A rather unusual Monday post for me – as I’ve just come back from completely offline holidays, so have had no time to plan or prepare a thorough post. My ‘What got you hooked’ feature will have to wait until next week, and my more in-depth, ‘impeccably researched’ reviews (at least to my mind, although I inevitably think of the best things AFTER I publish the review) will appear later during the course of this week. Children’s additional week of holidays permitting.
It was great to disconnect completely and to worry only about physical things. Will I be warm enough? Have I forgotten any goggles, gloves, boots, socks, hood, ski-helmets? Will my knees hold out for a full day’s skiing? Can I bear to carry those heavy skis a step further? And I promise you: there is nothing better than the sound of silence when you are the first down a piste, when you can feel the cold air on your face and hear the swoosh-swoosh of your skis turning in the fresh snow.
There may not have been an open fireplace in the evening to savour a hot chocolate with a dash of Chartreuse (the local speciality)… but turning in early in the evening and reading in bed was equally delightful.
My reading matter could hardly have contrasted more with the view outside. I was reading Eva Dolan’s two novels about present-day Peterborough, rife with poverty, immigration problems, prostitution and crime. Eva deftly describes a small town overcome by its social problems, and the resulting picture is grim, dark, with few glimmers of hope. Perhaps best read when you can look up from the page and see a sunny landscape, where the shadows are only picturesque.
You may think this sounds similar to J.K. Rowling’s ‘The Casual Vacancy’, which has just been adapted for TV. But it’s far better than that. First of all, both of Dolan’s books are proper crime novels, with suspense, pacing, mystery and enough twisty turns to keep any fan busy guessing. Secondly, they are pitch-perfect in describing the difficult social mix in present-day England: the tensions between the older and newer waves of immigrants; the anxiety about the overburdening of the social services, schools and hospitals; blatant and hidden xenophobia, as well as an increasingly nasty discourse about the undeserving poor and scroungers. It expresses all the fears that are beginning to haunt those of us who have not been born in the UK but have come there because of its reputation for tolerance and fair-mindedness.
Yet the immigrants described by Dolan are by no means all angels or innocent victims. Horrendous things happen to some of them (especially in the first novel ‘The Long Way Home’, which looks at unscrupulous companies employing foreign workers in inhumane conditions). But fear, distrust of the police force, misplaced national loyalties and the sheer desperation of survival makes them all act in dangerous ways, often not helping themselves at all in the process. So the characters are complex and flawed, and their views of the English are often quite funny (and not very complimentary).
The two investigating detectives are fascinating characters as well. Zigic was born and bred in England, but is of Croatian descent. He is usually the rational voice of the enquiry, patient, compassionate, a man sensitive to psychological and cultural nuances. And happily married, even though he wishes his wife weren’t quite so keen on an upwardly mobile lifestyle. His partner is the volatile, sparky Mel Ferreira, who came to the UK aged seven and whose Portuguese family run a pub in the local area. She relies heavily on gut instinct, is quick to flare up and take offence, yet it’s impossible not to fall in love a little with her ardent desire for social justice.
But what I love best about Dolan’s books is the depth of her writing. A multitude of voices – often voices that are never heard in English fiction – are present here. Every sentence is rich with nuance, with multiple layers of meaning. It’s like hearing a complex piece of music with many instruments, after the rather monotonous strumming of simple bands.
One small descriptive passage is enough to set up all the background and contrasts of Peterborough: the cathedral town visited by tourists and the rather more scummy underbelly.
There were pop-up stores selling cheap clothes and pound shops all with the same plastic tat outside them, four different gold-cashing places which would have been based in council flats in Bretton a couple of years ago. Now they were respectable, or near enough, fences with business cards and backstreet accountants, legitimised by austerity.
She turned into the Wheelyard, a few morning drinkers sheltering under the budding cherry blossoms ont he corner, then turned along a cobbled alleyway into the cathedral precincts, high stone walls rising above her, spackled with moss and noxious yellow lichen. A loud woman with a Home Counties accent was leading a group of tourists across the cathedral green…
These two books should be required reading for those who laugh at UKIP and other nationalist parties, believing that they could never come to power today. They should also be read by those who fear the unknown and who find themselves sympathising with hard-core immigration policies. They are not comfort reads, but extremely thought-provoking and realistic, in their unsettling depth and refusal to find easy, neat solutions.
In the last two years, there are only a handful of writers I encountered on the page for the first time got me so excited with their perfect blend of subject matter and style: Stav Sherez, Denise Mina, Louise Penny. Now I can add Eva Dolan to this group. And one more gratuitous picture to remind me of the perfect downhill descent.
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