While bringing down books from the loft, I realised that I had some very ancient, almost forgotten books there, which have travelled with me across many international borders and house moves. Some of them are strange editions of old favourites, while some are truly obscure choices. I thought I might start a new series of ‘Spot the Weirdest or Most Obscure Book on my Shelf’. Although it can also be interpreted as ‘Books which don’t receive the buzz or recognition which they deserve.’ I would love to hear of anything on your shelves which you consider unusual or obscure or deserving of wider attention? How did you get hold of it? Why do you still keep it? What does it mean to you?
Still on the right-hand side of my home library, I have those fine hardback books or special editions, which are bigger and bolder and more expensive than my usual paperback collections.
Pierre Bourdieu: Outline of a Theory of Practice
Published ages ago in 1972, it was still a required text when I began studying anthropology but has fallen out of favour since, I believe. Yet its chapter on sources of power and ‘Modes of Domination’ still rings true and very prescient. Legitimising the established order is done not just through law, but through education, not just through ideology but also through:
the overt connection between qualifications and jobs as a smokescreen for the connection – which it records surreptitiously, under cover of formal equality – between the qualifications people obtain and the cultural capital they have inherited.
In other words, meritocracy is fantasy, in a world where the starting positions are already so weighed against certain categories of people. Bourdieu also notes that wealth , the ultimate basis of power, can only exert power durably when it is invested heavily with symbolic capital. The myth of those wonderfully talented bankers who are creating wealth for the nation, which will have a trickle-down effect, for instance.
This probably qualifies for ‘most boring cover’, because of course it is a serious work which cannot deal with such fripperies as design.
Barbara Pym: A Very Private Eye
This is an autobiography in diaries, letters and notebooks written by Barbara Pym., edited by her sister Hilary Pym and her friend Hazel Holt. Pym is one of my favourite English writers of the 20th century, but I knew very little about her life other than that she worked for the International African Institute for many years and had a sardonic view of anthropologists. This book was a present from a dear friend during my time in Cambridge.
Here is a lovely, poignant, feisty quote:
What is wrong with being obsessed with trivia? Some have criticised The Sweet Dove for this. What are the minds of my critics filled with? What nobler and more worthwhile things?
Alison Anderson: The Summer Guest
Alison is a wonderful writer and translator from French, part of the Geneva Writers Group. She has given us the voices of Muriel Barbery, Eric-Emmanuel Schmitt, Jean-Philippe Blondel, Amelie Nothomb, Anna Gavalda and LeClezio in English. This novel, published in 2016, is inspired by historical events and chronicles a summer in the life of Anton Chekhov and his friendship with a young girl, Zinaida, who is fatally ill. It is also the story of the missing manuscript of a novel that Chekhov is alleged to have written, so moves backwards and forwards in time. So there is a strong literary theme and a translation theme running through it, as well as a meditation on friendship and love which transcends time and place. Perfect summer reading, and I intend to do just that this summer…
findingtimetowrite 