Reading and Events Summary for January 2020

In addition to my Japanese reading extravaganza past and present, I had a very enjoyable month of reading, which almost made up for the fact that this month must have been at least seven weeks long, filled with school evenings, financial and other administrative matters, anxiety on our close about an attempted burglary and other dreary stuff. I read a total of 12 books, 4 for the January in Japan challenge (of which I only reviewed three), 5 which might be labelled crime fiction (or psychological thrillers, although I am starting to dislike the latter label, which has been overused recently), 5 in translation and 5 off my Netgalley list (I am sooo behind with my reviews there).

Other than books, I also had some more pleasant encounters this month than the ones with my mortgage advisor or bank manager. Here’s a quick summary:

Stranger Things Secret Cinema – It’s become a tradition that for my older son’s birthday on the 1st of January my present is an experience rather than an object. It may or may not be precisely on his birthday but it will fall in his birthday month, to make it slightly more bearable. We really liked watching Stranger Things on Netflix together, especially the first series, so this year we went to an immersive Stranger Things experience with some of his friends, dressed up as a rocker (him) and a New Romantic (me), enjoying 80s music, following a trail of clues and scenes from the series with actor look-alikes, all finishing with a sort of summary of the three series on giant screens.

The Irishman and Little Women – My older son has also become quite a film buff and is forever sharing his list of Top 50 films with me (subject to constant revision, of course, because there are so many of the classics he hasn’t seen yet). He liked both of the films above, but we agreed that Goodfellas is better than The Irishman (and shorter). Personally, although I loved the interpretation of Jo, and the beautiful, painterly backdrops and colours of Little Women, I didn’t fall quite as much in love with it as I was expecting.

Uncle Vanya at the Harold Pinter Theatre was a marvellous mix of frustration, seething resentments, luxuriously decaying scenery and excellent actors. Toby Jones was surprisingly good as Vanya (not because he is not a wonderful actor, but because I had a more louche, younger-looking Vanya in mind), while Aimee Lou Wood as Sonya broke my heart a little with her wide-eyed, coltish naivety. Above all, I liked the way the humour and bad behaviour was brought to the forefront, which is not always the case. Most adaptations of Chekhov are unbearably gloomy. Another thing which felt fresh was the prominence given to the doctor’s discourse about the loss of the forest, not just the demise of an old way of life but an actual environmental disaster.

Poetry Class – I trekked over to Chiswick to attend a Coffee House Poetry class with Anne-Marie Fyfe on the topic of homes and houses. Having lived in something like 20-30 houses throughout my life, you can imagine that I have a huge untapped reservoir there for poetic inspiration. The class (first of two, second to follow shortly) was full of talented and supportive people, and we were given challenging but interesting homework until next time. Now all I need to do is actually write… if I can find time for it…. What was the name of my blog again? Nothing’s improved in the past 8 years, then!

Meeting old school friends

At some point during our time there, the English School Vienna became the Vienna International School. For most of us, it was one of the happiest times of our lives, so of course we love meeting up after so long! Three of us girls were The Three Musketeers, while the others were the ‘annoying’ younger sisters or the ‘annoying boy’ who wanted to hang around with us. All very much loved and appreciated now, of course.

Making new blogging friends – I got to go to Uncle Vanya thanks to the lovely Aliki Chapple, whom I’d been chatting with occasionally on Twitter, so it was a great pleasure to meet her in real life. We share some common Greek experiences, as well as a passion for theatre (although in her case it is far more professional than mine). I also got to meet an old Twitter acquaintance Amateur Reader Tom, who was visiting London with his wife, an academic interested in both French and German history and literature. I introduced them to my favourite Greek restaurant near work and we chatted about France, Britain and the Quais du Polar (Tom lived in Lyon for a while). In future, I should make all my friends via Twitter or blogging, because after a few years of exchanging ideas about books, films and cultural events, you have so much more in common than you do with people you encounter randomly as neighbours or parents at school.

One other thing that has taken up virtually all of my ‘spare’ time this month, which has been as urgent as my admin (but nothing like as dreary) has been translation work. But more about that in a short while! Lots of exciting news coming up in this respect!

Plans for next month? What country should I ‘attack’ next? Since I am so busy translating myself, I actually want to read things written in English (because I seem to have forgotten all the slang and natural sounding expressions in English while translating), so I think I will opt for some English, Scottish, Irish and perhaps American memoirs and essays. I’ve already started with Deborah Orr’s Motherwell, while Janice Galloway, Kathleen Jamie, Jacqueline Rose’s Mothers and Maggie Gee have been waiting far too long on my shelves.

Most Obscure on My Shelves – the Hardbacks

While bringing down books from the loft, I realised that I had some very ancient, almost forgotten books there, which have travelled with me across many international borders and house moves. Some of them are strange editions of old favourites, while some are truly obscure choices. I thought I might start a new series of ‘Spot the Weirdest or Most Obscure Book on my Shelf’. Although it can also be interpreted as ‘Books which don’t receive the buzz or recognition which they deserve.’ I would love to hear of anything on your shelves which you consider unusual or obscure or deserving of wider attention? How did you get hold of it? Why do you still keep it? What does it mean to you?

Still on the right-hand side of my home library, I have those fine hardback books or special editions, which are bigger and bolder and more expensive than my usual paperback collections.

Pierre Bourdieu: Outline of a Theory of Practice

Published ages ago in 1972, it was still a required text when I began studying anthropology but has fallen out of favour since, I believe. Yet its chapter on sources of power and ‘Modes of Domination’ still rings true and very prescient. Legitimising the established order is done not just through law, but through education, not just through ideology but also through:

the overt connection between qualifications and jobs as a smokescreen for the connection –  which it records surreptitiously, under cover of formal equality – between the qualifications people obtain and the cultural capital they have inherited.

In other words, meritocracy is fantasy, in a world where the starting positions are already so weighed against certain categories of people. Bourdieu also notes that wealth , the ultimate basis of power, can only exert power durably when it is invested heavily with symbolic capital. The myth of those wonderfully talented bankers who are creating wealth for the nation, which will have a trickle-down effect, for instance.

This probably qualifies for ‘most boring cover’, because of course it is a serious work which cannot deal with such fripperies as design.

Barbara Pym: A Very Private Eye

This is an autobiography in diaries, letters and notebooks written by Barbara Pym., edited by her sister Hilary Pym and her friend Hazel Holt. Pym is one of my favourite English writers of the 20th century, but I knew very little about her life other than that she worked for the International African Institute for many years and had a sardonic view of anthropologists. This book was a present from a dear friend during my time in Cambridge.

Here is a lovely, poignant, feisty quote:

What is wrong with being obsessed with trivia? Some have criticised The Sweet Dove for this. What are the minds of my critics filled with? What nobler and more worthwhile things?

Alison Anderson: The Summer Guest

Alison is a wonderful writer and translator from French, part of the Geneva Writers Group. She has given us the voices of Muriel Barbery, Eric-Emmanuel Schmitt, Jean-Philippe Blondel, Amelie Nothomb, Anna Gavalda and LeClezio in English. This novel, published in 2016, is inspired by historical events and chronicles a summer in the life of Anton Chekhov and his friendship with a young girl, Zinaida, who is fatally ill. It is also the story of the missing manuscript of a novel that Chekhov is alleged to have written, so moves backwards and forwards in time. So there is a strong literary theme and a translation theme running through it, as well as a meditation on friendship and love which transcends time and place. Perfect summer reading, and I intend to do just that this summer…