March Reading Summary

The reading mojo is on its way back this month, although it has been quite heavily loaded on the crime fiction side of things. Out of the 15 books I read this month, 10 were by women writers and 12 were crime-related. That is the sort of comfort reading I crave, although I have also ventured into self-help, true crime and historical fiction.

Women on the cliff of change:

Katie Kitamura: A Separation – even this has a mystery at its heart, although of course it is about much more than death.  When the narrator’s husband goes missing in Greece, she does not have the heart to admit to her in-laws that they have been separated for six months, so she travels there to find him… and in the process finds herself.  A full review to come on Shiny New Books.

Rachel Cusk: Transit – Kitamura’s book reminded me very much of Cusk’s Outline, so I moved on to the second in the trilogy. This is also a series of vignettes about the people the narrator encounters as she sets to buy and renovate a property in London. A more subtle, less self-centred book than Kitamura’s.

Marie Darrieussecq: Men – read this one for France in the #EU27Project, about a French actress’s ill-fated passion for a black actor/film director as they prepare to film in the Congo.

Women in crime:

Susie Steiner: Missing, Presumed

Emma Flint: Little Deaths

Andrea Carter: Treacherous Strand – crime solved by a female solicitor on the Inishowen Peninsula in Ireland – review to come on Crime Fiction Lover

Aga Lesiewicz: Exposure – urban thriller set in hipsterland Shoreditch – gulped it down in one night, review to come on CFL

Louise Penny: The Beautiful Mystery

Non-Fiction:

Harriet Lerner: Why Won’t You Apologize?   – Psychologist Lerner examines why it’s so hard to offer a heartfelt apology and how to repair relationships and restore trust. Witty, candid and with some great personal examples, it’s a delight to read even for those who shun self-help books.

Helen Garner: This House of Grief – Deliberate revenge or tragic accident? Garner examines the court case of Robert Farquharson, who in 2005 drove into a dam with his three children. I expected this to be more of an examination of the background and family life which led to the tragic event described, but it really is a detailed account of the trial (plus appeal and retrial) and the reactions of the author and the people around her to the unfolding of procedures. Interesting, because it shows how subjective the law can be in court, how easily swayed public opinion (or the jury’s opinion). A great companion piece to Little Deaths.

Books for Review:

Matt Johnson: Deadly Game

Dylan H. Jones: Anglesey Blue

Antonin Varenne: Retribution Road

Just for fun:

Stephen May: Stronger Than Skin – psychological thriller from the man’s perspective, which makes a nice change. I admit that one of the two time frames, the Cambridge setting of the 1990s, played a big part in my decision, although I did not feel truly transposed into that world. A story of obsessive young love and more mature realisation of responsibilities and limitations. I did enjoy the poke at the pretentiousness of middle-class, middle-aged life, in particular through the unconventional character of Lulu, the photographer girlfriend of a former pupil of the main character Mark Chadwick. Goodness, that sounds complicated – I should have started that sentence elsewhere!

Terry Pratchett: Snuff – even when I pick something amusing from the library, there is still a crime element involved, as Sam Vimes finds a corpse waiting for him when he goes on holiday in the countryside.

 

Advertisements

What Got You Hooked on Crime, John Grant?

John Grant author photo (Meteor Crater, Arizona) (1)Nothing like shaking things up a bit, so it’s Wednesday rather than Monday this time for my customary questions about reading passions.

It’s my pleasure to introduce you today to a very prolific author and dynamic blogger, Paul Barnett. Under the name John Grant, Paul is an award-winning writer and editor, born in Aberdeen, Scotland but now living in New Jersey, USA. He has written more than twenty-five fiction books (mainly in the fantasy genre but also a couple of fantasy/crime crossovers) and non-fiction books on an eye-watering variety of subjects, such as Walt Disney’s animated characters, crank and corrupted science, fantasy and science fiction and, most recently, film noir. His second story collection, Tell No Lies, was published just before Christmas. He has won the Hugo (twice), the World Fantasy Award, and a number of other awards. You can find out more about John Grant and his books on his website, but I personally got to know him via his insightful reviews of films noirs. I was also delighted by his wry humour when commenting on this blog. You can also find Paul/John on Twitter @noircyclopedia.

How did you get hooked on crime fiction?

The first time I got hooked on crime fiction was probably through reading Sherlock Holmes stories during childhood. My mum tried to get me to read Father Brown stories too, but for some reason I didn’t enjoy them as much.

Another milestone came when, still during childhood, I went with the family for a short B&B holiday in the north of Scotland. It was one of those places where there wasn’t much to do except go look at the cemetery. Even this bit of excitement was out, though, because it rained the whole time. I swiftly worked my way through all the reading material I’d brought with me, and then discovered there was precisely one other book in the B&B, presumably left behind by a previous guest. That book was Ngaio Marsh’s Scales of Justice, and I can remember being most reluctant to read it. Aside from anything else, it wasn’t science fiction, which had become my genre of choice by then. But it was either read the novel or watch the rain on the windows, so in I plunged . . . and loved it. It didn’t entirely break me of my science fiction habit, but it meant that from then on there was the occasional crime novel tossed into the mix.

What really did it was something silly. By my late teens I was an editor at a book publisher on London’s Fleet Street. More or less just across the road was the St. Bride’s Public Library, which naturally became a haunt. The UK publisher Gollancz used to publish all of its science fiction and crime fiction in uniform yellow covers, which made it easy for me to find the stuff. It wasn’t long before I worked my way through all the Gollancz sf in the place, so I thought I might as well give those other Gollancz yellowjackets a go . . . One protracted binge later, plus another binge on Wilkie Collins, and crime fiction had become an important staple of my leisure reading. These past few years, in fact, it’s become predominant.

JG's shelves 2Are there any particular types of crime fiction or subgenres that you prefer to read and why?

I’m really not picky, to be honest. I try to make sure there’s a good admixture of translated work in there, just so’s I’m not always reading the same old, same old. I’m not hugely fond of modern cozies, although I do enjoy reading (or rereading) Golden Age mysteries, many of which are of course cozies. I like pulp hardboiled, although I haven’t yet read nearly enough of it to feel I’ve got a proper grasp of the subgenre. Scandi noir has become a favorite too, although I’m off it a bit at the moment having read a few over the past year or so that really didn’t impress me. I used to enjoy noirish urban fantasy until it became all werewolf detectives and nymphomaniac vampires. I’ve written a few stories in that fantasy/noir borderland myself (sans the werewolves and vampires, of course!).

What is the most memorable book you’ve read recently?

Oh, lordy, that’s a difficult one. I guess it would have to be Joël Dicker’s The Truth About the Harry Quebert Affair, which I read last autumn. I don’t know if it’s the best crime novel I’ve read recently, but it really spoke to me. It’s a very long book, but I devoured it in just three or four days and loved every minute of it. A good English translation (by Sam Taylor), too. Last year I was also impressed by Ariel S. Winter’s The Twenty-Year Death — another long book! — and blown away by my discovery of Karin Alvtegen.

But I’m not very good at ranking things. If you asked me this same question in just a few hours’ time, I’d be adding a few books, consternated because I hadn’t thought of them first time round.

If you had to choose only one series or only one author (crime fiction) to take with you to a deserted island, whom would you choose?

I’m not a great reader of series, although there are exceptions (Ian Rankin’s Rebus books, Peter Robinson’s Alan Banks books). Usually, though, I prefer standalones . . . and even with series books I generally leave a long enough gap between them so that they become in effect standalones. The one big exception to all this is Ed McBain’s 87th Precinct series. I gravitate towards these not just because of their near-uniform excellence but also, at least in part, precisely because of the series context. Mixing with Steve Carella and the rest of the gallant boys of the old Eight-Seven feels like coming home to me. In later years McBain was able to play all sorts of games using the basic format as a substrate — Fat Ollie’s Book, for example, is a marvelous piece of metafiction as well as hugely entertaining and funny — but I like the earlier ones too, where you knew exactly what you were letting yourself in for. So, yes, that’s the series I’d take with me to my desert island. An additional advantage of this series is that it gives me lots of books to read! In fact, I’ve even written a crime/fantasy novella, The City in These Pages, as a (surreal) homage to Ed McBain.

All of that said, I’m not sure McBain is the single author I’d choose to take with me. He might just get pipped at the post by Wilkie Collins, another prolific writer. Collins’s novels, for all their ups and downs in terms of quality, have a capacity to engross me — in a very schoolboy way, really: mouth open, eyes wide, turning the pages eagerly . . . Besides, it’s far too long since last I read most of them, so they’d make a good choice.

JG's shelves 1What are you looking forward to reading in the near future?

That’s another problematic one. My day job, as it were, is writing nonfiction books — such as (plug, plug) my recent YA book Debunk It! — and my research reading for these has to be pretty structured, as you can imagine. So I make it a matter of deliberate policy not to plan my leisure reading too far ahead. I have several bookcases full of stuff I haven’t read yet, and I enjoy browsing through these to select my next book on whim.

The big exception comes, of course, when I’ve borrowed books from the library. I know that I’ll soon be reading Alicia Gimenez-Bartlett’s Death Rites, recommended to me recently, because it has to go back to the library soonish. I’m trying to cut back on my library habit a bit, though, precisely because I enjoy not knowing what’s the next book I’ll read until I actually pick it out.

We recently bought a tablet to use as an e-reader, so that’s likewise stuffed with goodies waiting for me. A lot of them are public-domain items from places like Gutenberg. A small part of the motivation for getting the tablet was that I’d become interested in expanding my horizons to encompass some of the mostly US crime/mystery writers of the early 20th century about whom until recently I’ve known virtually nothing: Isabel Ostrander, Anna Katharine Green, Mary Roberts Rinehart . . .

I also want to get round to having a second — and long overdue! — bite at G.K. Chesterton’s Father Brown stories.

Outside your criminal reading pursuits, what author/series/book/genre do you find yourself regularly recommending to your friends?

Some fantasy/sf writers: Terry Pratchett, Diana Wynne Jones — both much missed — Tom Holt, Sylvia Louise Engdahl, Charles De Lint. In nonfiction: Martin Gardner, Paul Davies. Others: George Eliot, George Gissing. I recommend my own books interminably, of course, but only to strangers who don’t know my home address and whom I think there’s little chance I’ll ever run into again.

Thank you very much, John (or should that be Paul?) for a very entertaining look at your reading passions and for adding a huge amount of new authors to my TBR list (and not just for crime fiction, either). I am glad to see some old favourites there too, such as Wilkie Collins, Ed McBain and Terry Pratchett. 

For previous participants in the series, just follow this link. This series depends so much on your participation, so please, please let me know via Twitter or comments if you would like to share your criminal passions with us.