You may have seen the announcement yesterday about the Shortlist for the Young Writer of the Year Award. Just in case you have missed it (and admittedly, there has been a lot of newsy stuff to push it off the front page), here it is in its full beauty:
I have to admit that I am quite excited about this shortlist. You’ll probably think that I have to say that if I am part of the Shadow Panel, but the truth is I haven’t read any of them, so am curious and very much looking forward to becoming better acquainted with them.
First of all, I always like to see some poetry on a shortlist, and this time we have two volumes of poetry, both of them debut collections. Tongues of Fire by Sean Hewitt has been described as elegiac, moving, perceptive and lifting the spirits with simple language and complex thought. Meanwhile, Surge by Jay Bernard is an exploration in poetry of the New Cross Fire of 1981, linking that tragic event with Grenfell and more generally with the experience of being black in the UK nowadays.
Catherine Cho’s book Inferno is non-fiction, a memoir of the author’s time in a psychiatric ward in America, following a severe case of post-partum psychosis. Motherhood is a topic that endlessly fascinates me, and this book seems to express our deepest, darkest fears about becoming possibly a bad mother and harming our child.
Naoise Dolan is a young Irish writer, so obviously she has been compared with Sally Rooney. This is a novel about a young Irish expat stuck in a dead-end job in Hong Kong, and it has been described as a milennial love story hovering between deadpan and sincerity. I am a sucker for expat stories and cross-cultural observations, so this should do the trick for me.
Finally, Marina Kemp’s Nightingale is also a story about displacement, and sounds rather more conventional, according to the blurb at least. A young nurse is running away from her past and ends up in a remote Languedoc village, looking after a bedridden old bully of a man.
Poetry, motherhood, expat community and France – what more could I wish for? The list is tailor-made for me! I also find it interesting that all of these are debuts. I wonder if this has always been the case with this prize, or if it just happened to be a particularly strong year for debuts in 2020. While I like to think that debut writers are encouraged, I sometimes wonder if it’s been even harder for young writers on their second book to see it disappear without trace in a year of delayed publication dates, closed libraries and bookshops, and no in-person literary festivals.
So, which of these are you most excited about reading and why? Can I tempt you to read along at least one or two of these?
findingtimetowrite 