Another month has whizzed by and there has been quite a lot of crime reading going on, with a few unexpecteds cropping up on my planned list. 13 books, 6 of them by women writers, 6 of them crime, 5 of them foreign language books. All in all, 11 countries were visited in the course of the reading (if we consider Wales a separate country). Only one that I regretted spending time on and one DNF, but since the latter was short stories, I didn’t feel guilty about it at all.
Victor del Arbol: A Million Drops – moving saga of idealogy, betrayals and survival, set in Spain and Soviet Russia. To be reviewed on Necessary Fiction asap.
Ödön von Horváth: Tales from the Vienna Woods – anything but pretty story of 1920s Vienna, will be taking a closer look at translation on my lbog
Spike Milligan: Puckoon – farce which nowadays doesn’t seem quite so funny (and probably even less so in the 1980s).
Margot Kinberg: Downfall – for fans of academic environments and less violent crime, a rather sad story of young people being let down by private interests
Karin Brynard: Weeping Waters – review coming up on Crime Fiction Lover, but an excellent new series about South Africa, which does not shy away from controversial topics such as race and land ownership
Rebecca Bradley: Fighting Monsters – Hannah is back on form, trying to cope with new boss, new team member and a potential harmful leak within the police force
Iona Whishaw: It Begins in Betrayal – attractive feisty heroine is a retired WW2 spy, with wholesome Canadian characters and unsavoury European ones – great period piece and fun. Review to come on Crime Fiction Lover.
Hanne Ørstavik: Love – excellent build-up of emotion and dread
So, how has your reading been in March, and what are you looking forward to reading in April?
First proper day of Spring, apparently, so I thought I would take part once more in what is in fact a weekly (but to me more like monthly) meme hosted by Sam at Taking on a World of Words. It’s open for anyone to join in and is a great way to share what you’ve been reading! All you have to do is answer three questions and share a link to your blog in the comments section of Sam’s blog.
It’s nice to have friends who write crime fiction, as you have a never-ending supply of books that you want to read. I always make a point of reading the blog posts of Margot Kinberg and Rebecca Bradley, who are keen crime readers as well as writers, so it is an absolute pleasure to delve into their recent releases.
Rebecca Bradley: Fighting Monsters
This is the third book (plus a novella) in the crime series set in Nottingham and featuring DI Hannah Robbins and it’s fair to say that, as the book opens, Hannah has been through the mill. A colleague was killed in action (something she still blames herself for), she herself was wounded, her relationship with an attractive journalist has ended… and now it appears she may have a leak in her own team. How else would gang leader and cop killer Simon Talbot walk away freely and triumphantly after his trial, and in possession of the name of the witness who spoke out against him?
Margot Kinberg: Downfall
This is the fourth novel featuring ex-cop turned professor of criminal justice Joel Williams. In this book Joel is conducting some research with two friends of his into alternatives to prison for young offenders and come across the organisation Second Chance. In one of their schools a young boy died after sneaking out and climbing up a building on a construction site. But if it was merely an unfortunate accident, why is everyone trying so hard to cover it up?
Two rather emotional but very different reads, one slim and concise, taking place over the course of one night, one long and rangey, taking place over several decades and countries.
Hanne Ørstavik: Love, transl. Martin Aitken
The story of a single mother and her young son, both of them dreamers, both of them slightly naive and wanting to believe the best of people, both of them doomed to be forever disappointed. Over the course of one cold night, they roam around town, and your sense of foreboding gets worse and worse. A book that broke my heart a little.
Victor Del Arbol: A Million Drops, transl. Lisa Dillman
It’s being marketed as a crime novel, but it is more of a historical saga of betrayal and revenge, Fascism and Communism, in both Spain and the Soviet Union, as seen through the eyes of individuals who lived through those troubled times. The atrocious conditions of Nazino Island in Siberia were so vividly described that I thought it must be fiction, only to discover that this place really did exist.
I’ll be going to two countries I like very much (despite their -very different – problems) with my next two books: South Africa and Germany.
Karin Brynard: Weeping Waters, transl. Maya Fowler and Isabel Dixon
A young artist and her adopted daughter are brutally murdered on a farm near the Kalahari. But was this just a typical farm attack, or was it something more personal? Townie Inspector Beeslaar has his hands full trying to get his head around this landscape with its tensions, secrets and hostilities.
Ödön von Horváth: Jugend ohne Gott
I so enjoyed rediscovering Horváth in the German section of the library, that I already have my eye on reading another book by him, this time a novel about a teacher who watches, horrified, as his students become enamoured with racist and Fascist ideology.
Oh, dear, all the subjects seem rather grim as I write them up here. Clearly I’m not much of a believer in uplifting, feel-good literature, right?
Jelena Volić (Serbia), Bogdan Teodorescu (Romania), Eugen Chirovici (Romania), Indrek Hargla (Estonia).
A bit of a clanger at the start of the session! Although the moderator said it was an attempt to escape the dominance of Anglo-Saxon and Western crime fiction, he then proceeded by saying that Volić had been born in Budapest, at which she retorted: ‘No, another capital city starting with B – Belgrade.’ I suppose that just goes to show the ignorance about ‘Eastern Europe’ which is still quite common in the West – but then again, the room was packed, standing room only at the back while I sprawled out on the floor, so perhaps there was genuine curiosity and willingness to find out more.
The reason I put ‘Eastern Europe’ in quotation marks is because all of the authors remarked that this is very much a malleable concept rather than a geographical reality. Nowadays it has become more popular to say Central Europe, but without necessarily meaning it. Meanwhile, it could be argued that Estonia is more Nordic in feel and has very little to do with the Balkanic fellow panellists. So you couldn’t help feeling that the panel had been cobbled together purely because ‘well, you are all from that part of the world somehow’, without much thought or care going into the process or any attempt to find common themes.
The books themselves didn’t necessarily have anything to do with the East, either. Chirovici said his book takes place in the US and is all about the power of memory to falsify our recollections, nothing to do with the history or politics of Romania, past or present. Meanwhile, Hargla said his whole intention was to offer escapism, which is why he had gone for mysteries set in medieval times (the 15th century being also one of the most protracted periods of peace in Estonia’s troubled history).
So it was down to just Volić and Teodorescu to state that their books are making a political statement. Volić has written a crime novel set around the time of Srebrenica, because she wanted to show how ordinary humans cope with individual tragedies at a time of mass tragedy. She co-writes with German author Christian Schünemann and her books are primarily intended for a Western audience, as she thinks the Serbs are all too aware of the subjects she is addressing. There are no easy answers in a book which unflinchingly examines a country’s guilt, and attempts to forget or deny the evil acts of the past.
Teodorescu refers not to Romania’s past but its present-day issues in his novel Spada, which is the story of serial killer who targets criminal gypsies. Through the ambivalent public, political and media reactions to this killer, the author demonstrates just how easy it is to normalise the language of hatred, to raise the spectre of the ‘Demon Other’ and to lose any vestige of kindness and civilised behaviour in a democratic, open society in which 95% of people would describe themselves as ‘tolerant’. The book was published in Romanian a few years ago, but seems very timely with Trump’s America, Brexit Britain and now France and Germany possibly veering down the same path.
Victor Del Arbol (Spain), Marc Fernandez (France/Spain), Zygmunt Miłoszewski (Poland), Qiu Xiaolong (China).
The panellists started off by joking: ‘Welcome to the most depressing topic of the whole conference’, but in fact it was also one of the most fascinating topics, enabling us to see how totalitarian regimes have commonalities regardless of political leanings or culture. The moderator claimed that perhaps there was a Zorro instinct in each one of them, to uncover oppression and injustice through their fiction. While the authors themselves made no such pretentious statements, it was clear that giving voice to forgotten stories, to the vanquished, to truths which had been buried by the wayside was important to them.
Del Arbol said that espousing or allowing just one single truth is dangerous, that is what kills. He also considers himself Catalan, Spanish and European all at once and does not see why this should be a contradiction. Miłoszewski said that all countries have something in their past that they are less proud of, and that they want to remember only the glory days, but the role of the artist is to offer an alternative to the ‘official’ interpretation of the past, to remember the shameful incidents as well. That’s what true patriotism means. Otherwise, nostalgia for the golden past without any shades is merely nationalism. Fernandez also pointed out the conundrum of the perpetual outsider: in France is considered the Spaniard, in Spain he is considered too French. Qiu described his father’s humiliation as a member of the bourgeoise for daring to own a small perfume factory during the Cultural Revolution – and openly admitted he resented his father at the time for blocking any future career he might have had. He also told us how he was forced into exile in the US and had to start writing in English. This is the sad truth of all-pervasive state interference: ‘People don’t make the choices themselves – they have them made for them.’ He brought all this reluctant collaboration and ambiguity into Inspector Chen’s character.
Books and People
And here is my book haul – reasonably modest this year, as I was travelling with hand luggage only. One in German: the Thomas Willmann I mentioned in the previous post, two French authors (Marcus Malte and the only one I was missing by Jean-Claude Izzo, Chourmo, which also happens to be my favourite), three translations into French (Victor Del Arbol, Bogdan Teodorescu and an absurdist Russian novel by Olga Slavnikova), Ron Rash and David Vann in English (although they are much more expensive in France, of course, but I was keen to have them signed) and finally another Romanian author, Bogdan Hrib, with his first book translated into English (he is also Teodorescu’s Romanian publisher and there may be some exciting collaborations forthcoming, fingers crossed).
I got to meet many delightful authors, but got a little bit starstruck and forgot to take pictures. Apologies to the charming Ragnar Jonasson and Lilja Sigurdardottir for not pestering them for pictures. I was more than a little awestruck by Victor Del Arbol and David Vann, and I never got to speak to Cay Rademacher and David Young, but I did manage to take some pictures of the truly international Johana Gustawsson, the always bright and funny Dominique Sylvain (I believe it’s the 4th time I see here either in Lyon or Geneva) and newcomer – all the way from Australia – Jane Harper.
I was also lucky enough to receive an invitation to the preview of the first episode of the new (6th) series of Engrenages (better known as Spiral in the UK). I had already heard the main writer Anne Landois discuss her work in Lyon a couple of years ago, but this time she was joined by the producer at Canal+ and the actors playing the police officers Tintin and Gilou, as well as Judge Roban (the two women actors had other commitments). The series has been going strong for 12 years now, and the actors (plus or minus a few high-profile losses) have been together for pretty much the whole time and have become a tight-knit family. Anne said that she was constantly inspired by the actors to develop characters even farther, while the actors said they really felt they were part of something special, an emphasis on the personal lives of their characters as well as the investigation which is quite new to French TV.
Of course I cannot give anything away about the new series, otherwise they would have to kill me. Suffice it to say that the investigation will extend to the troubled Department 93 on the outskirts of Paris. Sadly, it is also Anne’s last season on the show, as it’s been a pretty full-time job for the past 10 years and she understandably wants to try something else. However, a new team of writers are already working on Season 7. Meanwhile, Season 6 will be out in September on French TV and hopefully soon afterwards on BBC4.