May Summary

May was quite a busy and happy month culturally speaking, and thus marked a return to blogging. I attended two crime fiction festivals and wrote copiously about them. I saw one art exhibition, one film in cinemas and one play. And I read lots of books.

The exhibition was the Spanish crowd-pleasing artist Sorolla, who seemed to enjoy a charmed life back in the early 1900s: his paintings were selling well, he was commissioned to do interesting work, he was married to the love of his life who modelled for him regularly, he had three children he adored. No tortured artist’s existence for him. He also had a remarkable facility for painting in different styles (from social realism to impressionism to Velasquez like portraits). In my youth I might have been a little sniffy and dismissive of such an obviously bourgeois painter, but I actually enjoyed his work a lot. Nothing wrong with being ‘pretty’. His use of colour (especially the different nuances of white) and light is spectacular.

From the programme for Sorolla at the National Gallery.

The play I saw was part of the RADA showcases as their third-year acting students finish their degree. I saw Love and Money, written by Dennis Kelly in 2006 but very prescient about the financial crisis of 2008 and bad debts. It was, like all the best plays are, both funny and rather dark, the story of a marriage floundering in a sea of trying to keep up with the Joneses and getting out of consumer debt. All of the performers were good, but Stacy Abalogun and Bea Svistunenko stood out for me. It was the second time I’d seen Bea after her riveting performance in Linda: we are going to hear great things about her, mark my words.

Now that I no longer have books to review regularly, I am reading with more of a theme. In May the theme was the Paris Commune, because it was in May that it came to a very bloody end in 1871. I was wise enough to read two historical accounts about the Commune back in April, because the novel by Emile Zola The Debacle ended up taking most of the month. Not just because it was long (and in French, which always means slightly slower reading for me), but because it was also emotionally quite a challenge to read. I’ve written two blog posts about it, here and here.

Sadly, this meant that I didn’t manage to read another book in French about the Commune, Jean Vautrin’s Le Cri du peuple, but I think I will persevere with it over the summer, as I continue to be fascinated with this period in French history. I’ve managed to talk Karen from Kaggsy’s Bookish Ramblings into buying an English translation of this book, so we might engage in a joint read during the holidays.

I took a break from this very serious topic with a lot of crime fiction and one true crime, The Five, the very moving accounts of the lives of the five victims of Jack the Ripper. Not perhaps the most obvious choices for ‘lighter’ subject matter, but a change of pace from Zola anyway. But what could I do? I turned to Martin Suter’s Elefant for a nice cosy read and instead it featured homeless people and ruthless experimentation on animals. But yes, also an adorable pint-sized, pink glow-in-the-dark baby elephant.

So I felt entirely justified in picking up Ghost Wall by Sarah Moss, because no matter how serious and shocking the subject matter is, Moss also manages to be witty about it. Her description of teenage grumpiness and rebellious undercurrent are spot on. Of course, this is a dig at those who are overly nostalgic about the past, as well as a study in how easy it is to get caught up in mass hysteria.

Finally, The Exiles Return by Elisabeth De Waal is beautifully evocative of 1950s Vienna, with the different occupied forces still very much present in the city. Although it has a bit of a rushed and violent ending, it is also a superb meditation on whether it is ever possible to return and reintegrate after you’ve been exiled from the place you once considered home. Is it possible to forgive and forget?

14 books read, 6 by women, 8 by men. Only two books in foreign languages this month (probably because it took me so long to read one of them).

Plans for the upcoming months?

A Twitter exchange with Barcodezebra about Brazilian fiction led to an impromptu spending spree (so much for my book buying ban, but I am trying to contain it all in the merry month of May and then go back to austerity). It’s been a long time since my last obsession with Brazilian literature, back when I was doing my Ph.D. right next to (or above) the Department of Spanish, Portuguese and Latin American Studies. I would saunter in and explore all the writers I’d never heard of before: Jorge Amado, Clarice Lispector, Machado de Assis and many more. So I thought it was high time I caught up with some of their more contemporary authors and ordered a whole bunch from Abe Books. I will certainly read some during the Women in Translation Month in August (Patricia Melo, Socorro Acioli and Clarice Lispector’s short stories), but I’m tempted to soak up some Latin American atmosphere before then. However, I also plan to keep going with my #EU27Project. I am very close to finishing it!

I also intend to read a lot more poetry over the summer, as I try to regain my poetry writing groove. This will be mostly random rummaging through my rather hefty poetry bookshelves, just seeing what appeals to me in the moment, although I may have ordered Ilya Kaminsky’s Deaf Republic online, as I couldn’t wait anymore for it to come out in the UK. There is as much buzz around it as there was around Claudia Rankine’s Citizen a few years ago, so I hope I will love it as much as I loved that one. (Poetry book buzz seems to be more reliable than bestseller book buzz.)

Hmmm, sounds like quite a lot of plans. Have I bitten off more than I can chew, as usual?

April Summary and Plans for May

Being alone for the Easter holidays had its upside: I got a LOT of reading done this month. Sadly, the (poetry and novel) writing is still missing in action, but I’m dipping my toes into the warm, friendly waters of blogging once more.

Stats

Here are some stats for the fans. A total of 20 books, although there was one I abandoned after about 45 pages. 7 books were either in another language or in translation; 11 were written by women (and one was an anthology, so I suppose you could count 12). An unusually high number of non-fiction reads for me: 4. One of them was a radio play, or what I’ve chosen to call an audio book. Above all, an unusually high number of reviews. I reviewed three for the #1965Club, which was really enjoyable: Ion Vinea’s Lunatics, Margaret Forster’s Georgy Girl and Arkady and Boris Strugatsky’s Monday Starts on Saturday. [I reviewed one that I’d finished much earlier for the #EU27Project, but that shouldn’t be counted.] And I very briefly mentioned and reviewed seven of this month’s books in this post.

However, that still leaves the following to review: Patrick Delperdange’s Si Tous les dieux nous abandonnent (for Belgium for #EU27Project) and Paris Babylon by Rupert Christiansen, The Paris Commune by Donny Gluckstein and Guy Gunaratne’s In Our Mad and Furious City for my special project in May (see below).

I won’t be reviewing several books that I read for sheer fun, but that doesn’t mean I didn’t enjoy them. Island of the Mad is set in Venice in the early Mussolini years, and is Laurie R. King’s latest instalment in the Mary Russell and Sherlock Holmes series, which I used to adore a few years back, but have grown out of the habit of reading. As an expat and cultural anthropologist, of course I was amused by Sarah Moss’ account of a year of living in Iceland in Names for the Sea. Gods Behaving Badly by Marie Phillips is a hilarious reimagining of the Greek gods living in a scruffy shared house in present-day London and trying to maintain some kind of control over their powers. Finally, Bats in the Belfry by ECR Lorac is a typical Golden Age crime novel, with some great humour and atmospheric scenes, although somewhat too convoluted to be 100% enjoyable.

Book Hauls

I have also conveniently ‘forgotten’ about my book buying ban this month. Not only did I stop and browse and buy at The Second Shelf, I also ordered online the Strugatsky brothers’ book and a book by Swiss author of Romanian origin Raluca Antonescu (who will be appearing at a literary festival in Lausanne – if I can’t be there, at least I can vicariously partake in her fame). Of course, I also made the mistake of looking at those nasty little shelves of remainders and second-hand books that Waterstones Gower Street puts out on the pavement for people to stumble over… and came away with just two small purchases: Meike Ziervogel’s Clara’s Daughter and one of my favourite YA books (although it appeared before YA became a well-established genre): Dodie Smith’s I Capture the Castle. I also borrowed a few books from the library: a volume of plays by Botho Strauss, one of the books in the Patrick Melrose cycle (I haven’t ever read any nor seen the latest series starring Benedict Cumberbatch) and a non-fiction historical title that I have high hopes for: Hallie Rubenhold’s well-researched untold stories of the five victims of Jack the Ripper.

Since I will be going to Newcastle Noir next week (albeit briefly – Friday afternoon and Saturday morning only) and Bristol Crimefest the week after, I don’t have high hopes that I will escape with my wallet unscathed and my bookshelves unencumbered.

Plans for May

My main reading goal for the following month is reading and reviewing books about the Paris Commune (which was mercilessly crushed in May 1871). In addition to the non-fiction I’ve already read in preparation, I am also reading two fictional accounts of the events: Jean Vautrin’s Le Cri du peuple, which I believe started life as a series of graphic novels (BD) but is now available in novel format; and Émile Zola’s The Debacle, penultimate novel in his Rougon-Macquart series and his bestselling one of the series during his lifetime (probably because of the proximity to the events described, although he published it at a safe distance of 21 years). I will be reading the latter together with Emma from Book Around the Corner, who will also be posting her review towards the end of May. I’ll be reading it in French, which will slow me down considerably (hence I’m leaving a whole month for it), but as you can see from the picture, it is easily available in English, if you want to join in with us!

Favourite Reads of the Year

So we’ve finally reached the last couple of days of a busy, tiring, troubled year. May 2019 be merciful and kind and offer plenty of good reading at least, to distract us from the state of the world!

I’ve tried to hold off until now before making my ‘best of’ list, just in case some really good books that I read in December outweigh and outdazzle all of the others. In actual fact, only two of the December titles were contenders: two books about the war in Yugoslavia.

This is not a Top Ten or Top Twenty or any other systematic way of making a list. It’s simply a listing of all the books that really stood out and a brief quote or explanation to show why.

Library designed for Andrew Solomon, from Architectural Digest. I think that’s roughly the amount of shelf space I need.

Most Pleasant New Author Discovery

Cesar Aira: The Lime Tree

How could we have changed so much, if everything was still the same? It all seemed too much the same, in fact. I felt nostalgic for time itself… I was no longer the small child who had gone with his father to collect lime blossom, and yet I still was. Something seemed to be within my grasp, and with the right kind of effort, I felt that I might be able to reach out and take hold of it, like a ripe fruit…


Book I Was Most Obsessive About for a While

Lin Manuel Miranda & Jeremy McCarter: Hamilton The Revolution

Between Christmas 2017 and the time we went to see the Hamilton musical in April 2018, I had the soundtrack playing on repeat every single day, and these witty footnotes to the libretto and additional background on how the show came about was just what I needed. (Although I ostensibly bought the book for my son.)

Best Rediscovered Classic

J. L. Carr: A Month in the Country

I believe I can call this one a classic, although it was only written in the 1980s. Set in the 1920s, it has a very restrained, interwar novel feel about it, with a great deal of respect but no mawkish sentimentality for those who’d experienced the Great War. Also, a story of yearning rather than satisfaction, which reminded me of Brief Encounter.

Best Suspense Novel

Hanne Ørstavik: Love

To my complete surprise, it was not a crime novel which had me almost covering my eyes with fear and reading breathlessly, as if by putting this book down, I could endanger the characters in it, but this small, short story of a frustrated mother and a neglected boy on his birthday.

Best Biography

Ruth Franklin: Shirley Jackson. A Rather Haunted Life

Not that I read an awful lot of biographies this year, but this one would stand out any year.

Best Political Rallying Call

James Baldwin: The Fire Next Time

I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain

In short, we, the black and the white, deeply need each other here if we are really to become a nation – if we are really, that is, to achieve out identity, our maturity, as men and women. To create one nation has proved to be a hideously difficult task; there is certainly no need now to create two, one black and one white.

Best Regional Curiosity

Ödön von Horváth: Tales from the Vienna Woods

Social and class differences, urban vs. countryside contrasts, and the whole atmosphere of Vienna in the 1920s form the backdrop for this not necessarily terribly original story of love, envy, greed, betrayal, disappointment, but which rises to the universality of human experience like Greek drama.

Most Recognisable Situation

Sarah Moss: Night Waking

Scratch a little deeper beneath the amusing surface of modern family life with lively children and not-quite-there husbands, and you get something much deeper: the tension between academia (or any work involving thought and creativity) and motherhood, tensions within a couple, gender inequalities, class and culture differences.

Most Inspiring

Marina Tsvetaeva: Earthly Signs: Moscow Diaries, 1917-1922

Because she continued writing even in the direst of circumstances. [I chose the pseudonym Marina partly as an ‘homage’ to her.]

Best Escapism

Antti Tuomainen: Palm Beach Finland

Because it’s snort-out-loud funny, in the whole Fargo back comedy school of writing which I love. Speaking of which, Antti also features in the list below.

Best Crime Fiction

I had to choose my Top 5 Crime Fiction picks of the year for Crime Fiction Lover. Spoiler alert: one of them wasn’t fiction and one of them wasn’t a novel.

Best Book About the Yugoslav War

A topic that I will always, always find fascinating and emotional, so I saw a play and read two books about it this year. My favourite of those is probably Ivana Bodrožić: The Hotel Tito, because it is both a coming of age novel, as well as the story of displaced children.

Best Reread

Two compete for this category and they both still felt chillingly relevant today:

Tana French: Broken Harbour

George Orwell: Down and Out in Paris and London

Most Heartbreaking

Veronique Olmi: La Nuit en vérité

Olmi had already destroyed me with her piercing understanding of mother/child relationships, with all of its tender but also dysfunctional potential, in her masterpiece Beside the Sea. In this novel she returns to this theme, with a mother who is a housekeeper in a posh Parisian apartment with largely absent owners, and her lonely son who is being bullied at school.

Penelope Mortimer: The Pumpkin Eater

This story of an unravelling marriage and mother is just the right combination of funny, ironic, detached, cruel and devastating. A tour de force, hard to believe it was published in 1962, it still feels so modern. You might also want to read this poignant article about Mortimer’s marriage and life. “The outside world identified me as ‘ex-wife of John Mortimer, mother of six, author of The Pumpkin Eater’ [in that order]—accurate as far as it went, but to me unrecognisable.”

October 2018 Wrap-Up

This was a month of two halves: a rather humdrum, exhausting first half despite many cultural events, and a relaxing second half spent on holiday. Sadly, neither of the two halves did wonders for my reading: I was either too tired (first part) or too busy sightseeing and talking to people (second part) to read as much as I had planned.

I read no more than eight books, of which three were what one might call compulosry, i.e. for review for Crime Fiction Lover. Only two of them were in translation, and only two of them were by male authors.

Here are the books that I did manage to finish this October:

Sarah Moss: The Tidal Zone Planning to write a longer blog post on the writing and themes of Sarah Moss, so this will be an ongoing project over the next couple of months, to either read or reread each of her books.

Penelope Mortimer: The Pumpkin Eater – as part of the NYRB Fortnight and to fuel my ongoing fascination with mental health

Margaret Millar: Vanish in an Instant – she is a consistently good author of psychological thrillers, always a pleasure to read and reread her

Alex Beer: The Second Rider – translated  by Tim Mohr. A convoluted crime novel set in the poverty-stricken, decaying Vienna following the First World War, tremendously atmospheric. Review to follow on CFL.

Helen Jukes: A Honeybee Heart Has Five Openings  I’ve always been obsessed with beekeeping, ever since my great-uncle used to take me as a child to see his hives. This book is more of a personal memoir and enquiry into historical traditions and the folklore of beekeeping. It is also a description of how a human heart can be opened and become receptive to love more generally through the love of bees. Well-written and very enjoyable if you are at all interested in bees.

Murakami Haruki: Killing Commendatore  A whopper of a novel, which I read in just one weekend. I had a bit of a nostalgic fit about Murakami, whom I used to enjoy reading when I was younger, but who has impressed me less in recent years. While this was not entirely a return to form (far too long and repetitive, could have done with judicious editing), it was fun to read, or else I may be influenced by the Don Giovanni and many other cultural references.

Lisa Gabriele: The Winters  The book started well enough as an ingenious retelling of Du Maurier’s Rebecca, with the Mrs Danvers character transformed into a sulky and vicious teenager. Sadly, I felt it became a bit too predictable at the end, with not that much to distinguish it from the current crop of domestic thrillers. Full review to follow on CFL.

JS Fletcher: The Middle Temple Murder  An early crime novel to while away the evenings on holiday. It does show its age a little, but is nevertheless an enjoyable study of journalistic flair, fraud and courtroom shenanigans.

I’ve got stuck in a few books while on holiday, browsing through my parents’ bookshelves.  And bought far too many, causing my children to exclaim: ‘Can you never enter a bookshop and come out empty-handed?’ (I will do a separate post on new acquisitions, as I’d also ordered a fair few, which all arrived while I was away). Predictable consequence: I had to pay for the few additional kilograms of luggage (not just books, but also honey, jam, wine and quinces – the usual stuff that people bring back from home, right?)

Plans for November include of course German Literature Month. I’ve got 5 books ready and waiting on my bedside table, so all I can do is hope that I will get round to reading as many of those as possible.

Weekly Events and Giant Poetry Book Haul

When I said that I’d be cutting back on cultural events for financial reasons, I may have forgotten to mention that I’d already pre-booked myself pretty solid until mid-October. So there is still plenty to keep you and me entertained until then. Plus, I keep forgetting about my healthy resolution, as attested by this picture of all the poetry books I bought at the Poetry Book and Magazine Fair on Saturday.

But before I write about the Poetry Fair, let me mention the delightful evening with Sarah Moss at Waterstones Gower Street on Thursday night. Sarah Moss is one of my favourite living writers in the UK at the moment and I’ve become a completist about her. In fact, I’d just ordered the only book in her back catalogue which I haven’t read, Names for the Sea, but it didn’t arrive in time to get it signed. [I have yet to buy and read her latest one, Ghost Wall, but I am pacing myself, because what will I do when I finish all she has written to date?]

Sarah is every bit as intelligent, humorous, quirky and modest as you would expect from reading her books. I won’t say any more at this point, because I want to write a proper article about her books and include the things I learnt that evening. But let me just say that we all gasped out loud when she said that her process for writing a novel was to write the first draft then delete it and empty the trash folder so that she isn’t tempted to dig it out again, before embarking on ‘doing it again properly’.

On Saturday I trekked back to my workplace to take part in a workshop on how to put together a poetry pamphlet for publication with the lovely Rachel Piercey, who was until recently at Emma Press. It was a very informative, hands-on session, and I greatly enjoyed it, but it did mean that the afternoon wasn’t quite long enough to visit all of the stands, nor did I get to go to any of the poetry readings.

I was there as a multiple personality: 1) reader who loves poetry; 2) poet who wants to get a pamphlet out soon; 3) collaborator at a literary journal seeking to connect with other literary journals or find new translations/translators. I think I did well especially in the first category, because I soon ran out of both cash and space in my backpack. Here are some of my discoveries. 

Burning Eye Books specialises in publishing spoken word artists. Given my interest in cultural displacement and being the eternal outsider, I’m particularly looking forward to reading Amani Saeed’s work.
Brooklyn-based Ugly Duckling Presse has an Eastern European Poets’ series, and I couldn’t resist this little-known essay by my beloved Marina Tsvetaeva (in which she convinces herself to abandon her female lover and return to her husband), as well as the beautifully-produced 6X6 (6 poems by 6 poets) magazines.
Stranger Press is an up-and-coming small indie (not to be confused with Strangers Press at UEA), which produces simply exquisite illustrated poetry pamphlets and art books, as well as collectors’ objects. This particular book (in white, with a postcard beside it) by Steven J. Fowler is entitled I Fear My Best Work Behind Me and dances on a border between art and poetry.
A Midsummer Night’s Press is the lovechild and brainchild of American writer and translator Lawrence Schimel, who now lives in Spain. I snapped up books in the poetry in translation series, but the press also focuses on works inspired by folklore and mythology, and texts exploring sexual identity and gender. I got a poet from each of the Baltic States, plus Spanish/Catalan author Care Santos, who is best known for her novels.
I have examples here of each of the areas that Bad Betty Press specialises in: the Shots series, a small-format publication of a single long poem; pamphlet for a single poet; anthology with fifty poets writing about mental health issues.
Tapsalteerie is based in Aberdeenshire (Tapselteerie is Scots for ‘topsy-turvy’) and publishes poets based in Scotland, in English, Scots, Gaelic, with a focus on new writing.
I’d met V Press before, at the Flash Fiction Festival. In addition to flash fiction, they also publish poetry. V stands for ‘very very’ and it appears they are very, very good at what they do, as Rice and Rain has won the Saboteur Award for Poetry Pamphlet in 2018.
Sad Press is anything but sad: they publish really interesting experimental, graphic poetic work, as well as debuts and more established names. They have also just published Roz Kaveney’s translation of Catullus and Adam Roberts’ version of Vergil.
I read a little bit of this book during the workshop, as the person sitting next to me had it, and was captivated once again by the theme of bilingualism and losing one’s cultural identity. Ignition Press is based at the Oxford Brookes Poetry Centre and has started publishing only this year: three poets with three very different (international) outlooks on life.
These two books I got for my sons: a haiku anthology by The British Haiku Society and an anthology of women poets for my older son, to counteract the lack of women writers on his GCSE curriculum. The latter is published by Seren, based in Wales, one of the presses I aspire to be published by one day.
Let’s not forget the poetry magazines! Modern Poetry in Translation is always inspirational and I nabbed the last copy of a special edition on Korean poetry. Ambit is a well-established magazine publishing prose, poetry and art, ‘sometimes shocking, sometimes experimental, sometimes comic, always compelling’. Butcher’s Dog is a biannual poetry magazine in the North East of England.

It was lovely to see how many people were at the fair, although I suspect most of them were poets themselves. The poetry world is a world fuelled by passion and hard work rather than money, so it’s important to support other poets. And I think it can be said that I certainly did that! I also want to start reviewing poetry more frequently on the blog, as well.

Six Degrees of Separation October 2017

Hosted each month by Kate at Booksaremyfavouriteandbest, the Six Degrees of Separation meme picks a starting book for participants to go wherever it takes them in six more steps.

This month’s starting point is the Mexican author Laura Esquivel’s novel Like Water for Chocolate. I must be one of the few people who never saw the film adaptation of it, but I heard about it and was curious to read the book. I enjoyed its combination of recipes and home-spun wisdom, but I never quite understood the bestseller status of it.

 

 

Valeria Luiselli is another Mexican writer that I have started to really appreciate. So far I have only read some of her essays and interviews, and really enjoyed her fragmented, unusual yet very evocative novel Faces in the Crowd. But I definitely want to read more.

 

Another author I keep meaning to read more of is Sarah Moss. The novel Night Waking is the next one of hers that I have on my bookshelf, sitting nice and pretty and hoping I will pick it up.

 

Another novel with Night in the title is of course Tender Is the Night by F. Scott Fitzgerald, one of the most excoriating portraits of a marriage and expat society that I can imagine.

 

Speaking of expats, an example of expats behaving badly (or the extreme loneliness of expat life, if you are feeling kindly disposed) is Jill Alexander Essbaum’s Hausfrau. While I was intrigued by the depiction of a woman going amok in neat and ordered Zürich, it was not as enjoyable and innovative as Essbaum’s poetry, for which she is better known.

There are plenty of poets turned novelists but the one who never ceases to fascinate me is Rainer Maria Rilke’s one and only novel (a sort of semi-autobiographical journal-meditation) The Notebooks of Malte Laurids Brigge. Just mentioning it here makes me want to read it again – it is such a rich source of wonder and inspiration, made to be read again and again.

My final choice also refers to notebooks: Anna Wulf’s famous coloured notebooks (black for the writer, red for political activism, yellow for her memoirs, blue for a diary) in The Golden Notebook by Doris Lessing. A seminal work of feminist literature, which had a profound impact on me when I was in my teens.

So my journey this month takes me from cooking in Mexico to political demos in 1960s London, via New York, the Hebrides, the Cote d’Azure, Zürich and Paris. As always, I like to travel! You can follow this meme on Twitter with the hashtag #6Degrees or create your own blog post. Where will your 6 degrees of separation journey take you?

Sarah Moss: Signs for Lost Children

Actually, I wanted to read the latest book by Sarah Moss The Tidal Zone, but my local library did not have it. Then I thought her non-fiction book about living in Iceland might be of interest, or her book about the clash between motherhood and an academic career Night Waking. But guess what? They didn’t have those either, so I picked up Signs for Lost Children instead, looked at the blurb and thought: pioneering women in medicine? Meiji Japan? hmmm, intriguing topics…

That’s what is so amazing about Sarah Moss: every single one of her books is very different and yet each one sounds fascinating in its own right. There are far too few writers nowadays who can surprise without disappointing you from book to book.

signsforlostchildrenSigns for Lost Children is a gendered history of discovery. Tom and Ally, the newly married couple at the start of the book, discover new worlds, both outside and within the relatively narrow confines of Victorian society. They also go on intense personal journeys, are forever changed and may not find their way back to one another. Just a few weeks after getting married, Tom sets off to a rapidly modernising Japan to build lighthouses, while Ally stays behind in Cornwall to work in a women’s asylum.

At first the scrupulously alternating chapters between his voice and her voice, Japan and England, felt somewhat belaboured, especially since there was a bit of time lag between them (the time it takes for a letter to travel between the two countries by ship, perhaps). Later on, I began to appreciate the parallel structure: it was like watching a tree grow into two separate trunks, yawning apart.

The chapters on Japan were, of course, a delight for anyone who has ever visited Japan, but had a lot to say about British Empire as well (or present-day expats in exotic locations). The observations about Western blindness to Japanese nuance and traditions are spot-on, and the firm insistence that the Japanese should adapt themselves to Western standards, for example, that their chefs should cook English meals (which they slaughter mercilessly) is very funny.

Mrs Senhouse apologises again for the dinner. It is so hard to explain to Japanese servants what is required.

Tom sets down his fork. The food indeed requires apology. ‘Perhaps a Japanese cook would be more competent in preparing Japanese food?’

She wrinkles her nose. ‘It is the slimy things one cannot abide. Rice, of course, and clear soup, but I cannot expect Mr Senhouse to do a day’s work on such pauper food.

He thinks of the jinrikisha men, and the men who carried stones up the rocks for the lighthouses, and the men on the mountain farms.

Senhouse is also giving up on what is probably tinned ham cooked in salty brown sauce with some inexplicably gluey vegetable admixture. ‘The Japanese constitution is a mystery.’

Tom himself starts out dreading the tea ceremony and ends up appreciating it, even bringing it back with him to England. Of course, this is Meiji Japan we are talking about, the period when Japan opened up to the rest of the world after several centuries of isolation. They caught up with Western technology remarkably quickly, to the point where they started producing fake traditional goods for the Western visitors to take home as souvenirs.

Meanwhile, Ally begins to suspect that the women who are locked up in the Truro asylum are driven mad by their family life, and find more respite in the hospital itself, despite the harsh conditions there and the unsympathetic nurses.

… if all the women in here who speak of indecent things, who recount endlessly obscene acts and unnatural couplings, are speaking from unhappy experience, then their madness may be perfectly reasonable. May be the inevitable response of a healthy mind to things that should not happen. And if that is the case, then the primary problem is not so much with the minds of some women as with the acts of some men. Older men, almost invariably. Men with power.

Ally herself is susceptible to the anxieties which haunt these women. Growing up with a kindly but absent father focused too much on his own artistic career, a mother who shows more concern and sympathy for the general ills of the world than her own daughter and a sister who committed suicide, she experienced her own nervous breakdown early on. Nevertheless, she pushed herself to find her way as a female doctor in a world which is not quite ready for them yet, where even the most kindly friends and relatives do not understand her need to be working with mad people.

Author photo from Granta Books website.
Author photo from Granta Books website.

But will Tom understand her when he returns from Japan? Long-distance relationships are never easy, but in that particular time and place it must have been harder still. The author steers clear of both the saccharine and the bitter in describing the reunion. Will they each, separately or jointly, find that ‘place of healing and hope for the future as well as a distaste for the past’, which Ally is trying to create for her ‘lunatic’ women? The proto-feminist storyline blends seamlessly with the cross-cultural dimension: ultimately, it’s all about keeping an open mind, being curious and forgiving about others.

An elegant novel, with understated prose which nevertheless burns lyrically intense at times. I will certainly be reading more of Sarah Moss … if ever I can find her. (And isn’t that a beautiful cover?)