Friday Fun: Writer’s Rooms

So busy writing at the moment, that all I can think about are the most comfortable writing rooms or sheds possible, anything that will add to your ability to stick that bum on the chair and keep those fingers or pens moving (or that brain thinking).

First up, two American beauties:

Siri Hustvedt's desk, from The Guardian.
Siri Hustvedt’s desk, from The Guardian.
Laura Silverman's writing terrace, from An Afternoon With.
Laura Silverman’s writing terrace, from An Afternoon With.

The British contingent prefers history and a lived-in look:

Ian Rankin's study, from The Guardian.
Ian Rankin’s study, from The Guardian. I like the handcuffs!

You can keep any mess far away from the house, of course, with a shed. Luxury version first.

HIgh spec garden shed, from Garden Room Studio.
HIgh spec garden shed, from Garden Room Studio.

And the version that might actually fit into your garden:

More modest version, also from Garden Room Studio.
More modest version, also from Garden Room Studio.

And, finally, below is one that I came across on a walk through the forest yesterday. Adorable caravan conversion, wouldn’t you agree?


For more peeks into writers’ rooms, I can recommend the website I try not to indulge too frequently, but writers I’ve ‘stalked’ there include: Joanne Harris, Jenny Eclaire, Val McDermid, Clare Mackintosh, Jodi Picault, Linwood Barclay, Mark Billingham and – yes – Ian Rankin again.



A Room of One’s Own

Sorry to disappoint you, but I am not going to give you a summary or review or debate about Virginia Woolf’s seminal and polemical essay published in 1929 entitled ‘A Room of One’s Own’.  There is a detailed analysis of the book on SparkNotes, but reactions to this proto-feminist essay are usually mixed.  When I reread it recently, I was pleasantly surprised to find it much wittier and easy to read than I had remembered, and certainly more accessible than many of her novels.

Virginia Woolf's Study, from The Guardian Books website.

Anyway, the title of my post today has more to do with that essential element of a writer’s life: the space where they can do the actual writing.  I have nothing but admiration for those writers (Jane Austen, for instance) who manage to write in the family room, a constant victim of interruptions and misplaced curiosity.  For myself, I completely understand Virginia’s statement:

‘It is necessary to have five hundred a year and a room with a lock on the door if you are to write fiction or poetry.’

Except in my case it would probably be a treehouse as far away from friends, family and telephone as possible.  And an income that has kept pace with inflation would be nice too.

I have to admit that I suffer from a particularly pernicious form of property porn addiction.  I can spend hours, both online and off,  visiting writers’ homes and studies, soaking up the atmosphere, touching the desk at which they wrote their masterpieces… As if some detail of that place of creativity, some ritual or talisman that I could replicate in my own abode would make my imagination well up and my writing improve in leaps and bounds? Does genius rub off on those who contemplate it?

Toibin study
Colm Toibin's study, from The Guardian Books website

Alas, no, it just keeps me away from completing my novel and thus displaying any traces of genius at all.  However, if you too are prone to office envy, here are some gorgeous website where you can indulge (the photos are from these websites, thank you and hope I haven’t broken too many copyright issues if I refer you back to them):

The Guardian has a series dedicated to writers’ studies. Here is another favourite I keep handy in the My Pictures folder:

Francesca Simon's Study, The Guardian Books website.

And photographer Michael Mundy has a wonderful series dedicated to writers, artists, designers and other creative people, entitled ‘An Afternoon With…’

Ruth Marten, artist, illustrator. From

After studying these websites in detail (and visiting writer’s memorial homes, reading countless home decoration magazines, oooh, yes, I do my research thoroughly!), I have found my favourite writers’ rooms have the following in common:

1) They are large, airy, light spaces, with lots of windows – which may be inspiring, but also distracting.

2) Large desks, crammed full of  laptops, mementoes, writing blocks, pens, stationery – sometimes I wonder if we become writers just because we love stationery so much.

3) Lots of books and bookshelves, sometimes carefully arranged by subject and publisher, sometimes higgledy piggledy.  Will the writers of tomorrow have a more minimalistic space with a few choice gadgets e-Readers, iPads?

4) Practicality and functionality trump aesthetics and value – sentimental value seems to matter more than antiques, IKEA rather than design

So now, here is my dilemma in our new rental accommodation.

Mikael Kennedy, artist. From

What can be done with a narrow study leading just off the open-plan kitchen/diner/living room?  Width just 1.5 m, length just 3.20m, neutral white, just one window facing south towards the garden (some distraction from next-door neighbours, who are building an extension), no lock on door.  My old desk doesn’t fit, the filing cabinet must fit, no bookshelves yet (but IKEA here we come), the study also has to accommodate my business books, training courses and articles collected over many years, my accounting and other paperwork (for me and the family), plus  my husband’s endless collection of cables, CDs and other gadgetry.

I know I should be grateful that I have a space of my own at all, and I certainly look forward to actually ‘owning’ it, after two weeks of writing in bed, on the dining table, on my lap on the sofa and so on.  In the meantime, I seek solace in those beautiful, inspirational rooms that seem to recede further and further away the more I grow up (and old).