My Most-Owned Authors Book Tag

Susana at A Bag Full of Stories always prods me to join some fun blog posts about my reading habits. When I read her Favourite Books by Most-Owned Authors blog post, I was inspired to examine my own bookshelves. Some of the results might surprise you, they certainly surprised me!

But first: what constitutes a lot? I have very many authors with 3-4 books on my bookshelf. In some cases they died too soon (Sylvia Plath) or they haven’t written more (yet – I’m waiting impatiently, Eva Dolan). In other cases, the rest of their works might still be at my parents’ house (Barbara Pym, Penelope Fitzgerald, Colette, Rilke, Liviu Rebreanu and Arthur Schnitzler take a bow!).

If endless editions of the same book count, then Murasaki Shikibu is also abundant on my bookshelf, with 5 different translations of Genji Monogatari, as is Cavafy with several editions (some electronic) of his poems in translation, including a bilingual one in Greek and English.

So here are the remaining authors who are present with five or more books on my current bookshelves (some of them in e-book form but only where I couldn’t easily access physical volumes).

Old Favourites I Cannot Live Without

Virginia Woolf – When it comes to Virginia, I am a bit of a completist, so although some of her books are still in my parents’s house, I nevertheless have her complete diaries, some of my favourite novels and quite a few of her essays on my bedside table.

Franz Kafka – the plain white Fischer Verlag editions of all of Kafka’s novels, stories, letters and diaries which I bought when I was 13-14 have accompanied me wherever I lived in the world ever since.

Tove Jansson – As with Virginia, I am a completist when it comes to Tove and my latest purchase is a volume of her letters. If I include her biography and all the Moomin cartoons (collected editions) as well as the Moomin books which are currently on my sons’ bookshelves, she is probably the most omnipresent author in my house.

Jane Austen – All her novels, including her juvenilia and the unfinished ones, plus her collected letters

Jean Rhys – not quite as complete as she deserves – four of her novels, a collection of short stories, her autobiography, her letters and a biography by Lilian Pizzichini.

Murakami Haruki – well, he reminds me of my student days. I prefer his earlier work and have pretty much stopped reading him since Kafka on the Shore (although, admittedly, I did fall for the Killing Commendatore hype and pre-ordered it).

Marin Preda – one of the most famous Romanian writers of the post-war period, he became a bit of a national hero when he published his last novel The Most Beloved Human. It was almost instantly withdrawn from sale, when readers interpreted it as a virulent critique against the communist regime. A few weeks later, he died under mysterious circumstances – some say possibly related to this book. I have it in three volumes, but also other novels, including the one we all had to read in school, about the destruction of village life before, during and after WW2, Morometii. I’d kind of forgotten he was so prominent on my bookshelf though…

Serendipitous Purchases

Maj Sjöwall & Per Wahlöö – the whole Martin Beck series, so ten books – bought as a job lot on Book People for a very low price, one of the best purchases I ever made. I absolutely devoured the whole lot in about 1 month and return periodically to them. The parents of the whole Nordic noir genre.

Muriel Spark – Another job lot from the Book People, which includes many of my favourites (Loitering with Intent, A Far Cry from Kensington, Girls of Slender Means). However, it doesn’t have some of her more challenging works (The Mandelbaum Gate or The Abbess of Crewe). So I may have to invest at some point in buying some more (although I’ve borrowed most of them over the course of the years from the library).

More Recent Discoveries

Below are all authors that I’ve discovered in the past 6-7 years (in some cases, even more recently) and have taken into my heart – or at least could not resist buying more of them.

Pascal Garnier – It all started with a request in 2012 to review one of his first books to be translated into English (by Emily Boyce and published by Gallic Books) for Crime Fiction Lover. This was the book How’s the Pain? and I was smitten. I have since reviewed pretty much all of the books that have been translated, as well as hunted him down in French libraries and second-hand bookshops. I even am the proud owner of a book signed by him to a certain Marie Louise (I think Marina Sofia is close enough, don’t you?)

Kathleen Jamie – initially I bought and read her poetry books, because she was doing a poetry masterclass with us back in my Geneva Writers’ Group days, but I soon fell in love with her insightful essays and strong sense of place as well.

Sarah Moss – I’d read a shopping list written by Sarah Moss: I admire the way her mind works. I either own or have borrowed all of her books, but my favourite book might not be the one most people like – it’s Night Waking, because it captures so well the challenges of being a mother and scholar.

Javier Marias – I read A Heart So White in 2016 and was so impressed that I hastily bought several more of his books, including the trilogy Your Face Tomorrow but I haven’t actually gotten around to reading any of them.

Antti Tuomainen – an author I discovered a few books in, once he got published by Orenda, but I’ve bought his (much grimmer) back catalogue since and have particularly enjoyed his recent forays into black comedy.

Old Passions Reignited

Shirley Jackson – an author I’ve always admired but only been able to find in libraries rather than bookshops, at least until recently. Luckily, her books are now back in print courtesy of Penguin Modern Classics, so I have availed myself of several of those, as well as The Library of America collection of her most famous novels and stories. I also have the illuminating biography by Ruth Franklin, and even her stories of the chaos of family life.

Mihail Sebastian – I’d always admired him as a playwright and was particularly fond of his novel The Accident, because so much of it was set in the mountains and referred to skiing. But this past year I’ve read his diaries and much less sentimental, more polemical novel For Two Thousand Years and I fell in love even more with his voice and clear-sightedness.

Jean-Patrick Manchette and Georges Simenon – actually, both of them are present with just 2-3 books each, but in each case one volume contain about 11-12 novels (I’ve gone for Simenon’s ‘romans durs’, although I have a few Maigret volumes as well).

Now all I have to do is to actually work my way through all of these, since not all of them have been read. Plus, I’d quite like to reread many of them!

What Got You Hooked on Crime, Bernadette?

After a couple of failed attempts, I’m delighted to finally be able to feature one of my favourite crime reviewers here. Bernadette is joining us all the way from Australia, the land that book publishing forgot, as she humorously says on her blog Reactions to Reading. In an effort to improve international knowledge of Australian crime fiction, she also runs a blog called Fair Dinkum Crime and you can find her on Twitter too.

How did you get hooked on crime fiction?

Me ReadingI guess I can thank (or blame?) a combination of my mum and the librarian at our local branch of the Mechanics’ Institute (it didn’t become a Council operated public library until I was a teenager). Mum always took my brother and me along on her weekly trips to the library, so from early on I became as voracious a reader as she was. Early on I read the Famous Five and Bobbsey Twins, although apparently I derided these at an early age declaring them not to be criminal enough. I then moved on to Trixie Beldon and Nancy Drew, but it wasn’t long before I’d exhausted the kids’ stuff. So Agatha Christie, Arthur Conan Doyle, Nero Wolfe and Dick Francis followed. I’ve dabbled with other genres over the years – including a pretty intense horror phase in my teens – but I always make my way back to crime fiction.

Are there any particular types of crime fiction or subgenres that you prefer to read and why?

I used to say I give anything a go but that’s not really true anymore. If it ever was. I avoid some subjects all together – gangsters and mafia storylines top of the list – and am very choosy these days about reading books featuring serial killers. I guess it’s still possible that someone will come up with a new take on that trope but most of what I see is derivative and boring. I also avoid books that feature ‘too much’ gratuitous violence. I know that defining ‘too much’ is subjective but I am heartily sick of reading about the hacked up bodies of women (‘cos in the types of books I’m thinking of it is almost always women who are tortured and mutilated).

Other than the above-mentioned things, I try to read a mixture of subgenres but my heart will always be won over by a story with a point. I love a good yarn, and even more one that explores some political or social issue. Books that show me some aspect of life I am unfamiliar with or take me into some part of the world I’ve never been to (even those close to my backyard) or make me think differently about a topical subject are the sort of thing I look for these days.

What is the most memorable book you’ve read recently?

I’ve had a really great reading year so far but if pushed to choose just one I’d have to say Malla Nunn’s Present Darkness is the most memorable. Malla Nunn migrated to Australia from South Africa many years ago (lucky for us) but she sets her books in the country of her birth in the early days of apartheid. Present Darkness is the fourth book in her series and while I’ve thought its predecessors all excellent this one was her best yet. It does exactly what I was talking about earlier – it really gives readers a glimpse of the day-to-day grind and fear and inhumanity of being a black person living under that regime. Plus it’s a helluva yarn.

If you had to choose only one series or only one author to take with you to a deserted island, whom would you choose?

I’ve spent way too long thinking about this question. Way, way too long. The likelihood of me actually being stuck on a deserted island after having had an opportunity to select some books to take along is really, really tiny. So I know my answer doesn’t actually matter. But still…

For a while my answer was going to be Dick Francis. I have a soft spot for this author, partly due to him being one of my mum’s favourites. For years each time he had a new book out, we would both get hold of a copy and compare notes as quickly as we could. The other part of my fondness is due to the global availability of his books. When I was young and un-arthritic I did a fair bit of backpacking and the biggest problem was finding something to read (I am woefully monolingual). Even when travelling there is lots of down time but in a pre-Kindle world you couldn’t carry a dozen or more books. I have scoured newsstands and second-hand stalls in many countries of the world and can report that if you’re looking for something to read in English in some far-flung part of the globe you can just about guarantee to find novels by Barbara Cartland and Dick Francis (or at least you could in the late 80’s and 90’s when I was abroad). As I’ve never been a romance reader, I always opted for the Francis books and I am eternally grateful to his global appeal.

But I have read them all multiple times so think I would want something a bit fresher on my island sojourn. It is tempting to opt for a long series that I’ve never started – maybe Ed McBain’s 87th St. precinct novels for example – but what if I don’t like even the first one? How depressing to be stuck on an island with plenty to read and no motivation to do so.

So after way too much thought I’ve decided to opt for the novels of Reginald Hill. I’ve read enough of them to know that I like his style a great deal but some would be completely new to me and even those that would be re-reads are still fresh enough. If I were allowed two series/sets of authors I’d throw in the Martin Beck novels by Maj Sjowall and Per Wahloo. I’ve only read 2 or 3 of these and very much want to read them all. But there are only 10 and they’re very thin. Not bulky enough for a long stint on a deserted island.

TBRBookshelf
TBRBookshelf

What are you looking forward to reading in the near future?

I’ve just put all six books shortlisted for this year’s Petrona Award on hold at the library. In recent years I have thoroughly enjoyed expanding my reading horizons via the explosion in translated crime novels from across the globe. But I have a soft spot for this award named in honour of a fellow crime fiction lover who passed away far too soon. Her love of good quality crime fiction in translation has been ably honoured by the previous shortlists and I’m really looking forward to getting stuck into this year’s selection.

Outside your criminal reading pursuits, what author/series/book/genre do you find yourself regularly recommending to your friends?

I love historical fiction and not only the kind that involves murder. I think the book I’ve recommended most over the years is Geraldine Brooks’ Year of Wonders: plague, a strong female character, a not so subtle dig at religious hypocrisy – what more could you ask for?

Thank you so much, Bernadette, for your very amusing and candid observations; it’s certainly been worth the wait. I love the fact that all of my interviewees seem to assume a lengthy stay on a deserted island and are very much afraid of running out of reading material. As for me, I’d be terrified that I get rescued too soon and don’t have enough time to read everything!

What do you think of Bernadette’s choices? It reminds me that I certainly must read Malla Nunn, about whom I’ve heard such good things. You can see previous respondents in the series here and for future interviewees: well, you know the drill… Please let me know if you’d like to participate. I’m always eager to hear your recommendations.

Most Underrated Authors (Personal Selection)

Well, of course I owe it to everyone (and myself) to put a more positive spin on things.  It’s easy to vent about overrated books. It’s easy to be harsh with authors, especially when we cannot replicate their success.  But which books deserve a wider audience?  Because this is how I choose to define ‘underrated’ -not in terms of critical appreciation, but which should be better known. I try to stick to books which were either written in English or are easily available in translation. The issue of how little foreign literature is translated into English (although crime fiction seems to be the exception here) is a separate rant, which I will leave for another day.

1) Patricia Highsmith:

Yes, everyone has heard of The Talented Mr. Ripley (or at least lusted over Jude Law at his most gorgeous as Dickie Greenleaf in the Anthony Minghella film).  But Patricia Highsmith has written some of the most chilling psychological thrillers in the world.  So of course she is underrated, because she is usually shunted into the ‘just another crime fiction writer’ category.  What is perhaps most unsettling about her work is that her criminals/murderers are not evil monsters: instead, they are portrayed as confused, vulnerable humans, who find ways to justify even their most vile actions.  Very much like you and me, in fact.

2) Dorothy Parker:

Everybody quotes her witticisms, most people have heard of her ‘Men seldom make passes/at girls who wear glasses’, she was the most acerbic critic.  But how many have read her short stories?  They are funny and brilliantly observed, as you might expect. Her first-person monologues are as true-to-life and fresh (and as good an insight into tortured female psyche) as the day they were written (try ‘The Telephone Call’ or ‘The Little Hours’).  But they are also poignant and terribly painful at times.

3) Jean Rhys:

Speaking of poignant stories of no-hope, grim exploitation and cynicism, nobody does it better than Jean Rhys, especially in her short stories.  Like Barbara Pym (another underrated writer) she was forgotten and out of print for nearly two decades.  She is still largely unknown, with the exception of  ‘Wide Sargasso Sea’, the story of Mr. Rochester’s first wife.

4) Tove Jansson:

I adored the Moomins when I was a child, but only now, when I am rereading them with my children, do I realise just how much of a craftswoman the Finnish artist and writer really is.  The books work on many levels – they are absurd, funny, highly imaginative, yet also tinged with melancholy and asking profound questions.  And she has written books for adults too!  ‘The Summer Book’ brings back so many memories of childhood, a beautiful and unsentimental description of the relationship between a grandmother and granddaughter.

5) Maj Sjӧwall and Per Wahlӧӧ:

I’ve written about them before but they really are one of the earliest and best, most influential writers of crime fiction (of the police procedural type).  Whether you care for their Marxist leanings or not, you have to appreciate their realism, their deceptively simple prose, their subtlety and their questioning of all the values and treasured beliefs of society.

Looking at this list, I notice that my underrated authors are virtually all female (or a husband-and-wife team).  I wonder if there is something subconscious at work there, that I feel women’s literature (or the so-called women’s topics) are still regarded as somehow second-class.

What is your opinion?  Which authors have I missed out?  Is it easier to neglect women authors?  Thank you all so much for your honest and illuminating comments on the overrated books post.  I’d love to hear your thoughts on books and authors we should know better.