poetry Class – I trekked over to Chiswick to attend a Coffee House Poetry class with Anne-Marie Fyfe on the topic of homes and houses. Having lived in something like 20-30 houses throughout my life, you can imagine that I have a huge untapped reservoir there for poetic inspiration. The class (first of two, second to follow shortly) was full of talented and supportive people, and we were given challenging but interesting homework until next time. Now all I need to do is actually write… if I can find time for it…. What was the name of my blog again? Nothing’s improved in the past 8 years, then!
Meeting old school friends
At some point during our time there, the English School Vienna became the Vienna International School. For most of us, it was one of the happiest times of our lives, so of course we love meeting up after so long! Three of us girls were The Three Musketeers, while the others were the ‘annoying’ younger sisters or the ‘annoying boy’ who wanted to hang around with us. All very much loved and appreciated now, of course.
Making new blogging friends – I got to go to Uncle Vanya thanks to the lovely Aliki Chapple, whom I’d been chatting with occasionally on Twitter, so it was a great pleasure to meet her in real life. We share some common Greek experiences, as well as a passion for theatre (although in her case it is far more professional than mine). I also got to meet an old Twitter acquaintance Amateur Reader Tom, who was visiting London with his wife, an academic interested in both French and German history and literature. I introduced them to my favourite Greek restaurant near work and we chatted about France, Britain and the Quais du Polar (Tom lived in Lyon for a while). In future, I should make all my friends via Twitter or blogging, because after a few years of exchanging ideas about books, films and cultural events, you have so much more in common than you do with people you encounter randomly as neighbours or parents at school.
One other thing that has taken up virtually all of my ‘spare’ time this month, which has been as urgent as my admin (but nothing like as dreary) has been translation work. But more about that in a short while! Lots of exciting news coming up in this respect!
Plans for next month? What country should I ‘attack’ next? Since I am so busy translating myself, I actually want to read things written in English (because I seem to have forgotten all the slang and natural sounding expressions in English while translating), so I think I will opt for some English, Scottish, Irish and perhaps American memoirs and essays. I’ve already started with Deborah Orr’s Motherwell, while Janice Galloway, Kathleen Jamie, Jacqueline Rose’s Mothers and Maggie Gee have been waiting far too long on my shelves.
I have no recollection of which books I read in 2010-2011, because I did not keep a record of them on a blog or a spreadsheet. I know I borrowed a lot from the library during that period, so I can’t even look at my shelves and guess from the purchases I made. So my books of the decade will in fact be the books which most stuck in my mind during the past 8 years. To be even more precise: books that I happened to read in the past 8 years, not necessarily books published during this period.
I didn’t have a set number in mind, but have come up with a list of 30, which seems like a nice round number. I did not include rereads in this category, otherwise it might have been skewed in their favour (you reread things for a reason). Not all of them have comprehensive reviews, but I’ve tried to link even the brief ones where possible.
What conclusions might be drawn from the above list? I like rather grim and sad books, clearly, preferably with the words ‘dark’ or ‘night’ in the title. I like world literature: 18 are written in a language other than English, and even the English-speaking authors include a South African, a Canadian and 5 Americans (two Scottish authors – that might count as a distinct category soon). 19 out of 30 are women writers. I much prefer fiction and particularly novels, almost to the exclusion of everything else (only five non-fiction books on this list) Finally, I am attracted to ‘difficult’, controversial subjects – poverty, death, dysfunctional families, social ills, bad physical and mental health, trauma, crime.
So, on that cheery note, here’s to next dystopian decade!
Many of the authors I discovered this year are not really new authors at all, simply new to me. You all have been raving about some of them for years!
Olga Grushin: Dream Life of Sukhanov – freedom and the artist, censorship and compromise, all in a satirical and surrealist tale of midlife crisis
Cora Sandel: Alberta Alone, transl. Elizabeth Rokkan – so daring and modern, very relatable and touching
Fernanda Torres: The End, transl. Alison Entrekin – my favourite combination of humour, satire and sadness – what the Germans call ‘zartbitter’ (tender bitter)
Kent Haruf:Plainsong – all those bloggers who recommended him: you were right! I’m not normally a fan of small-town America, but there is something deliciously plaintive but also muscular and lean about his style, reminded me of Sam Shephard’s Cruising Paradise
Livia Braniste: Interior zero – the Romanian millenial Bridget Jones is by turns funny, cynical and much more subtle than her British counterpart
David Vann: Aquarium – hard-done-by children and their stories always grip me, and this one is beautifully written and heartbreaking
Gerhard Jäger: All die Nacht über uns – this clever blend of personal and social history is just my cup of tea – it will probably go straight onto my best of the decade list.
Anything goes here really – writers I’m already familiar with, poetry (which I read a lot but very seldom review), things that defy all categorisation etc.
Julia Franck: Die Mittagsfrau – started slowly and then just grew and grew on me
Ilya Kaminsky: Deaf Republic – political narrative poetry at its most lyrical, metaphorical and troubling
Shirley Jackson: Raising Demons – sweetness wrapped in bitter chocolate – or should that be bitterness wrapped in milk chocolate?
Isaac Babel: Odessa Stories, transl. Boris Dralyuk – virtuoso storytelling, comedy and tragedy in equal measure
Perhaps it says something that many of my most memorable classics were read as part of my ‘geographical exploration’ challenges: either the #EU27Project or the One Country per Month option. The non-fiction books appeared as additional reading for many of my fictional interests this past year, although Deborah Levy’s Cost of Living was recommended by somebody on Twitter.
Ramuz: Beauty on Earth, transl. Michelle Bailat-Jones – reads like a long prose-poem, with all the looming menace of a devastating storm about to break out
Strugatsky Brothers – started off with the story Monday Starts on Saturday, transl. Andrew Bromfield, dripping with sarcasm and surrealism, then the book Roadside Picnic, transl. Olena Bormashenko, which formed the basis for that strange Tarkovsky film Stalker
Miklos Banffy, transl. Patrick Thursfield and Katalin Banffy-Jelen – I started the first in the Transylvanian trilogy back in 2018 and then couldn’t wait to get back to that lost world, recreated with all its magic but also its flaws
Mihail Sebastian: For Two Thousand Years – memorable fictionalised account of living as a Jew in Romania in the period between the two world wars
Eileen Chang: Lust, Caution – a book of stories with several translators; the title story a particular standout tale of love, politics, self-interest and betrayal
Dorothy Whipple: Someone at a Distance – my first Persephone and a truly heartbreaking story of a dying marriage
Elizabeth Jenkins: The Tortoise and the Hare – highly recommended by everyone who had read it. I thought that this additional story of betrayal and loss in a marriage would kill me off completely, but it was exquisitely written, so well observed
Sarah Bakewell: How to Live: A Life of Montaigne in One Question and 20 Attempts at an Answer – really made Montaigne come to life for me and ignited my interest in his essays and philosophy
Deborah Levy: The Cost of Living – rediscovering your self and your creativity after marital breakdown, the right book at the right time
Julia Boyd: Travellers in the Third Reich – wonderful collection of contemporary narratives from those travelling in the Weimar Republic and early years of Nazi power, demonstrating how easy it is to believe in propaganda
Mihail Sebastian: Journal – even more heartbreaking than his novel, his diary describes life just before and during WW2 in Bucharest, and the compromises and excuses his friends make in order to survive
Rupert Christiansen: Paris Babylon – very readable account of the lead-up to the Franco-Prussian War and the Paris Commune, in which the city of Paris becomes a main character in all its infuriating, incomprehensible beauty and chaos