Last Book Splurge, 2018

It’s not as bad as it looks, because some of these books are from the library (the thickest ones). I am clearly hoping for a quiet Christmas holiday period, with lots of reading. But I have to admit that I’ve also been tempted to spend more than usual on books this month, because in January my self-imposed book ban kicks in.

Christmas presents for the boys:

The full set – maybe something for the future.

They love manga and graphic novels, but I’m trying to get them to broaden their tastes, so I bought The Complete Maus by Art Spiegelman and one volume of Shigeru Mizuki’s monumnetal History of Showa Japan (the Second World War). That’s because my older son is quite keen on history. Keeping the Japanese theme going (given my own background and the fact that we are planning a trip to Japan in 2021), a beautifully illustrated volume entitled How to Live Japanese by Yutaka Yazawa. Another passion that unites us all is the love for our cat, Zoe, and the little book Test Your Cat should provide hours of entertainment. Two further books – the first ones I bought for them before I became a little too indulgent – are Thing Explainer by Randall Munroe for the future engineer, and Inventing Ourselves. The Secret Life of the Teenage Brain by Sarah=Jayne Blakemore for the argumentative future lawyer. Last but not least – although not strictly speaking a book – I also bought some sheet music for my older son, who’s recently started playing the keyboard: The Very Best of John Williams (a compromise between the classical music I like and the stuff that would be too complicated for him to play).

Christmas presents for myself:

I’ve renewed my subscription for another year with the Asymptote Book Club, as I get so much out of it, even when I sometimes struggle to keep up with the reading (it shouldn’t be the case, it’s only one book a month, right?). So the Christmas delivery is finally a book from Africa (come on, publishers, do translate more from that continent!). The Barefoot Woman by Scholastique Mukasonga is going to be an emotional read, I can foresee, based on the author’s mother’s story of trying to save children during the genocide in Rwanda.

On my last day at work I also finally made a trip to the nearby Persephone Bookshop, that so many of you have praised to the skies (or warned me about, depending on your level of concern for my financial health). I came away with 4 books that I wrapped up and gave to myself as Christmas presents. No one ever gives me books as a present because: a) I allegedly have too many already; b) I’ve read everything already; c) they don’t know what I like. To which my answers are: a) I can always squeeze in a few more and regularly give away to charity; b) no; c) pretty much omnivorous.

So my Persephone choices were:

Noel Streatfield: Saplings – simply because I grew up with Ballet Shoes and Curtain Up and White Boots and loved all the brave and talented young girls in her books. I know this is one for adults, but it’s about children suffering as a result of evacuation during the war.

Dorothy Whipple: Someone at a Distance – my first Whipple, the last novel she wrote, an author warmly recommended by the likes of Ali Hope , Jacqui and Simon Thomas. Plus, it’s about adultery and the breakdown of a marriage, a subject I feel rather an expert in!

Elisabeth De Waal: The Exiles Return – Edmund De Waal’s mother was born in Vienna and grew up there until they had to flee in the 1930s. She never got a chance to return, but in this novel her protagonists return from exile. Can you ever fit back into a place that pushed you out?

Dorothy Canfield Fisher: The Home-Maker – written in the 1920s but still surprisingly relevant today, about the frustration of stay at home mothers, and the challenges (and satisfaction) of role reversals among parents.

Little Bits Inspired by Twitter:

Uwe Johnson: Jahrestage (Anniversaries)

Readers whose opinions I respect were just going on and on about the recently translated 4 volume masterpiece and I’m such a herd animal that I had to check it out for myself. I found a second-hand Suhrkamp box-set edition dating from 1988 on a German bookshop website and ordered it. It may not be pretty, but it was affordable and should keep me busy for the next several years!

Fernando Sdrigotti: Shitstorm

I’ve been following Argentinian writer and editor of online literary journal Minor Literatures for a while now on Twitter. This novelette is about a wealthy nobody who goes viral when he slays a protected lion on the plains of Africa (remind you of any recent story?). Described as a sharp and perceptive chronicle dissecting the murky waters of viral news.

Katya Apekina: The Deeper the Water the Uglier the Fish

I think this one might have been mentioned on one of those ‘under the radar’ books of 2018. It sounds like a pretty hard-hitting story: two young girls who are sent to live with their estranged father after their mother’s suicide attempt. Besides, I’m always fascinated by people who write in languages other than their mothertongue (same applies for Sdrigotti, above).

Penelope Skinner: Linda

I saw this performed in November and discovered that there is a script published by Faber and Faber.

Shirley Hazzard: The Transit of Venus

I’ve read Hazzard’s satire about the United Nations bureaucracy in People in Glass Houses and her look at Anglo expat life in Italy in The Bay of Noon. She has a great eye for human foibles, but above all such stylish and precise sentences! She was mentioned in The Paris Review’s annual round-up of favourite reads and I realised that I’d quite like to read her book about two Australian sisters coming to live in England.

Ralph Dutli: Soutines letzte Fahrt (Soutine’s Last Journey)

When I wrote about seeing a Soutine exhibition at the Courtauld roughly a year ago, one of my blogger friends Shigekuni (aka Marcel Imhoff) drew my attention to this novel about the last few weeks of Soutine’s life, as he goes back to occupied Paris in 1943 for a potentially life-saving operation. On the way, in a morphine-induced haze, he remembers his childhood and life in exile.

From the Library:

C.J. Sansom: Lamentation

Would you be shocked to hear that I’ve never read any of C.J. Sansom’s historical fiction? I read Dominion, his alternate take on post-war Britain as a satellite state of Nazi Germany (and was not that fond of it). However, so many people whose opinion I respect have raved about his most recent novel Tombland and just generally about the Shardlake series, that I felt I had to give him the benefit of the doubt.

Elif Batuman: The Idiot

I’ve been meaning to read this book ever since I saw it shortlisted for the Women’s Prize for Fiction in the UK and for the Pulitzer Prize in the US. But mostly because it’s about a foreigner attending college in the US and trying to adapt to another culture. I cannot resist those ‘intercultural dialogues and misunderstandings’ themes. In the meantime, 180 pages in I realised that most of it was so dull that it didn’t make up for the few flashes of insight. So I abandoned it.

Claire Fuller: Bitter Orange

Simmering resentments and darkness, atmospheric, and the story of friendships knitted in the late 1960s – a good companion piece, perhaps to Sigrid Nunez The Last of Her Kind. I’ll read the two of them together.

I hardly dare to add up the total number of unread books lurking on my shelves, chests of drawers, bedside tables, in artistic piles on the floor etc. Suffice it to say that I think I might have a book to see me through every single day of 2019! So let’s get cracking!

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Last But One Book Haul of 2018

I still have some books that are winging their way towards me, and I may still be swayed by one or two reviews or recommendations before I close up book-buying-shop next year. Of course, I will still have the Asymptote Book Club subscription to stave off my hunger pangs. And a couple of hundred of unread books on my shelves…

So, with that caveat, what are my most recent acquisitions?

First of all, #EU27Project noblesse oblige, I had to find a book for Bulgaria and Slovakia. Well, strictly speaking, I’d already found a book for Slovakia but then I  met a translator from Slovakian, Julia Sherwood, at the Asymptote Book Club meeting, and so I had to buy one of the books she translated. This is Pavel Vilikovsky’s Fleeting Snow, a gentle set of reminiscences about a long marriage as the wife of the narrator gradually starts to lose her memory. A very different novel about the fall of Communism in Bulgaria, Party Headquarters by Georgi Tenev seems to not have found many fans abroad, but that rather incited me to read it and make up my own mind.

From publishers, I received two crime novels to review. Bitter Lemon Press sent Petra Hammersfahr’s novel The Sinner formed the basis for the recent TV series, although the setting has been changed from Germany to the US. Many of the links are more obvious in the book than in the TV series, so it’s interesting to compare the two. Meanwhile, Simon and Schuster sent RJ Bailey’s  Winner Kills All, featuring female Personal Protection Officer Sam Wylde. In the wake of the huge success of the TV series The Bodyguard, this book series may do very well indeed!

Most of the other new arrivals were the result of reading other people’s blogs. So hereby I am naming and shaming them! Kaggsy’s Bookish Ramblings is responsible for Portraits without Frames: Poems by Lev Ozerov, essentially a group portrait of Russian writers of the 1920s and 30s in free verse form. Jacquiwine’s Journal needs to take a bow for Brian Moore’s The Lonely Passion of Judith Hearne, although it may take a while until I summon up the courage to read this very sad tale. Melissa Beck, who blogs at Bookbinder’s Daughter, is the one who first drew my attention to Odessa Stories by Isaac Babel, translated by Boris Dralyuk (who also is one of the main translators of Ozerov). Last but not least, Kate at Books Are My Favourite and Best, with her #6Degrees link for December made me stumble across Black Run by Antonio Manzini, and I remembered I’d come across it before, mentioned by another Italian writer, and my ordering finger was once again hyper-active.

Who needs divorce lawyers sucking you dry, when your online friends also make sure they finish off your budget through their recommendations?

Incoming! Books Added to TBR

I was going to start a self-imposed book buying ban, but am postponing it to the New Year. So I am making the most of these last few weeks before it kicks in! So what have I acquired this week?

Orenda Books very kindly sent me Beton Rouge by Simone Buchholz to review. I somehow missed out on reading this German author’s first book translated by Rachel Ward, but dived straightaway into this second one. I was instantly smitten. It is to crime thriller what jazz music is to classical music. An unconventional, refreshing voice, one that I haven’t heard in German crime fiction since Arjouni, and I don’t mind at all crime taking second place in this novel. Full review coming up on Crime Fiction Lover, but I can’t resist sharing one of those little throwaway sarcasms which litter the book:

It always strikes me that tourists in Hamburg look completely different from tourists in Munich or Berlin… Perhaps they think Hamburg is already on the North Sea, although that’s a good thirty to fifty years off yet.

The next two are books I purchased following some Twitter and blogging discussions. Several of the bookbloggers I admire mentioned that Siri Hustvedt’s What I Loved was one of their favourite reads, so I found a second-hand copy of it to see what all the fuss was about. 

Karen, from Kaggy’s Bookish Ramblings, is already extremely knowledgeable about the Russian Revolution, but she asked for some reading recommendations to get up to speed about French revolutions (they had several, although we are mostly familiar with the 1789 one). My personal favourite revolution – can one have such a thing? (other than the one I lived through in 1989, about which I am conflicted anyway)- is the 1870 Paris Commune. So I starting reminiscing about what I had read on the topic and ended up ordering two books, one of which has already arrived. Donny Gluckstein’s The Paris Commune: A Revolution in Democracy is the Marxist interpretation of it, but, after years of indoctrination, I like to think that I know how to read beyond the ideology to the actual history. The book which is still on its way is Paris Babylon by Rupert Christiansen, which looks much more about the conditions which led to the Franco-Prussian war and the decadence and poverty which led to the Paris Commune.

Can’t resist an archive photo from the Commune de Paris, the barricade at Rue de Castiglione in one of the poshest central locations in Paris.

While waiting for my friend to show up to go to the RADA show on Friday, I popped into Waterstones in Gower Street and couldn’t resist two of those tiny Penguin Modern Classics. Fernando Pessoa’s poetry in I Have More Souls Than One, which led to a discussion with the bookseller if he should embark upon Pessoa (my answer: ‘Absolutely, but dip in and out rather than read it all in one go.’) and four short pieces by Anais Nin in The Veiled Woman.

The final book was an impulse buy from the Vintage Penguins which are strategically placed just opposite the cheap and cheerful Modern Classics. The title comes of course from Alice in Wonderland, the Mock Turtle’s song, and is used as an epigraph for the book:

“‘ Will you walk a little faster?’ said a whiting to a snail,

‘There’s a porpoise close behnd us, and he’s treading on my tail.'”

It’s a broad comedy about London theatrical life and trying to navigate your way through it. I’ve never heard of Noel Langley, but it appears he had several plays produced in the West End in the 1930s and later moved to the US, where he wrote screenplays, most notably for The Wizard of Oz. He moved from South Africa to England in the mid 1930s and I can’t help wondering if his experience as an ‘outsider peeking in and trying to fit in’ informed this book about two young and innocent drama students let loose in the big bad theatre world of the time. A light read for dark days!

Holiday Book Haul

I had to pay a rather absurd amount for overweight luggage, although it was only my suitcase that was 4 kilos overweight, my older son’s suitcase was 4 kilos underweight and my younger son had no suitcase at all. What can I say except: don’t fly TAROM, as they clearly try to rip you off. So what was in my luggage? Of course all the Romanian delicacies that I miss so much when I am back in England: wine, homemade jam and honey, herbs and tea leaves from my mother’s garden, quinces (shame I cannot bring the tasty organic vegetables or cheese or endless array of milk products – kefir, sana, drinkable yoghurt, buttermilk etc.).
And, naturally, I had to bring back some Romanian books and DVDs. Romanian cinema is not very well known but highly respected in a small niche community. I got a recent film Child’s Pose, winner of the Golden Bear in Berlin in 2013, which covers pretty much all the topics that interest me: domineering mothers, generational and class conflict, as well as corruption in present-day Romania. I also got two older films from the 1960s by one of the best Romanian directors, Lucian Pintilie: The Forest of the Hanged based on one of my favourite Romanian novels, and The Reconstruction. The latter was named ‘the best Romanian film of all time’ by the Romanian film critics’ association, although it was forbidden during the Communist period because it turned out to be too much of a commentary on the viciousness of an abusive, authoritarian society.
There are many beautiful bookshops in Romania nowadays, although not all of my pictures came out well. I certainly lived up to my reputation of not being able to enter any bookshop without buying something! Among the things I bought are Fram and Apolodor, a polar bear and a penguin homesick for their native lands, two children’s books I used to adore and which I am very keen to translate into English and promote for the BookTrust reading scheme for diverse children’s literature In Other Words
I succumbed to the lovely hardback edition of Mihail Sebastian’s diary from 1935 to 1944, such a crucial (and sad) time in Romanian history, especially from a Jewish point of view. I got two titles, both family sagas, by female authors that I already know and admire: Ileana Vulpescu and Hortensia Papadat-Bengescu (the latter is sort of our national Virginia Woolf, although not quite as experimental, but she nevertheless dragged Romanian literature into modernity).
Brasov Bookshop 1
I also bought some new contemporary writers to try out: Radu Pavel Gheo –  Good Night, Kids about emigration and coming back to the ‘home country’, Lavinia Braniste – Internal Zero, a book about young single women in Romania today, Ioana Parvulescu – Life Starts on a Friday, a historical crime novel or time-travelling story. Last but not least, I sneaked back one of my favourite books from my childhood Follow the Footprints by William Mayne. Nobody else seems to have heard of this book or this writer, although he has been described as one of the ‘outstanding and most original children’s authors of the 20th century’. Sadly, in googling him, I discover that he was also imprisoned for two years in 2004 for sexually abusing young girl fans, so that leaves a bitter taste in my fond childhood memory.
Brasov Bookshop 2
While in Romania, I received a fairly large pile of books back home in the UK to my cat sitter’s surprise, some for review, some I’d previously ordered. So here are the things which came thudding through my letter-box.
I went on a bit of a Murakami Haruki binge following the reading of Killing Commendatore. I suppose because the book was enjoyable but not his best work, I wanted to get my hands on some of my favourites by him that I did not yet own: The Wind-Up Bird ChronicleSputnik Sweetheart and South of the Border, West of the Sun. Unrelated, and possibly as a result of some Twitter discussion, I went on a Marian Engel binge – a Canadian author I had heard of, but never read. I had to search hard in second-hand stores but found The Honeyman Festival, Lunatic Villas and Bear (I had heard about this last one, the love story between a woman and a bear, and it sounds absolutely bonkers). Meanwhile, I decided I needed to up my game with Chinese women authors, so I bought two Shanghai-based stories of illicit passion, Eileen Chang’s Lust, Caution and Wei Hui’s more contemporary Shanghai Baby. I also read an extract from Anna Dostoevsky’s reminiscences about how she met and fell in love with Dostoevsky on Brainpickings, so I ordered a copy of her out-of-print memoir.
I make no bones about being an unabashed fan of Finnish crime writer Antti Tuomainen, but I realised that one of his books was still missing from my shelves – his first to be translated into English (and possibly his darkest) The Healer. And the final, thick tome to make its home on my bedside table is from the Asymptote Book Club. I am very excited to be reading Ahmet Altan’s first book in the Ottoman Quartet – yet another family saga – Like a Sword Wound. Currently imprisoned in Turkey for his alleged involvement in the 2016 coup attempt, Altan (better known in the West as a crusading journalist, but much loved and respected in his homeland for his fiction) is currently working on the final volume of the quartet in prison. Last, but not least, I also received a copy of Flash Fiction Festival Two, a collection of sixty micro fictions written by participants and presenters from the second Flash Fiction Festival in the UK, which I attended (and loved) in Bristol in July. I am delighted to be there among them with a tale about a kitchen!

Weekly Summary, 7 October 2018

The week started with an X-ray (no bones broken, luckily) and an ankle which got steadily better but still got painful and swollen at the end of the day, especially after a hectic commute or a long car ride. So I cancelled some of my plans, most notably the Winchester Poetry Festival, which I had been looking forward to for months. I bought the tickets back in April and was looking forward to seeing Kathleen Jamie, Pascale Petit and Rebecca Goss again, as well as listening to World Voices

There was another reason why I cancelled my trip to Winchester (which would have been an all day trip). Motherly guilt played a part.

At the time of booking, I thought it would be one of the weekends when the children would be with their father, but plans had changed. I’ve been going out quite a bit lately and not seeing them at all even on weekdays. I’d also just attended a parents’ evening about GCSE revision and felt I’d neglected my older son’s exam preparation. Although he is reasonably conscientious, he does need the occasional reminder or a check of his work. So in the end we spent Saturday going through all the exam topics and setting a timetable for revisions, especially with his mocks coming up at the end of November.

One event I did attend this week was at a small community theatre in Islington, The Pleasance, where I saw Aid Memoir by Glenda Cooper – a satire about international aid and TV appeals, making us question our own often patronising attitudes towards humanitarian crises and the ‘deserving’ recipients of aid. A short but really powerful piece of work (which chimed with my personal experience at both the giving and receiving end of the equation). You can read my full review here

Well, if I couldn’t go out much, then the books came to me. A modest haul by my standards this week (and about time too, I can hear you think!). I received my Asymptote Book Club title for September, which is a short story collection from the Asian continent (I will say more once everyone has received their copy). I also got a French edition of Finisterra by Carlos de Oliveira, following the enthusiastic review on The Untranslated blog. My supportive community of L’Atelier Writers recommended Sandra Scofield’s The Last Draft to encourage me to finally finish my darn novels. Let’s hope that it does the trick! And Raven Books have sent me an ARC of The Flower Girls by Alice Clark-Platts, out in 2019.

I have also selected two NYRB titles to take part in #NYRBFortnight, as seen on Lizzy Siddal’s Twitter feed. Penelope Mortimer’s The Pumpkin Eater is proving horribly timely, ferocious and funny so far. Meanwhile, Jakob Wasserman’s My Marriage (the man’s side of the story) may have to wait until November, when I will inevitably take part in German Literature Month, as hosted by Lizzy and Caroline. Other authors I may use for that month (from my Berlin haul): Eva Menasse, Marlen Haushofer, Fred Uhlman and Martin Suter.

Weekly Events and Giant Poetry Book Haul

When I said that I’d be cutting back on cultural events for financial reasons, I may have forgotten to mention that I’d already pre-booked myself pretty solid until mid-October. So there is still plenty to keep you and me entertained until then. Plus, I keep forgetting about my healthy resolution, as attested by this picture of all the poetry books I bought at the Poetry Book and Magazine Fair on Saturday.

But before I write about the Poetry Fair, let me mention the delightful evening with Sarah Moss at Waterstones Gower Street on Thursday night. Sarah Moss is one of my favourite living writers in the UK at the moment and I’ve become a completist about her. In fact, I’d just ordered the only book in her back catalogue which I haven’t read, Names for the Sea, but it didn’t arrive in time to get it signed. [I have yet to buy and read her latest one, Ghost Wall, but I am pacing myself, because what will I do when I finish all she has written to date?]

Sarah is every bit as intelligent, humorous, quirky and modest as you would expect from reading her books. I won’t say any more at this point, because I want to write a proper article about her books and include the things I learnt that evening. But let me just say that we all gasped out loud when she said that her process for writing a novel was to write the first draft then delete it and empty the trash folder so that she isn’t tempted to dig it out again, before embarking on ‘doing it again properly’.

On Saturday I trekked back to my workplace to take part in a workshop on how to put together a poetry pamphlet for publication with the lovely Rachel Piercey, who was until recently at Emma Press. It was a very informative, hands-on session, and I greatly enjoyed it, but it did mean that the afternoon wasn’t quite long enough to visit all of the stands, nor did I get to go to any of the poetry readings.

I was there as a multiple personality: 1) reader who loves poetry; 2) poet who wants to get a pamphlet out soon; 3) collaborator at a literary journal seeking to connect with other literary journals or find new translations/translators. I think I did well especially in the first category, because I soon ran out of both cash and space in my backpack. Here are some of my discoveries. 

Burning Eye Books specialises in publishing spoken word artists. Given my interest in cultural displacement and being the eternal outsider, I’m particularly looking forward to reading Amani Saeed’s work.
Brooklyn-based Ugly Duckling Presse has an Eastern European Poets’ series, and I couldn’t resist this little-known essay by my beloved Marina Tsvetaeva (in which she convinces herself to abandon her female lover and return to her husband), as well as the beautifully-produced 6X6 (6 poems by 6 poets) magazines.
Stranger Press is an up-and-coming small indie (not to be confused with Strangers Press at UEA), which produces simply exquisite illustrated poetry pamphlets and art books, as well as collectors’ objects. This particular book (in white, with a postcard beside it) by Steven J. Fowler is entitled I Fear My Best Work Behind Me and dances on a border between art and poetry.
A Midsummer Night’s Press is the lovechild and brainchild of American writer and translator Lawrence Schimel, who now lives in Spain. I snapped up books in the poetry in translation series, but the press also focuses on works inspired by folklore and mythology, and texts exploring sexual identity and gender. I got a poet from each of the Baltic States, plus Spanish/Catalan author Care Santos, who is best known for her novels.
I have examples here of each of the areas that Bad Betty Press specialises in: the Shots series, a small-format publication of a single long poem; pamphlet for a single poet; anthology with fifty poets writing about mental health issues.
Tapsalteerie is based in Aberdeenshire (Tapselteerie is Scots for ‘topsy-turvy’) and publishes poets based in Scotland, in English, Scots, Gaelic, with a focus on new writing.
I’d met V Press before, at the Flash Fiction Festival. In addition to flash fiction, they also publish poetry. V stands for ‘very very’ and it appears they are very, very good at what they do, as Rice and Rain has won the Saboteur Award for Poetry Pamphlet in 2018.
Sad Press is anything but sad: they publish really interesting experimental, graphic poetic work, as well as debuts and more established names. They have also just published Roz Kaveney’s translation of Catullus and Adam Roberts’ version of Vergil.
I read a little bit of this book during the workshop, as the person sitting next to me had it, and was captivated once again by the theme of bilingualism and losing one’s cultural identity. Ignition Press is based at the Oxford Brookes Poetry Centre and has started publishing only this year: three poets with three very different (international) outlooks on life.
These two books I got for my sons: a haiku anthology by The British Haiku Society and an anthology of women poets for my older son, to counteract the lack of women writers on his GCSE curriculum. The latter is published by Seren, based in Wales, one of the presses I aspire to be published by one day.
Let’s not forget the poetry magazines! Modern Poetry in Translation is always inspirational and I nabbed the last copy of a special edition on Korean poetry. Ambit is a well-established magazine publishing prose, poetry and art, ‘sometimes shocking, sometimes experimental, sometimes comic, always compelling’. Butcher’s Dog is a biannual poetry magazine in the North East of England.

It was lovely to see how many people were at the fair, although I suspect most of them were poets themselves. The poetry world is a world fuelled by passion and hard work rather than money, so it’s important to support other poets. And I think it can be said that I certainly did that! I also want to start reviewing poetry more frequently on the blog, as well.

Weekly Summary 16 September 2018

Back to work, school and literary life! I do love September and its routines, although this week has been very tentative about routines so far.

I was still recovering from my trip to Vienna at the start of the week and pleased that my older son is now a Mozart fan as well (thank you, Amadeus the film, despite all your inaccuracies!). On Wednesday night I was blown away by Janelle Monae live. On Thursday I trialled a contemporary dance class and enjoyed running low and artistically from one corner of the gym to another (yep, I’ll be going regularly). On Saturday I attended a workshop organised by The Word Factory and run by Isabel Costello and Voula Tsoflias on developing your resilience as a writer. A very necessary and helpful session, which I hope will act as a kickstarter for me, as I’ve stopped submitting for about a year now, when the double dollop of rejection from writing and job applications got too much. Good news, however, about the one piece I did submit – one of the pieces I wrote during the Flash Fiction Festival in Bristol this July, was accepted!

Another news item which made me very happy was that two Asymptote Book Club titles are on the first-ever longlist for the National Book Award for translated literature in the US. That is a HUGE achievement in just 9 months of existence of the Book Club. We clearly have a very wise team of editors who know how to pick the right titles (I can be immodest because it is not me that is involved in the final choice). We are going to be expanding the membership to the EU countries shortly and also organising some events, so plenty of exciting work ahead! If you are thinking of joining or renewing your membership, we have a flash sale going on this weekend. To ring in our milestone 30th issue, sign up for a three-month subscription by 2359hrs today (in your timezone) and get 10% off. And if you are wondering how you can fit in 12 additional books from all over the world to add to your tottering TBR pile, there is also an ‘every other month’ subscription option if you sign up for a whole year (with the corresponding price reduction, of course).

Had to include the Italian edition, because I love the cover.

Last but not least, here are the three books which will be joining my bedside table pile this week.

  1. Asymptote Book Club’s August title is Brice Matthieussent’s Revenge of the Translator, translated by Emma Ramadan, which sounds like a postmodern confection of utter delight (a translator tries to justify the changes he makes to the novel’s plot and then blurs the lines between reality and text).
  2. Endo Shusaku’s Scandal, transl. Van C. Gessel, is also about a novelist, keeping up appearances and disturbing sexual appetites (it will make an interesting comparison with Leila Slimani’s Dans le jardin de l’ogre, which I’ve just reread for a review).
  3. Patricia Laurent: Santiago’s Way, transl. Geoff Hargreaves. A huge hit and prizewinner in Mexico, this one was translated a while ago but hasn’t received much attention here. The blurb makes me think of Zero by Gine Cornelia Pedersen.  “Imagine that all your life you’ve been guided by someone else. Someone who’s steered you away from trouble, taken you across the world, brought you success. He’s called Santiago and he lives in your head—and now he’s turned against you.”