Writing Update Spring 2017

It’s been quite a while since I have had anything to report about my writing. There was an outburst of poetic creativity in October/November, followed by a more regular one hour a day minimum writing commitment for about 6 weeks in January/February. Then work, life, rejections and low mood got in the way and writing anything other than reviews or the occasional doggerel verse (aka poetry which is not worth submitting) became too much of an ask.

However, I firmly hope and believe that things are looking up now. I’ve found myself an accountability partner and we share writing ideas, progress, goals and rants on a daily or weekly basis. She is based in California and writes screenplays, but the time and genre difference works in our favour. Plus, we have known each other nearly all our lives, so we can be brutally honest with each other. We were at university together (she studied Mandarin, I studied Japanese) and our lives have moved, oddly enough, on parallel tracks ever since.

California beach, a picture sent by my friend.

So here are some concrete achievements I can mention:

  1. Geneva Writers’ Group literary journal Offshoots 14 will publish my poem To Love and to Cherish (Sept 2017)
  2. Alexa, What Is One Plus One? is featured on Poetry Breakfast today 24 April, 2017
  3. A Mother’s Advice will appear in The Dying Dahlia Review, 2 May, 2017
  4. Two of my poems will appear in a dVerse Poets anthology. Although I’ve had to cut back on my involvement in that poetry community over the past year or so, I have learnt so much from its dedicated, inventive, talented and generous members.
  5. My review of Katie Kitamura’s A Separation has appeared in Shiny New Books, which is one of my favourite go-to sites for reviews of a broad range of books.
  6. I wrote a feature on crime fiction from the Celtic fringe which have a link to ancient myths and legends for Crime Fiction Lover.
  7. I’m quite proud of writing some blog posts which go beyond poetry and book reviews, require quite a lot of thought and editing (even if they don’t always translate into high number of views, but you should know by now that it’s not millions of views that I am chasing): on the differences between the French and Anglo-Saxon attitudes towards creative writing courses (the very topic which was then coincidentally discussed a few days later in Ploughshares), a meditation on how to cope with being in limbo or purgatory, celebrating my 1000th blog post and what Max Weber and Emile Durkheim would have thought about our age of oversharing.

So here is an entirely gratuitous celebration gif with one of my current footballing favourites, Antoine Griezmann (because his diminutive size and cute little face reminds me of my younger son).

Finally, my new resolution is to return to my first WIP. The second WIP had ground to a standstill when life started imitating art (all except the murders, one hopes) and it became too painful to carry on. The first novel has the first draft fully written and is temporarily entitled Beyond the Woods (a translation of Trans-Sylvania, which is where most of the action takes place – NOT a vampire novel, I hasten to add). So all (all?!?) I need to do is edit.

Facebook Muse

When women update their Facebook status

with paeans of love to their partner, their rock,

I think: ‘Why can’t you tell him that in the kitchen at breakfast?

On a nice cosy Sunday, all snuggly and soft?’

 

I get it.  It’s all about celebration,

and shouting from rooftops:

‘I’ve found that soulmate, uniquely ideal,

and, guess what,

he’s still nice ten years down the line!’

 

It’s reaffirmation,

that life can be fairytold,

though graft and tears and disappointment can slime it,

if Prince Charming will share it

and be staunch at your side.

 

And then I wonder what it says about my life,

that I have no predilection to celebrate or shout.